{"id":10,"date":"2009-04-03T14:46:18","date_gmt":"2009-04-03T12:46:18","guid":{"rendered":"http:\/\/www.videospotting.org\/eng\/?page_id=10"},"modified":"2023-02-09T16:28:58","modified_gmt":"2023-02-09T14:28:58","slug":"artists","status":"publish","type":"page","link":"https:\/\/www.videospotting.org\/eng\/artists","title":{"rendered":"Artists"},"content":{"rendered":"<p><a href=\"#a\">A<\/a> | <a href=\"#b\">B<\/a> | <a href=\"#c\">C<\/a> | <a href=\"#\u010d\">\u010c<\/a> | <a href=\"#d\">D<\/a> | <a href=\"#e\">E<\/a> | <a href=\"#f\">F<\/a> | <a href=\"#g\">G<\/a> | <a href=\"#h\">H<\/a> | <a href=\"#i\">I<\/a> | <a href=\"#j\">J<\/a> | <a href=\"#k\">K<\/a> | <a href=\"#l\">L<\/a> | <a href=\"#m\">M<\/a> | <a href=\"#n\">N<\/a> | <a href=\"#o\">O<\/a> | <a href=\"#p\">P<\/a> |<a href=\"#r\">R<\/a> |<a href=\"#s_\">S<\/a> | <a href=\"#\u0161\">\u0160<\/a> | <a href=\"#t\">T<\/a> | U | <a href=\"#v\">V<\/a> | <a href=\"#z\">Z<\/a> | <a href=\"#\u017e\">\u017d<\/a> | <a href=\"#y\">Y<\/a> | <a href=\"#w\">W<\/a><\/p>\n<div class=\"crta\"><\/div>\n<p><a name=\"a\"><\/a><strong>A<\/strong><\/p>\n<p><strong>Zemira Alajbegovi\u0107<\/strong><\/p>\n<ul>\n<li><em>Quick Slow<\/em>, 2005 [<a href=\"http:\/\/www.videospotting.org\/eng\/private-public-2005\">Private-Public (2005)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/the-meaning-of-time-2009\">The Meaning of Time (2009)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/keyword-food-12-2011\">Keyword: Food [12] (2011)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/in-praise-of-dreams-video-art-from-the-90s-2019\">In Praise of Dreams. Video-art from the 90s (2019)<\/a>]<\/li>\n<li><em>P.O.R., Burn out #9<\/em>, 2003 [<a href=\"http:\/\/www.videospotting.org\/eng\/keyword-food-12-2011\">Keyword: Food [12] (2011)<\/a>]<\/li>\n<li><em>Vortex<\/em>, 2000 [<a href=\"http:\/\/www.videospotting.org\/eng\/recent-video-works-2000\">Recent Video Works (2000)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/diva-station_presents-2009\">DIVA Station_Presents (2009)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/intimising-dance-2011\">Intimising Dance (2011)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/awaiting-the-future-2017\">Awaiting the Future (2017)<\/a>]<\/li>\n<li><em>Within Four Walls<\/em>, 1999 [<a href=\"http:\/\/www.scca-ljubljana.si\/en\/cheers-to-women-25-years-of-film-and-video\/\" target=\"_blank\" rel=\"noopener noreferrer\">Cheers to Women! 25 Years of Film and Video (2019)<\/a>]<\/li>\n<li><em>\u0160KUC &#8211; R.O.P.O.T.<\/em>, 1988 [<a href=\"http:\/\/www.videospotting.org\/eng\/the-dark-alter-2012\">The Dark Alter (2012)<\/a>]<\/li>\n<li><em>Tereza<\/em>, 1983 [<a href=\"http:\/\/www.videospotting.org\/eng\/in-praise-of-dreams-video-art-from-the-90s-2019\">In Praise of Dreams. Video-art from the 90s (2019)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/selection-from-the-diva-station-archive-an-escape-into-experiment-2021\">Selection from the DIVA Station Archive: An Escape into Experiment (2021)<\/a>]<\/li>\n<\/ul>\n<p>&gt;&gt;&gt; See also <strong><a href=\"#zank\">ZANK<\/a><\/strong><\/p>\n<div style=\"height: 25px;\"><\/div>\n<p><strong>Anonimus<\/strong><\/p>\n<ul>\n<li><em>Circle.doc<\/em>, 2006\/2007 [<a href=\"http:\/\/www.videospotting.org\/eng\/one-minute_sao-paolo-2007\">One Minute_S\u00e3o Paolo (2007)<\/a>]<\/li>\n<\/ul>\n<div style=\"height: 25px;\"><\/div>\n<p><strong>Ur\u0161ka Aplinc<\/strong><\/p>\n<ul>\n<li><em>Slide<\/em>, 2014\u00a0[<a href=\"http:\/\/www.videospotting.org\/eng\/downhill-new-acquisitions-of-diva-station-2021\">Downhill. New acquisitions of DIVA Station (2021)<\/a>]<\/li>\n<\/ul>\n<div style=\"height: 25px;\"><\/div>\n<p><strong>Nika Autor<\/strong><\/p>\n<ul>\n<li><em>Newsreel 63 \u2013 The Train of Shadows<\/em>, 2017 [<a href=\"http:\/\/www.scca-ljubljana.si\/en\/cheers-to-women-25-years-of-film-and-video\/\" target=\"_blank\" rel=\"noopener noreferrer\">Cheers to Women! 25 Years of Film and Video (2019)<\/a>]<\/li>\n<li><em>Postcards<\/em>, 2010 [<a href=\"http:\/\/www.videospotting.org\/eng\/fresh-perspective-2016\">Fresh Perspective (2016)<\/a>]<\/li>\n<\/ul>\n<div style=\"height: 25px;\"><a name=\"autor-sebjanic\"><\/a><\/div>\n<p><strong>Nika Autor &amp; Robertina \u0160ebjani\u010d<\/strong><\/p>\n<ul>\n<li><em>Niro<\/em>, 2006 [<a href=\"http:\/\/www.videospotting.org\/eng\/eyedentify-yourself-2006\">Eyedentify Yourself (2006)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/exhibitions\/vs_bergen\">VS_Bergen (2008)<\/a>]<\/li>\n<\/ul>\n<div class=\"top\" align=\"right\"><img decoding=\"async\" style=\"padding-right: 5px;\" src=\"http:\/\/www.videospotting.org\/wp-content\/themes\/videospotting-tema\/images\/top.gif\" alt=\"\" \/><a href=\"http:\/\/www.videospotting.org\/eng\/artists\">top<\/a><\/div>\n<div class=\"crta\"><\/div>\n<p><a name=\"b\"><\/a><strong>B<\/strong><\/p>\n<p><strong>Martina Bastarda<\/strong><br \/>\n&gt;&gt;&gt; See <a href=\"#bastarda-ocepek-skusek\"><strong>Martina Bastarda, Mateja Ocepek, Nata\u0161a Sku\u0161ek<\/strong><\/a><\/p>\n<div style=\"height: 25px;\"><a name=\"bastarda-ocepek-skusek\"><\/a><\/div>\n<p><strong>Martina Bastarda, Mateja Ocepek, Nata\u0161a Sku\u0161ek<\/strong><\/p>\n<ul>\n<li><em>Pissing<\/em>, 2002 [<a href=\"http:\/\/www.videospotting.org\/eng\/race-with-time-performance-in-a-rear-view-mirror-2014\">Race with Time. Performance and Video in a Rear-view Mirror (2014)<\/a>, <a href=\"http:\/\/www.scca-ljubljana.si\/en\/transgression\/\" target=\"_blank\" rel=\"noopener\">Transgression? (2020)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/all-paths-lead-to-dreams-2021\">All paths lead to dreams (2021)<\/a>]<\/li>\n<\/ul>\n<div style=\"height: 25px;\"><\/div>\n<p><strong>Mirjana Batini\u0107<\/strong><\/p>\n<ul>\n<li><em>Medusa<\/em>, 2006 [<a href=\"http:\/\/www.videospotting.org\/eng\/man-and-environment-2010\">Man and Environment (2010)<\/a>]<\/li>\n<\/ul>\n<div style=\"height: 25px;\"><\/div>\n<p><strong>Nata\u0161a Berk<\/strong><\/p>\n<ul>\n<li><em>T\u00f6rpe<\/em>, 2006 [<a href=\"http:\/\/www.videospotting.org\/eng\/one-minute_2006-2007-2008\">One Minute_2006-2007 (2008)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/concrete_recollected_constructed-2008\">Concrete_Recollected_Constructed (2008)<\/a>]<\/li>\n<li><em>PolyPlay \/ Demo Version<\/em>, 2004 [<a href=\"http:\/\/www.videospotting.org\/eng\/eyedentify-yourself-2006\">Eyedentify Yourself (2006)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/exhibitions\/vs_bergen\">VS_Bergen (2008)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/downhill-new-acquisitions-of-diva-station-2021\">Downhill. New acquisitions of DIVA Station (2021)<\/a>]<\/li>\n<\/ul>\n<div style=\"height: 25px;\"><\/div>\n<p><strong>Ur\u0161ula Berlot<\/strong><\/p>\n<ul>\n<li><em>Inverse Space<\/em>, 2017 [<a href=\"http:\/\/www.videospotting.org\/eng\/beyond-the-visible-new-acquisitions-of-diva-station-2020\">Beyond the visible. New acquisitions of DIVA Station (2020)<\/a>]<\/li>\n<li><em>Liquid Solidity<\/em>, 2017 [<a href=\"http:\/\/www.videospotting.org\/eng\/selection-from-the-diva-station-archive-an-escape-into-experiment-2021\">Selection from the DIVA Station Archive: An Escape into Experiment (2021)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/back2back-tatiana-kocmur-2023\">Back2Back: Tatiana Kocmur (2023)<\/a>]<\/li>\n<li><em>Pulsation<\/em>, 2007 [<a href=\"http:\/\/www.videospotting.org\/eng\/the-world-is-obliged-to-live-you-2017\">The world is obliged to live you (2017)<\/a>]<\/li>\n<li><em>Installations 2004-2007<\/em>, 2007 [<a href=\"http:\/\/www.videospotting.org\/eng\/random-tape-destruction-2010\">Random Tape Destruction (2010)<\/a>]<\/li>\n<\/ul>\n<div style=\"height: 25px;\"><\/div>\n<p><strong>Ur\u0161ula Berlot &amp; Sun\u010dana Kulji\u0161<\/strong><\/p>\n<ul>\n<li><em>Bodyfraction<\/em>, 2020 [<a href=\"http:\/\/www.videospotting.org\/eng\/kiblix-from-the-archives-of-the-diva-station-2021\">Kiblix: From the Archives of the DIVA Station (2021)<\/a>]<\/li>\n<\/ul>\n<div style=\"height: 25px;\"><\/div>\n<p><strong>Bratko Bibi\u010d<\/strong><\/p>\n<ul>\n<li><em>In the Family Garden 1<\/em>, 1999 [<a href=\"http:\/\/www.videospotting.org\/eng\/back2back-matevz-jerman-2022\">Back2Back: Matev\u017e Jerman (2022)<\/a>]<\/li>\n<\/ul>\n<div style=\"height: 25px;\"><\/div>\n<p><strong>Sara Bezov\u0161ek<\/strong><\/p>\n<ul>\n<li><em>www.s-n-d.si<\/em>, 2021 [<a href=\"http:\/\/www.videospotting.org\/eng\/looking-to-the-bright-future-2022\">Looking to the bright future! (2022)<\/a>]<\/li>\n<li><em>Computering_preview<\/em>, 2019 [<a href=\"http:\/\/www.videospotting.org\/eng\/selection-from-the-diva-station-archive-an-escape-into-experiment-2021\">Selection from the DIVA Station Archive: An Escape into Experiment (2021)<\/a>]<\/li>\n<li><em>Cyberstalking<\/em>, 2019 [<a href=\"http:\/\/www.videospotting.org\/eng\/kiblix-from-the-archives-of-the-diva-station-2021\">Kiblix: From the Archives of the DIVA Station (2021)<\/a>]<\/li>\n<li><em>Sextortion<\/em>, 2019 [<a href=\"http:\/\/www.videospotting.org\/eng\/beyond-the-visible-new-acquisitions-of-diva-station-2020\">Beyond the visible. New acquisitions of DIVA Station (2020)<\/a>]<\/li>\n<\/ul>\n<div style=\"height: 25px;\"><\/div>\n<p><strong>Damijan Bogataj<\/strong><\/p>\n<ul>\n<li><em>New Ecological Catastrophe<\/em>, 1987 [<a href=\"http:\/\/www.videospotting.org\/eng\/constants-and-continuities-2013\">Constants and Continuities (2013)<\/a>]<\/li>\n<\/ul>\n<div style=\"height: 25px;\"><\/div>\n<p><strong>Vesna Bukovec<\/strong><\/p>\n<ul>\n<li><em>What is Danger?<\/em>, 2020\/2021 [<a href=\"http:\/\/www.videospotting.org\/eng\/downhill-new-acquisitions-of-diva-station-2021\">Downhill. New acquisitions of DIVA Station (2021)<\/a>]<\/li>\n<li><em>Okro\u017enica (Circular)<\/em>, 2016 [<a href=\"http:\/\/www.videospotting.org\/eng\/fresh-perspective-2016\">Fresh Perspective (2016)<\/a>, <a href=\"http:\/\/www.scca-ljubljana.si\/en\/cheers-to-women-25-years-of-film-and-video\/\" target=\"_blank\" rel=\"noopener noreferrer\">Cheers to Women! 25 Years of Film and Video (2019)<\/a>]<\/li>\n<li><em>When I wake up, I am going to create something beautiful<\/em>, 2011 [<a href=\"http:\/\/www.videospotting.org\/eng\/when-i-wake-up-i-am-going-to-make-something-2022\">When I wake up, I am going to make something (2022)<\/a>]<\/li>\n<li><em>It Will Be OK<\/em>, 2009 [<a href=\"http:\/\/www.videospotting.org\/eng\/stay-at-home-diva-2020\">Stay at Home, DIVA! (2020)<\/a>]<\/li>\n<li><em>Consumer Culture&#8230;<\/em>, 2007 [<a href=\"http:\/\/www.videospotting.org\/eng\/one-minute_sao-paolo-2007\">One Minute_S\u00e3o Paolo (2007)<\/a>]<\/li>\n<li><em>Endless Game<\/em>, 2006 [<a href=\"http:\/\/www.videospotting.org\/eng\/one-minute_sao-paolo-2007\">One Minute_S\u00e3o Paolo (2007)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/with-every-minute-more-time-2015\">With every minute more time (2015)<\/a>]<\/li>\n<li><em>Important News<\/em>, 2003 [<a href=\"http:\/\/www.videospotting.org\/eng\/one-minute_sao-paolo-2007\">One Minute_S\u00e3o Paolo (2007)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/one-minute_2006-2007-2008\">One Minute_2006-2007 (2008)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/diva-station_presents-2009\">DIVA Station_Presents (2009), <\/a><a href=\"http:\/\/www.videospotting.org\/eng\/diva-station-presents-iii-2016\">DIVA Station Presents III (2016)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/diva-station-presents-iv-2017\">DIVA Station Presents IV (2017)<\/a>]<\/li>\n<li><em>Why Do I Do This?<\/em>, 2001 [<a href=\"http:\/\/www.videospotting.org\/eng\/the-world-is-obliged-to-live-you-2017\">The world is obliged to live you (2017)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/the-world-is-obliged-to-live-you-ii-2018\">The world is obliged to live you II (2018)<\/a>]<\/li>\n<\/ul>\n<p>&gt;&gt;&gt; See also <strong><a href=\"#kolektiva\">KOLEKTIVA<\/a><\/strong><\/p>\n<div style=\"height: 25px;\"><\/div>\n<p><strong>Mateja Bu\u010dar<\/strong><\/p>\n<ul>\n<li><em>The Unnoticed<\/em>, 2013-2014 [<a href=\"http:\/\/www.videospotting.org\/eng\/race-with-time-performance-in-a-rear-view-mirror-2014\">Race with Time. Performance in a Rear-view Mirror (2014)<\/a>]<\/li>\n<\/ul>\n<div class=\"vrh\" align=\"right\"><img decoding=\"async\" style=\"padding-right: 5px;\" src=\"http:\/\/www.videospotting.org\/wp-content\/themes\/videospotting-tema\/images\/top.gif\" alt=\"\" \/><a href=\"http:\/\/www.videospotting.org\/eng\/artists\">top<\/a><\/div>\n<div class=\"crta\"><\/div>\n<p><a name=\"c\"><\/a><strong>C<\/strong><\/p>\n<p><strong>Alja\u017e Celarc<\/strong><br \/>\n&gt;&gt;&gt; See <strong><a href=\"#plateauresidue\">P L A T E AU R E S I D U E<\/a><\/strong><\/p>\n<div style=\"height: 25px;\"><\/div>\n<p><strong>Lada Cerar<\/strong><\/p>\n<ul>\n<li><em>Blow My Bills Away. Calculator<\/em>, 2012 [<a href=\"http:\/\/www.videospotting.org\/eng\/downhill-new-acquisitions-of-diva-station-2021\">Downhill. New acquisitions of DIVA Station (2021)<\/a>]<\/li>\n<\/ul>\n<p>&gt;&gt;&gt; See also <strong><a href=\"#kolektiva\">KOLEKTIVA<\/a><\/strong><\/p>\n<div style=\"height: 25px;\"><\/div>\n<p><strong>Peter Cerov\u0161ek<\/strong><br \/>\n&gt;&gt;&gt; See <strong><a href=\"#cerovsek-grum-jerman\">Peter Cerov\u0161ek, Ne\u017ea Grum, Matev\u017e Jerman<\/a><\/strong><\/p>\n<div style=\"height: 25px;\"><a name=\"cerovsek-grum-jerman\"><\/a><\/div>\n<p><strong>Peter Cerov\u0161ek, Ne\u017ea Grum, Matev\u017e Jerman<\/strong><\/p>\n<ul>\n<li><em>We have all been here since forever<\/em>, 2016 [<a href=\"http:\/\/www.videospotting.org\/eng\/beyond-the-visible-new-acquisitions-of-diva-station-2020\">Beyond the visible. New acquisitions of DIVA Station (2020)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/back2back-ester-ivakic-2022\">Back2Back: Ester Ivaki\u010d (2022)<\/a>]<\/li>\n<\/ul>\n<div style=\"height: 25px;\"><\/div>\n<p><strong>Jasmina Cibic<\/strong><\/p>\n<ul>\n<li><em>Fruits of our Land<\/em>, 2013 [<a href=\"http:\/\/www.scca-ljubljana.si\/en\/cheers-to-women-25-years-of-film-and-video\/\" target=\"_blank\" rel=\"noopener noreferrer\">Cheers to Women! 25 Years of Film and Video (2019)<\/a>]<\/li>\n<\/ul>\n<div class=\"vrh\" align=\"right\"><img decoding=\"async\" style=\"padding-right: 5px;\" src=\"http:\/\/www.videospotting.org\/wp-content\/themes\/videospotting-tema\/images\/top.gif\" alt=\"\" \/><a href=\"http:\/\/www.videospotting.org\/eng\/artists\">top<\/a><\/div>\n<div class=\"crta\"><\/div>\n<p><a name=\"\u010d\"><\/a><strong>\u010c<\/strong><\/p>\n<p><strong>Vesna \u010cade\u017e<\/strong><\/p>\n<ul>\n<li><em>Layering<\/em>, 2010 [<a href=\"http:\/\/www.videospotting.org\/eng\/man-and-environment-2010\">Man and Environment (2010)<\/a>]<\/li>\n<li><em>Simply the Best, Driving in Ljubljana<\/em>, 2006 [<a href=\"http:\/\/www.videospotting.org\/eng\/one-minute_sao-paolo-2007\">One Minute_S\u00e3o Paolo (2007)<\/a>]<\/li>\n<\/ul>\n<div style=\"height: 25px;\"><a name=\"cigon\"><\/a><\/div>\n<p><strong>Ana \u010cigon<\/strong><\/p>\n<ul>\n<li><em>Rebellious Essence<\/em>, 2017 [<a href=\"http:\/\/www.scca-ljubljana.si\/en\/cheers-to-women-25-years-of-film-and-video\/\" target=\"_blank\" rel=\"noopener noreferrer\">Cheers to Women! 25 Years of Film and Video (2019)<\/a>]<\/li>\n<li><em>Ma\u010do<\/em>, 2015 [<a href=\"http:\/\/www.scca-ljubljana.si\/en\/e-city-ljubljana-projected-visions-2\/\" target=\"_blank\" rel=\"noopener noreferrer\">Projected Visions. From art in the urban context to fiction and dystopia (2018)<\/a>]<\/li>\n<li><em>OHOHO<\/em>, 2015 [<a href=\"http:\/\/www.videospotting.org\/eng\/thank-you-for-your-attention-2016\">Thank you for your attention! (2016)<\/a>]<\/li>\n<li><em>Za luno (Huston)<\/em>, 2015 [<a href=\"http:\/\/www.videospotting.org\/eng\/fresh-perspective-2016\">Fresh Perspective (2016)<\/a>]<\/li>\n<li><em>Finger in U.S.<\/em>, 2010 [<a href=\"http:\/\/www.videospotting.org\/eng\/diva-station-presents-iii-2016\">DIVA Station Presents III (2016)<\/a>]<\/li>\n<li><em>One More Kick<\/em>, 2009 [<a href=\"http:\/\/www.videospotting.org\/eng\/intimising-dance-2011\">Intimising Dance (2011)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/race-with-time-performance-in-a-rear-view-mirror-2014\">Race with Time. Performance in a Rear-view Mirror (2014)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/diva-station-presents-iii-2016\">DIVA Station Presents III (2016)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/diva-station-presents-iv-2017\">DIVA Station Presents IV (2017)<\/a>]<\/li>\n<li><em>Timelessness<\/em>, 2008 [<a href=\"http:\/\/www.videospotting.org\/eng\/intimising-dance-2011\">Intimising Dance (2011)<\/a>]<\/li>\n<li><em>Unbreakable<\/em>, 2008 [<a href=\"http:\/\/www.videospotting.org\/eng\/man-and-environment-2010\">Man and Environment (2010)<\/a>]<\/li>\n<\/ul>\n<div style=\"height: 25px;\"><a name=\"coh-eric\"><\/a><\/div>\n<div style=\"height: 25px;\"><a name=\"cigon-jurisic-reba-osredkar\"><\/a><\/div>\n<p><strong>Ana \u010cigon, Leja Juri\u0161i\u0107, Teja Reba, Barbara Kapelj Osredkar<\/strong><\/p>\n<ul>\n<li><em>Ljubljana City of Women<\/em>, 2013 [<a href=\"http:\/\/www.scca-ljubljana.si\/e-city-ljubljana-projected-visions-2\/\" target=\"_blank\" rel=\"noopener noreferrer\">Projected Visions. From art in the urban context to fiction and dystopia (2018)<\/a>, <a href=\"http:\/\/www.scca-ljubljana.si\/en\/transgression\/\" target=\"_blank\" rel=\"noopener noreferrer\">Transgression (2020)<\/a>]<\/li>\n<\/ul>\n<div style=\"height: 25px;\"><a name=\"cigon-spacal-hirsenfelder\"><\/a><\/div>\n<p><strong>Ana \u010cigon, Sa\u0161a Spa\u010dal, Ida Hir\u0161enfelder<\/strong><\/p>\n<ul>\n<li><em> Flow<\/em>, 2016 [<a href=\"http:\/\/www.scca-ljubljana.si\/en\/lets-roll-our-sleeves-up\/\" target=\"_blank\" rel=\"noopener noreferrer\">Let\u2019s Roll Our Sleeves Up (2018)<\/a>]<\/li>\n<\/ul>\n<div style=\"height: 25px;\"><\/div>\n<p><strong>Zvonko \u010coh &amp; Milan Eri\u010d<\/strong><\/p>\n<ul>\n<li><em>Cigar for a Prince<\/em>, part of the animation <em>Socialisation of the bull<\/em>, 1995 [<a href=\"http:\/\/www.videospotting.org\/eng\/random-tape-destruction-2010\">Random Tape Destruction (2010)<\/a>]<\/li>\n<\/ul>\n<div style=\"height: 25px;\"><\/div>\n<p><strong>Vuk \u0106osi\u0107<\/strong><\/p>\n<ul>\n<li><em>Deep Ascii<\/em>, 1998 [<a href=\"http:\/\/www.videospotting.org\/eng\/exhibitions\/dotik_udine\">Dotik_Udine (2004)<\/a>]<\/li>\n<\/ul>\n<div class=\"vrh\" align=\"right\"><img decoding=\"async\" style=\"padding-right: 5px;\" src=\"http:\/\/www.videospotting.org\/wp-content\/themes\/videospotting-tema\/images\/top.gif\" alt=\"\" \/><a href=\"http:\/\/www.videospotting.org\/eng\/artists\">top<\/a><\/div>\n<div class=\"crta\"><\/div>\n<p><a name=\"d\"><\/a><strong>D<\/strong><\/p>\n<p><strong>Goran Devide<\/strong><\/p>\n<ul>\n<li><em>Enemy<\/em>, 1984 [<a href=\"http:\/\/www.videospotting.org\/eng\/constants-and-continuities-2013\">Constants and Continuities (2013)<\/a>]<\/li>\n<\/ul>\n<div style=\"height: 25px;\"><\/div>\n<p><strong>Luka Dekleva<\/strong><\/p>\n<ul>\n<li><em> Sen\/za Televizijo\/a<\/em>, 2009 [<a href=\"http:\/\/www.videospotting.org\/eng\/feedback-loop-2013\">Feedback Loop (2013), <\/a><a href=\"http:\/\/www.videospotting.org\/eng\/feedback-loop-ii-2016\">Feedback Loop II (2016)<\/a>]<\/li>\n<li><em>City Off Season<\/em>, 2006 [<a href=\"http:\/\/www.videospotting.org\/eng\/back2back-ester-ivakic-2022\">Back2Back: Ester Ivaki\u010d (2022)<\/a>]<\/li>\n<\/ul>\n<div style=\"height: 25px;\"><a name=\"dekleva-fajt\"><\/a><\/div>\n<p><strong>Luka Dekleva &amp; Elena Fajt<\/strong><\/p>\n<ul>\n<li><em>The Memory<\/em>, 2009 [<a href=\"http:\/\/www.videospotting.org\/eng\/faces-and-structures-2018\">Faces and Structures (2018)<\/a>]<\/li>\n<\/ul>\n<div style=\"height: 25px;\"><a name=\"dekleva-princic\"><\/a><\/div>\n<p><strong>Luka Dekleva &amp; Luka Prin\u010di\u010d<\/strong><\/p>\n<ul>\n<li><em> Singing Bridges Bizovik\/a<\/em>, 2008 [<a href=\"http:\/\/www.videospotting.org\/eng\/feedback-loop-2013\">Feedback Loop (2013), <\/a><a href=\"http:\/\/www.videospotting.org\/eng\/feedback-loop-ii-2016\">Feedback Loop II (2016), <\/a><a href=\"http:\/\/www.videospotting.org\/eng\/diva-station-presents-iii-2016\">DIVA Station Presents III (2016)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/diva-station-presents-iv-2017\">DIVA Station Presents IV (2017)<\/a>, <a href=\"http:\/\/www.scca-ljubljana.si\/en\/transgression\/\" target=\"_blank\" rel=\"noopener\">Transgression? (2020)<\/a>]<\/li>\n<\/ul>\n<div style=\"height: 25px;\"><\/div>\n<p><strong>Ur\u0161ka Djuki\u0107<\/strong><\/p>\n<ul>\n<li><em>Persistence vol.2<\/em>, 2014 [<a href=\"http:\/\/www.videospotting.org\/eng\/fresh-perspective-2016\">Fresh Perspective (2016)]<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/diva-station-presents-iii-2016\">DIVA Station Presents III (2016)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/diva-station-presents-iv-2017\">DIVA Station Presents IV (2017)<\/a>]<\/li>\n<\/ul>\n<div style=\"height: 25px;\"><\/div>\n<p><strong>Ana Nu\u0161a Dragan<\/strong><\/p>\n<ul>\n<li><em>Survey<\/em>, 1990 [<a href=\"http:\/\/www.videospotting.org\/eng\/in-praise-of-dreams-video-art-from-the-90s-2019\">In Praise of Dreams. Video-art from the 90s (2019)<\/a>]<\/li>\n<li><em>Lyhnida<\/em>, 1989 [<a href=\"http:\/\/www.videospotting.org\/eng\/back2back-ester-ivakic-2022\">Back2Back: Ester Ivaki\u010d (2022)<\/a>]<\/li>\n<li><em>Communication of Gastronomy<\/em>, 1971 [<a href=\"http:\/\/www.videospotting.org\/eng\/back2back-mila-persin-2021\">Back2Back: Mila Per\u0161in (2021)<\/a>]<\/li>\n<li><em>Some Information<\/em>, 1968 [<a href=\"http:\/\/www.videospotting.org\/eng\/downhill-new-acquisitions-of-diva-station-2021\">Downhill. New acquisitions of DIVA Station (2021)<\/a>]<\/li>\n<\/ul>\n<div style=\"height: 25px;\"><\/div>\n<p><strong>Nu\u0161a &amp; Sre\u010do Dragan<\/strong><\/p>\n<ul>\n<li><em>Video Painting (Masculin-feminin)<\/em>, 1979 [<a href=\"http:\/\/www.videospotting.org\/eng\/race-with-time-performance-in-a-rear-view-mirror-2014\">Race with Time. Performance in a Rear-view Mirror (2014)<\/a>]<\/li>\n<li><em>The White Milk of White Breasts<\/em>, 1969 (Rekonstrukcija: 1984) [<a href=\"http:\/\/www.videospotting.org\/eng\/videodokument-presents_1-2000\">Videodokument Presents_1 (2000)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/videodokument_presents-2006\">Videodokument_Presents (2006)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/exhibitions\/vs_bergen\">VS_Bergen (2008)<\/a>]<\/li>\n<\/ul>\n<div style=\"height: 25px;\"><\/div>\n<p><strong>Andreja D\u017eaku\u0161i\u010d<\/strong><\/p>\n<ul>\n<li><em>Survival Tactics<\/em>, 2011 [<a href=\"http:\/\/www.scca-ljubljana.si\/en\/cheers-to-women-25-years-of-film-and-video\/\" target=\"_blank\" rel=\"noopener noreferrer\">Cheers to Women! 25 Years of Film and Video (2019)<\/a>]<\/li>\n<\/ul>\n<div class=\"vrh\" align=\"right\"><img decoding=\"async\" style=\"padding-right: 5px;\" src=\"http:\/\/www.videospotting.org\/wp-content\/themes\/videospotting-tema\/images\/top.gif\" alt=\"\" \/><a href=\"http:\/\/www.videospotting.org\/eng\/artists\">top<\/a><\/div>\n<div class=\"crta\"><\/div>\n<p><a name=\"e\"><\/a><strong>E<\/strong><\/p>\n<p><strong>Milan Eri\u010d<\/strong><br \/>\n&gt;&gt;&gt; See <strong><a href=\"#coh-eric\">Zvonko \u010coh &amp; Milan Eri\u010d<\/a><\/strong><\/p>\n<div class=\"vrh\" align=\"right\"><img decoding=\"async\" style=\"padding-right: 5px;\" src=\"http:\/\/www.videospotting.org\/wp-content\/themes\/videospotting-tema\/images\/top.gif\" alt=\"\" \/><a href=\"http:\/\/www.videospotting.org\/eng\/artists\">top<\/a><\/div>\n<div class=\"crta\"><\/div>\n<p><a name=\"f\"><\/a><strong>F<\/strong><\/p>\n<p><strong>Elena Fajt<\/strong><br \/>\n&gt;&gt;&gt; See <strong><a href=\"#dekleva-fajt\">Luka Dekleva &amp; Elena Fajt<\/a><\/strong><\/p>\n<div style=\"height: 25px;\"><\/div>\n<p><strong>Toma\u017e Furlan<\/strong><\/p>\n<ul>\n<li><em>Wear VII<\/em>, 2005-2008 [<a href=\"http:\/\/www.videospotting.org\/eng\/diva-station-presents-ii-2010\">DIVA Station Presents II (2010)<\/a>]<\/li>\n<li><em>Wear IV\u2013VI<\/em>, 2005 [<a href=\"http:\/\/www.videospotting.org\/eng\/race-with-time-performance-in-a-rear-view-mirror-2014\">Race with Time. Performance in a Rear-view Mirror (2014)<\/a>]<\/li>\n<li><em>Wear III<\/em>, 2005-2008 [<a href=\"http:\/\/www.videospotting.org\/eng\/diva-station-presents-ii-2010\">DIVA Station Presents II (2010)<\/a>]<\/li>\n<li><em>Minuteman<\/em>, 2006 [<a href=\"http:\/\/www.videospotting.org\/eng\/one-minute_sao-paolo-2007\">One Minute_S\u00e3o Paolo (2007)<\/a>]<\/li>\n<li><em>Wear<\/em>, 2005 [<a href=\"http:\/\/www.videospotting.org\/eng\/eyedentify-yourself-2006\">Eyedentify Yourself (2006)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/exhibitions\/vs_bergen\">VS_Bergen (2008)<\/a>]<\/li>\n<\/ul>\n<div style=\"height: 25px;\"><\/div>\n<p><strong>FV Video<\/strong><\/p>\n<ul>\n<li><em>FV Disco<\/em>, 1983 [<a href=\"http:\/\/www.videospotting.org\/eng\/the-dark-alter-2012\">The Dark Alter (2012)<\/a>]<\/li>\n<\/ul>\n<div class=\"vrh\" align=\"right\"><img decoding=\"async\" style=\"padding-right: 5px;\" src=\"http:\/\/www.videospotting.org\/wp-content\/themes\/videospotting-tema\/images\/top.gif\" alt=\"\" \/><a href=\"http:\/\/www.videospotting.org\/eng\/artists\">top<\/a><\/div>\n<div class=\"crta\"><\/div>\n<p><a name=\"g\"><\/a><strong>G<\/strong><\/p>\n<p><strong>Davide Grassi\/Janez Jan\u0161a<\/strong><\/p>\n<ul>\n<li><em>ID:00000000\/Our People<\/em>, 2001 [<a href=\"http:\/\/www.videospotting.org\/eng\/new-new-video-2004\">New New Video (2004)<\/a>]<\/li>\n<li><em>Nuclear Body<\/em>, 1999 [<a href=\"http:\/\/www.videospotting.org\/eng\/transient-bodies-2007\">Transient Bodies (2007)<\/a>]<\/li>\n<\/ul>\n<div style=\"height: 25px;\"><\/div>\n<p><strong>Ana Grobler<\/strong><\/p>\n<ul>\n<li><em>Migraine<\/em>, 2007 [<a href=\"http:\/\/www.scca-ljubljana.si\/en\/cheers-to-women-25-years-of-film-and-video\/\" target=\"_blank\" rel=\"noopener noreferrer\">Cheers to Women! 25 Years of Film and Video (2019)<\/a>]<\/li>\n<\/ul>\n<div style=\"height: 25px;\"><\/div>\n<p><strong>Aleksandra Sa\u0161ka Gruden<\/strong><\/p>\n<ul>\n<li><em>Self-portrait<\/em>, 2001 [<a href=\"http:\/\/www.videospotting.org\/eng\/kiblix-from-the-archives-of-the-diva-station-2021\">Kiblix: From the Archives of the DIVA Station (2021)<\/a>]<\/li>\n<\/ul>\n<div style=\"height: 25px;\"><\/div>\n<p><strong>Ne\u017ea Grum<\/strong><br \/>\n&gt;&gt;&gt; See <strong><a href=\"#cerovsek-grum-jerman\">Peter Cerov\u0161ek, Ne\u017ea Grum, Matev\u017e Jerman<\/a><\/strong><\/p>\n<div style=\"height: 25px;\"><\/div>\n<div style=\"height: 25px;\"><\/div>\n<p><strong>Marina Gr\u017eini\u0107<\/strong><br \/>\n&gt;&gt;&gt; See <strong><a href=\"#grzinic-smid\">Marina Gr\u017eini\u0107 &amp; Aina \u0160mid<\/a><\/strong><\/p>\n<div style=\"height: 25px;\"><a name=\"grzinic-smid\"><\/a><\/div>\n<p><strong>Marina Gr\u017eini\u0107 &amp; Aina \u0160mid<\/strong><\/p>\n<ul>\n<li><em>Obsession<\/em>, 2008 [<a href=\"http:\/\/www.scca-ljubljana.si\/en\/cheers-to-women-25-years-of-film-and-video\/\" target=\"_blank\" rel=\"noopener noreferrer\">Cheers to Women! 25 Years of Film and Video (2019)<\/a>]<\/li>\n<\/ul>\n<div style=\"height: 25px;\"><\/div>\n<p><strong>Marjan Gumilar<\/strong><\/p>\n<ul>\n<li><em>The View (Pogled)<\/em>, 2002 [<a href=\"http:\/\/www.videospotting.org\/eng\/at-some-point-in-some-place-2017\">At some point, in some place (2017)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/back2back-tatiana-kocmur-2023\">Back2Back: Tatiana Kocmur (2023)<\/a>]<\/li>\n<\/ul>\n<div class=\"vrh\" align=\"right\"><img decoding=\"async\" style=\"padding-right: 5px;\" src=\"http:\/\/www.videospotting.org\/wp-content\/themes\/videospotting-tema\/images\/top.gif\" alt=\"\" \/><a href=\"http:\/\/www.videospotting.org\/eng\/artists\">top<\/a><\/div>\n<div class=\"crta\"><\/div>\n<p><a name=\"h\"><\/a><strong>H<\/strong><\/p>\n<p><strong>\u0110ejmi Hadrovi\u0107<\/strong><\/p>\n<ul>\n<li><em>Silent Observer<\/em>, 2017 [<a href=\"http:\/\/www.scca-ljubljana.si\/en\/cheers-to-women-25-years-of-film-and-video\/\" target=\"_blank\" rel=\"noopener noreferrer\">Cheers to Women! 25 Years of Film and Video (2019)<\/a>]<\/li>\n<\/ul>\n<div style=\"height: 25px;\"><\/div>\n<p><strong>Nika Ham<\/strong><\/p>\n<ul>\n<li><em>Videospot<\/em>, 2019 [<a href=\"http:\/\/www.scca-ljubljana.si\/en\/transgression\/\" target=\"_blank\" rel=\"noopener\">Transgression? (2020)<\/a>]<\/li>\n<\/ul>\n<div style=\"height: 25px;\"><\/div>\n<p><strong>Maja Hodo\u0161\u010dek<\/strong><\/p>\n<ul>\n<li><em>The Lesson<\/em>, 2017 [<a href=\"http:\/\/www.scca-ljubljana.si\/en\/cheers-to-women-25-years-of-film-and-video\/\" target=\"_blank\" rel=\"noopener noreferrer\">Cheers to Women! 25 Years of Film and Video (2019)<\/a>]<\/li>\n<li><em>Promised Land<\/em>, 2010 [<a href=\"http:\/\/www.videospotting.org\/eng\/recordings-of-reality-subjectivization-of-objectivity-2018\">Recordings of Reality \u2013 Subjectivization of Objectivity (2018)<\/a>]<\/li>\n<\/ul>\n<div style=\"height: 25px;\"><\/div>\n<p><strong>Jasna Hribernik<\/strong><\/p>\n<ul>\n<li><em>Tense Present: Photon Noise<\/em>, 2015 [<a href=\"http:\/\/www.videospotting.org\/eng\/diva-station-presents-iii-2016\">DIVA Station Presents III (2016), <\/a><a href=\"http:\/\/www.videospotting.org\/eng\/diva-station-presents-iv-2017\">DIVA Station Presents IV (2017)<\/a><a href=\"http:\/\/www.videospotting.org\/eng\/diva-station-presents-iii-2016\">, <\/a><a href=\"http:\/\/www.videospotting.org\/eng\/kiblix-from-the-archives-of-the-diva-station-2021\">Kiblix: From the Archives of the DIVA Station (2021)<\/a><a href=\"http:\/\/www.videospotting.org\/eng\/diva-station-presents-iii-2016\">]<\/a><\/li>\n<li><em>House of Contrasts<\/em>, 1998 [<a href=\"http:\/\/www.videospotting.org\/eng\/exhibitions\/utopia-travel_ljubljana\">Utopia Travel_Ljubljana (2002)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/keyword-food-12-2011\">Keyword: Food [12] (2011), <\/a><a href=\"http:\/\/www.videospotting.org\/eng\/thank-you-for-your-attention-2016\">Thank you for your attention! (2016)<\/a>]<\/li>\n<li><em>Carte Postale<\/em>, 1997 [<a href=\"http:\/\/www.videospotting.org\/eng\/random-tape-destruction-2010\">Random Tape Destruction (2010)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/back2back-mila-persin-2021\">Back2Back: Mila Per\u0161in (2021)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/back2back-matevz-jerman\">Back2Back: Matev\u017e Jerman (2022)<\/a>]<\/li>\n<li><em>Ballabende<\/em>, 1996 [<a href=\"http:\/\/www.videospotting.org\/eng\/memories-1997\">Memories (1997)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/exhibitions\/dotik_udine\">Dotik_Udine (2004)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/all-paths-lead-to-dreams-2021\">All paths lead to dreams (2021)<\/a>]<\/li>\n<li><em>Lok telesa \/ The Body Bow<\/em>, 1996 [<a href=\"http:\/\/www.videospotting.org\/eng\/intolerance-1997\">Intolerance (1997)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/awaiting-the-future-2017\">Awaiting the Future (2017)<\/a>]<\/li>\n<li><em>Staircase<\/em>, 1992 [<a href=\"http:\/\/www.videospotting.org\/eng\/from-alternative-scene-to-art-video-1994\">From Alternative Scene to Art Video (1994)<\/a>]<\/li>\n<\/ul>\n<div style=\"height: 25px;\"><a name=\"hribernik-lenardic\"><\/a><\/div>\n<p><strong>Jasna Hribernik &amp; Zmago Lenardi\u010d<\/strong><\/p>\n<ul>\n<li><em>Coming Back<\/em>, 2004 [<a href=\"http:\/\/www.videospotting.org\/eng\/one-minute_sao-paolo-2007\">One Minute_S\u00e3o Paolo (2007)<\/a>]<\/li>\n<li><em>Three Wishes<\/em>, 2000 [<a href=\"http:\/\/www.videospotting.org\/eng\/faces-and-structures-2018\">Faces and Structures (2018)<\/a>]<\/li>\n<li><em>Elsa und Lohengrin<\/em>, 1997 [<a href=\"http:\/\/www.videospotting.org\/eng\/videodokument-presents_1-2000\">Videodokument Presents_1 (2000)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/transient-bodies-2007\">Transient Bodies (2007)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/videodance_6-2008\">Videodance_6 (2008)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/random-tape-destruction-2010\">Random Tape Destruction (2010)<\/a>]<\/li>\n<\/ul>\n<div class=\"vrh\" align=\"right\"><img decoding=\"async\" style=\"padding-right: 5px;\" src=\"http:\/\/www.videospotting.org\/wp-content\/themes\/videospotting-tema\/images\/top.gif\" alt=\"\" \/><a href=\"http:\/\/www.videospotting.org\/eng\/artists\">top<\/a><\/div>\n<div class=\"crta\"><\/div>\n<p><a name=\"i\"><\/a><strong>I<\/strong><\/p>\n<p><strong>Ester Ivaki\u010d<\/strong><\/p>\n<ul>\n<li><em>Sometimes I wish I were an angel sometimes<\/em>, 2022 [<a href=\"http:\/\/www.videospotting.org\/eng\/back2back-ester-ivakic-2022\">Back2Back: Ester Ivaki\u010d (2022)<\/a>]<\/li>\n<\/ul>\n<div class=\"vrh\" align=\"right\"><img decoding=\"async\" style=\"padding-right: 5px;\" src=\"http:\/\/www.videospotting.org\/wp-content\/themes\/videospotting-tema\/images\/top.gif\" alt=\"\" \/><a href=\"http:\/\/www.videospotting.org\/eng\/artists\">top<\/a><\/div>\n<div class=\"crta\"><\/div>\n<p><a name=\"j\"><\/a><strong>J<\/strong><\/p>\n<p><strong>Sanela Jahi\u0107<\/strong><\/p>\n<ul>\n<li><em>Tempo Tempo<\/em>, 2014 [<a href=\"http:\/\/www.scca-ljubljana.si\/en\/cheers-to-women-25-years-of-film-and-video\/\" target=\"_blank\" rel=\"noopener noreferrer\">Cheers to Women! 25 Years of Film and Video (2019)<\/a>]<\/li>\n<\/ul>\n<div style=\"height: 25px;\"><\/div>\n<p><strong>Lea Jelenko<\/strong><br \/>\n&gt;&gt;&gt; See <strong><a href=\"#lealudvik\">Lealudvik<\/a><\/strong><\/p>\n<div style=\"height: 25px;\"><\/div>\n<p><strong>Emir Jelki\u0107<\/strong><br \/>\n&gt;&gt;&gt; See <strong><a href=\"#soltes-jelkic\">Katja \u0160oltes &#038; Emir Jelki\u0107<\/a><\/strong><\/p>\n<div style=\"height: 25px;\"><\/div>\n<p><strong>Matev\u017e Jerman<\/strong><br \/>\n&gt;&gt;&gt; See <strong><a href=\"#cerovsek-grum-jerman\">Peter Cerov\u0161ek, Ne\u017ea Grum, Matev\u017e Jerman<\/a><\/strong><br \/>\n&gt;&gt;&gt; See <strong><a href=\"#jerman-cerovsek\">Matev\u017e Jerman, Peter Cerov\u0161ek<\/a><\/strong><br \/>\n&gt;&gt;&gt; See <strong><a href=\"#jerman-novak\">Matev\u017e Jerman, Niko Novak<\/a><\/strong><br \/>\n&gt;&gt;&gt; See <strong><a href=\"#jerman-novak\">Matev\u017e Jerman, Aleksandar Peji\u0107<\/a><\/strong><\/p>\n<div style=\"height: 25px;\"><a name=\"jerman-cerovsek\"><\/a><\/div>\n<p><strong>Matev\u017e Jerman, Peter Cerov\u0161ek<\/strong><\/p>\n<ul>\n<li><em>Ljubljana je Berlin (SBO)<\/em>, 2021 [<a href=\"http:\/\/www.videospotting.org\/eng\/back2back-matevz-jerman-2022\">Back2Back: Matev\u017e Jerman (2022)<\/a>]<\/li>\n<\/ul>\n<div style=\"height: 25px;\"><a name=\"jerman-novak\"><\/a><\/div>\n<p><strong>Matev\u017e Jerman, Niko Novak<\/strong><\/p>\n<ul>\n<li><em>She Blinks and Flowers Tremble<\/em>, 2017 [<a href=\"http:\/\/www.videospotting.org\/eng\/beyond-the-visible-new-acquisitions-of-diva-station-2020\">Beyond the visible. New acquisitions of DIVA Station (2020)<\/a>]<\/li>\n<\/ul>\n<div style=\"height: 25px;\"><a name=\"jerman-pejic\"><\/a><\/div>\n<p><strong>Matev\u017e Jerman, Aleksandar Peji\u0107<\/strong><\/p>\n<ul>\n<li><em>Woodsman\u2019s Bizzare Dream 2<\/em>, 2009 [<a href=\"http:\/\/www.videospotting.org\/eng\/all-paths-lead-to-dreams-2021\">All paths lead to dreams (2021)<\/a>]<\/li>\n<\/ul>\n<div style=\"height: 25px;\"><\/div>\n<p><strong>Janez Jordan<\/strong><br \/>\n&gt;&gt;&gt; See <strong><a href=\"#vssd\">V.S.S.D.<\/a><\/strong><\/p>\n<div style=\"height: 25px;\"><\/div>\n<p><strong>Ne\u017ea Jurman (Nez Pez)<\/strong><\/p>\n<ul>\n<li><em>Pez Pushing (Ljubljana)<\/em>, 2017 [<a href=\"http:\/\/www.scca-ljubljana.si\/en\/transgression\/\" target=\"_blank\" rel=\"noopener\">Transgression? (2020)<\/a>]<\/li>\n<li><em>Morph<\/em>, 2016 [<a href=\"http:\/\/www.videospotting.org\/eng\/fresh-perspective-2016\">Fresh Perspective (2016)<\/a>]<\/li>\n<\/ul>\n<div class=\"vrh\" align=\"right\"><img decoding=\"async\" style=\"padding-right: 5px;\" src=\"http:\/\/www.videospotting.org\/wp-content\/themes\/videospotting-tema\/images\/top.gif\" alt=\"\" \/><a href=\"http:\/\/www.videospotting.org\/eng\/artists\">top<\/a><\/div>\n<div class=\"crta\"><\/div>\n<p><a name=\"k\"><\/a><strong>K<\/strong><\/p>\n<p><strong>3kolektiv (Ma\u0161a Gala, Eva Kastelic, Katja Felle)<\/strong><\/p>\n<ul>\n<li><em>Reservoir \u2013 Swine is Art and Art is Swine<\/em>, 2012 [<a href=\"http:\/\/www.videospotting.org\/eng\/recordings-of-reality-subjectivization-of-objectivity-2018\">Recordings of Reality \u2013 Subjectivization of Objectivity (2018)<\/a>]<\/li>\n<\/ul>\n<div style=\"height: 25px;\"><\/div>\n<p><strong>Polona Kasal<\/strong><\/p>\n<ul>\n<li><em>Tenants<\/em>, 2007 [<a href=\"http:\/\/www.videospotting.org\/eng\/one-minute_sao-paolo-2007\">One Minute_S\u00e3o Paolo (2007)<\/a>]<\/li>\n<\/ul>\n<div style=\"height: 25px;\"><\/div>\n<p><strong>Bo\u0161tjan Kav\u010di\u010d<\/strong><\/p>\n<ul>\n<li><em>Let&#8217;s garden!<\/em>, 2004 [<a href=\"http:\/\/www.videospotting.org\/eng\/random-tape-destruction-2010\">Random Tape Destruction (2010)<\/a>]<\/li>\n<li><em>Made in Venice<\/em>, 2005 [<a href=\"http:\/\/www.videospotting.org\/eng\/faces-and-structures-2018\">Faces and Structures (2018)<\/a>]<\/li>\n<\/ul>\n<div style=\"height: 25px;\"><\/div>\n<p><strong>Mateja Klari\u010d<\/strong><\/p>\n<ul>\n<li><em>Snip Snap (Videosex)<\/em>, 1993 [<a href=\"http:\/\/www.videospotting.org\/eng\/from-alternative-scene-to-art-video-1994\">From Alternative Scene to Art Video (1994)<\/a>]<\/li>\n<\/ul>\n<div style=\"height: 25px;\"><\/div>\n<p><strong>Ne\u017ea Knez<\/strong><\/p>\n<ul>\n<li><em>For-nothing<\/em>, 2019 [<a href=\"http:\/\/www.scca-ljubljana.si\/en\/cheers-to-women-25-years-of-film-and-video\/\" target=\"_blank\" rel=\"noopener noreferrer\">Cheers to Women! 25 Years of Film and Video (2019)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/when-i-wake-up-i-am-going-to-make-something-2022\">When I wake up, I am going to make something (2022)<\/a>]<\/li>\n<\/ul>\n<div style=\"height: 25px;\"><\/div>\n<p><strong>Andrea Knezovi\u0107<\/strong><\/p>\n<ul>\n<li><em>Ode to Helplessness, The Inability to Breathe In 1.0<\/em>, 2016 [<a href=\"http:\/\/www.videospotting.org\/eng\/fresh-perspective-2016\">Fresh Perspective (2016)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/kiblix-from-the-archives-of-the-diva-station-2021\">Kiblix: From the Archives of the DIVA Station (2021)<\/a>]<\/li>\n<li><em>Ode to Helplessness, The Inability to Breathe In 2.0<\/em>, 2016 [<a href=\"http:\/\/www.videospotting.org\/eng\/kiblix-from-the-archives-of-the-diva-station-2021\">Kiblix: From the Archives of the DIVA Station (2021)<\/a>]<\/li>\n<\/ul>\n<div style=\"height: 25px;\"><\/div>\n<p><strong>Tatiana Kocmur<\/strong><\/p>\n<ul>\n<li><em>Sunflower<\/em>, 2020 [<a href=\"http:\/\/www.videospotting.org\/eng\/back2back-tatiana-kocmur-2023\">Back2Back: Tatiana Kocmur (2023)<\/a>]<\/li>\n<li><em>Alopecia areata<\/em>, 2018 [<a href=\"http:\/\/www.videospotting.org\/eng\/downhill-new-acquisitions-of-diva-station-2021\">Downhill. New acquisitions of DIVA Station (2021)<\/a>]<\/li>\n<\/ul>\n<div style=\"height: 25px;\"><\/div>\n<p><strong>Kristina Kokalj<\/strong><\/p>\n<ul>\n<li><em>Memory Machine<\/em>, 2018 [<a href=\"http:\/\/www.videospotting.org\/eng\/welcome-to-the-8-minute-autumnal-picnic-in-the-past-2019\">Welcome to the 8 minute Autumnal Picnic in the Past (2019)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/back2back-mila-persin-2021\">Back2Back: Mila Per\u0161in (2021)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/selection-from-the-diva-station-archive-an-escape-into-experiment-2021\">Selection from the DIVA Station Archive: An Escape into Experiment (2021)<\/a>]<\/li>\n<\/ul>\n<div style=\"height: 25px;\"><a name=\"kolektiva\"><\/a><\/div>\n<p><strong>KOLEKTIVA (Vesna Bukovec, Lada Cerar, Metka Zupani\u010d)<\/strong><\/p>\n<ul>\n<li><em>First Impression<\/em>, 2004 [<a href=\"http:\/\/www.videospotting.org\/eng\/eyedentify-yourself-2006\">Eyedentify Yourself (2006)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/exhibitions\/vs_bergen\">VS_Bergen (2008)<\/a>]<\/li>\n<\/ul>\n<div style=\"height: 25px;\"><\/div>\n<p><strong>Lea Jelenko<\/strong><br \/>\n&gt;&gt;&gt; See <strong><a href=\"#lealudvik\">Lealudvik<\/a><\/strong><\/p>\n<div style=\"height: 25px;\"><\/div>\n<p><strong>Neven Korda<\/strong><\/p>\n<ul>\n<li><em>Echoes<\/em>, 2009 [<a href=\"http:\/\/www.videospotting.org\/eng\/intimising-dance-2011\">Intimising Dance (2011)<\/a>]<\/li>\n<li><em>Here and Now<\/em>, 2007 [<a href=\"http:\/\/www.videospotting.org\/eng\/selection-from-the-diva-station-archive-an-escape-into-experiment-2021\">Selection from the DIVA Station Archive: An Escape into Experiment (2021)<\/a>]<\/li>\n<li><em>Angelic Wreath On Speed<\/em>, 2006 [<a href=\"http:\/\/www.videospotting.org\/eng\/all-paths-lead-to-dreams-2021\">All paths lead to dreams (2021)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/back2back-ester-ivakic-2022\">Back2Back: Ester Ivaki\u010d (2022)<\/a>]<\/li>\n<li><em>Reincarnation on a preparated monitor<\/em>, 2005 [<a href=\"http:\/\/www.videospotting.org\/eng\/exhibitions\/project-room-event\">Project Room Event (2005)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/the-world-is-obliged-to-live-you-2017\">The world is obliged to live you (2017)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/the-world-is-obliged-to-live-you-ii-2018\">The world is obliged to live you II (2018)<\/a>]<\/li>\n<li><em>Gagarin<\/em>, 2003 [<a href=\"http:\/\/www.videospotting.org\/eng\/new-new-video-2004\">New New Video (2004)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/diva-station_presents-2009\">DIVA Station_Presents (2009)<\/a>]<\/li>\n<li><em>Nomad<\/em>, 2002 [<a href=\"http:\/\/www.videospotting.org\/eng\/creatures_2-2003\">Creatures_2 (2003)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/new-new-video-2004\">New New Video (2004)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/exhibitions\/vs_bergen\">VS_Bergen (2008)<\/a>]<\/li>\n<li><em>An autumnal still life<\/em>, 2001-2005 [<a href=\"http:\/\/www.videospotting.org\/eng\/with-every-minute-more-time-2015\">With every minute more time (2015), <\/a><a href=\"http:\/\/www.videospotting.org\/eng\/diva-station-presents-iii-2016\">DIVA Station Presents III (2016)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/diva-station-presents-iv-2017\">DIVA Station Presents IV (2017)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/welcome-to-the-8-minute-autumnal-picnic-in-the-past-2019\">Welcome to the 8 minute Autumnal Picnic in the Past (2019)<\/a>]<\/li>\n<li><em>1 Sec of My Life<\/em>, 2001 [<a href=\"http:\/\/www.videospotting.org\/eng\/faces-and-structures-2018\">Faces and Structures (2018)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/back2back-jake-yuzna-2021\">Back2Back: Jake Yuzna (2021)<\/a>]<\/li>\n<li><em>The Automnal Sill Life<\/em>, 2001 [<a href=\"http:\/\/www.videospotting.org\/eng\/new-new-video-2004\">New New Video (2004)<\/a>]<\/li>\n<li><em>Renewal<\/em>, 1983 [<a href=\"http:\/\/www.videospotting.org\/eng\/back2back-jake-yuzna-2021\">Back2Back: Jake Yuzna (2021)<\/a>]<\/li>\n<\/ul>\n<p>&gt;&gt;&gt; See also <strong><a href=\"#zank\">ZANK<\/a><\/strong><\/p>\n<div style=\"height: 25px;\"><\/div>\n<p><strong>Jurij Korenc<\/strong><\/p>\n<ul>\n<li><em>Oddaja o Radiu \u0160tudent<\/em>, 1988 [<a href=\"http:\/\/www.videospotting.org\/eng\/back2back-jake-yuzna-2021\">Back2Back: Jake Yuzna (2021)<\/a>]<\/li>\n<\/ul>\n<div style=\"height: 25px;\"><a name=\"kovac-olten\"><\/a><\/div>\n<p><strong>Iztok Kova\u010d &amp; Patrick Olten<\/strong><\/p>\n<ul>\n<li><em>Narava beso<\/em>, 1995 [<a href=\"http:\/\/www.videospotting.org\/eng\/dancemania-1997\">Dancemania (1997)<\/a>]<\/li>\n<\/ul>\n<p>&gt;&gt;&gt; See also <a href=\"#podgorsek-kovac\"><strong>Sa\u0161o Podgor\u0161ek &amp; Iztok Kova\u010d<\/strong><\/a><\/p>\n<div style=\"height: 25px;\"><\/div>\n<p><strong>Irena Kova\u010devi\u010d<\/strong><\/p>\n<ul>\n<li><em>Travel<\/em>, 2007 [<a href=\"http:\/\/www.videospotting.org\/eng\/one-minute_sao-paolo-2007\">One Minute_S\u00e3o Paolo (2007)<\/a>]<\/li>\n<\/ul>\n<div style=\"height: 25px;\"><\/div>\n<p><strong>Marko A. Kova\u010di\u010d<\/strong><\/p>\n<ul>\n<li><em>Dossier 83:03: Video reconstruction<\/em>, 2003 [<a href=\"http:\/\/www.videospotting.org\/eng\/private-public-2005\">Private-Public (2005)<\/a>]<\/li>\n<li><em>\u017divel 1. maj \u2013 praznik dela \/ May Day Forever<\/em>, 2000 [<a href=\"http:\/\/www.videospotting.org\/eng\/recent-video-works-2000\">Recent Video Works (2000)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/one-minute_sao-paolo-2007\">One Minute_S\u00e3o Paolo (2007)<\/a>]<\/li>\n<li><em>Katastropolis<\/em>, 1997 [<a href=\"http:\/\/www.videospotting.org\/eng\/one-minute_sao-paolo-2007\">One Minute_S\u00e3o Paolo (2007)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/one-minute_2006-2007-2008\">One Minute_2006-2007 (2008)<\/a>]<\/li>\n<li><em>Forth into the Past<\/em>, 1995 [<a href=\"http:\/\/www.videospotting.org\/eng\/creatures-1997\">Creatures (1997)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/videodokument-presents_2-2000\">Videodokument Presents_2 (2000)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/videodokument_presents-2006\">Videodokument_Presents (2006)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/exhibitions\/vs_bergen\">VS_Bergen (2008), <\/a><a href=\"http:\/\/www.videospotting.org\/eng\/diva-station-presents-iii-2016\">DIVA Station Presents III (2016)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/diva-station-presents-iv-2017\">DIVA Station Presents IV (2017)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/welcome-to-the-8-minute-autumnal-picnic-in-the-past-2019\">Welcome to the 8 minute Autumnal Picnic in the Past (2019)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/looking-to-the-bright-future-2022\">Looking to the bright future! (2022)<\/a>]<\/li>\n<li><em>I&#8217;ve Seen That&#8230;Like It Is (2227)<\/em>, 1993 [<a href=\"http:\/\/www.videospotting.org\/eng\/from-alternative-scene-to-art-video-1994\">From Alternative Scene to Art Video (1994)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/bodyspotting-1997\">Bodyspotting (1997)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/the-dark-alter-2012\">The Dark Alter (2012)<\/a>]<\/li>\n<li><em>No More Heroes Any More<\/em>, 1992 [<a href=\"http:\/\/www.videospotting.org\/eng\/from-alternative-scene-to-art-video-1994\">From Alternative Scene to Art Video (1994)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/intolerance-1997\">Intolerance (1997)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/exhibitions\/utopia-travel_ljubljana\">Utopia Travel_Ljubljana (2002)<\/a>]<\/li>\n<li><em>Requiem M<\/em>, 1990 [<a href=\"http:\/\/www.videospotting.org\/eng\/let-the-dead-sleep-2014\">\u2018Let the Dead Sleep\u2019 (2014)<\/a>]<\/li>\n<li><em>American Dream<\/em>, 1986 [<a href=\"http:\/\/www.videospotting.org\/eng\/videodokument-presents_1-2000\">Videodokument Presents_1 (2000)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/videodokument_presents-2006\">Videodokument_Presents (2006)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/exhibitions\/vs_bergen\">VS_Bergen (2008)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/diva-station_presents-2009\">DIVA Station_Presents (2009)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/video-discipline-dreams-2019\">Video Discipline &amp; Dreams (2019)<\/a>]<\/li>\n<li><em>Mirror knows the secret<\/em>, 1986 [<a href=\"http:\/\/www.videospotting.org\/eng\/with-every-minute-more-time-2015\">With every minute more time (2015)<\/a>]<\/li>\n<li><em>Song of Flesh and Image Was Made Body<\/em>, 1985 [<a href=\"http:\/\/www.videospotting.org\/eng\/exhibitions\/dotik_udine\">Dotik_Udine (2004)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/diva-station-presents-ii-2010\">DIVA Station Presents II (2010)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/industrial-landscape-2011\">Industrial Landscape (2011)<\/a>]<\/li>\n<li><em>Casus belli<\/em>, 1983 [<a href=\"http:\/\/www.videospotting.org\/eng\/race-with-time-performance-in-a-rear-view-mirror-2014\">Race with Time. Performance in a Rear-view Mirror (2014)<\/a>]<\/li>\n<\/ul>\n<div style=\"height: 25px;\"><a name=\"kovacic-saksida\"><\/a><\/div>\n<p><strong>Marko A. Kova\u010di\u010d &amp; Kolja Saksida<\/strong><\/p>\n<ul>\n<li><em>Lab Party<\/em>, 2003 [<a href=\"http:\/\/www.videospotting.org\/eng\/creatures_2-2003\">Creatures_2 (2003)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/new-new-video-2004\">New New Video (2004)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/exhibitions\/vs_bergen\">VS_Bergen (2008)<\/a>]<\/li>\n<li><em>Bright Future<\/em>, 2003 [<a href=\"http:\/\/www.videospotting.org\/eng\/new-new-video-2004\">New New Video (2004)<\/a>]<\/li>\n<\/ul>\n<div style=\"height: 25px;\"><\/div>\n<p><strong>Damjan Kozole<\/strong><\/p>\n<ul>\n<li><em>House<\/em>, 1996 [<a href=\"http:\/\/www.videospotting.org\/eng\/docuart-1997\">Docuart (1997)<\/a>]<\/li>\n<\/ul>\n<div style=\"height: 25px;\"><\/div>\n<p><strong>Damijan Kracina<\/strong><\/p>\n<ul>\n<li><em>Thylacinus Cynocephalus<\/em>, 2000 [<a href=\"http:\/\/www.videospotting.org\/eng\/the-world-is-obliged-to-live-you-2017\">The world is obliged to live you (2017)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/the-world-is-obliged-to-live-you-ii-2018\">The world is obliged to live you II (2018)<\/a>]<\/li>\n<li><em>Interview With Threatened Kind<\/em>, 1999 [<a href=\"http:\/\/www.videospotting.org\/eng\/man-and-environment-2010\">Man and Environment (2010)<\/a>]<\/li>\n<li><em>Ant<\/em>, 1997 [<a href=\"http:\/\/www.videospotting.org\/eng\/let-the-dead-sleep-2014\">\u2018Let the Dead Sleep\u2019 (2014)<\/a>]<\/li>\n<li><em>Aquarium<\/em>, 1997 [<a href=\"http:\/\/www.videospotting.org\/eng\/when-i-wake-up-i-am-going-to-make-something-2022\">When I wake up, I am going to make something (2022)<\/a>]<\/li>\n<li><em>Nails<\/em>, 1995-2000 [<a href=\"http:\/\/www.videospotting.org\/eng\/creatures_2-2003\">Creatures_2 (2003)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/exhibitions\/utopia-travel_ljubljana\">Utopia Travel_Ljubljana (2002)<\/a>, <a href=\"&lt;br \/&gt; http:\/\/www.videospotting.org\/eng\/exhibitions\/dotik_udine\">Dotik_Udine (2004)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/exhibitions\/vs_bergen\">VS_Bergen (2008)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/faces-and-structures-2018\">Faces and Structures (2018)<\/a>]<\/li>\n<\/ul>\n<div style=\"height: 25px;\"><a name=\"kracina-leben\"><\/a><\/div>\n<p><strong>Damijan Kracina &amp; Vladimir Leben<\/strong><\/p>\n<ul>\n<li>Galapagos, 2005 [<a href=\"http:\/\/www.videospotting.org\/eng\/diva-station-presents-iv-2017\">DIVA Station Presents IV (2017)<\/a>]<\/li>\n<li><em>Ape Boy<\/em>, 2004 [<a href=\"http:\/\/www.videospotting.org\/eng\/new-new-video-2004\">New New Video (2004)<\/a>]<\/li>\n<\/ul>\n<div style=\"height: 25px;\"><a name=\"kracina-poljanec-nabergoj\"><\/a><\/div>\n<p><strong>Damijan Kracina &amp; Sa\u0161a Nabergoj &amp; Toni Poljanec<\/strong><\/p>\n<ul>\n<li><em>On The Road<\/em>, 2004 [<a href=\"http:\/\/www.videospotting.org\/eng\/one-minute_sao-paolo-2007\">One Minute_S\u00e3o Paolo (2007)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/one-minute_2006-2007-2008\">One Minute_2006-2007 (2008)<\/a>, <a href=\"http:\/\/www.videospotting.org\/vrnitev_ljubljana\">Vrnitev_Ljubljana (2006)<\/a>]<\/li>\n<\/ul>\n<div style=\"height: 25px;\"><\/div>\n<p><strong>Damijan Kracina &amp; Katarina Toman Kracina<\/strong><\/p>\n<ul>\n<li><em>Marmelade<\/em>, 2004 [<a href=\"http:\/\/www.videospotting.org\/eng\/new-new-video-2004\">New New Video (2004)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/private-public-2005\">Private-Public (2005)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/exhibitions\/project-room-event\">Project Room Event (2005)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/keyword-food-12-2011\">Keyword: Food [12] (2011)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/recordings-of-reality-subjectivization-of-objectivity-2018\">Recordings of Reality \u2013 Subjectivization of Objectivity (2018)<\/a>]<\/li>\n<\/ul>\n<div style=\"height: 25px;\"><\/div>\n<p><strong>Miran Kre\u0161<\/strong><\/p>\n<ul>\n<li><em>D\u00e9j\u00e0 Vu<\/em>, 2006 [<a href=\"http:\/\/www.videospotting.org\/eng\/one-minute_sao-paolo-2007\">One Minute_S\u00e3o Paolo (2007)<\/a>]<\/li>\n<\/ul>\n<div style=\"height: 25px;\"><\/div>\n<p><strong>Darij Kreuh<\/strong><\/p>\n<ul>\n<li><em>Bli\u017eina \/ Closeness<\/em>, 1995 [<a href=\"http:\/\/www.videospotting.org\/eng\/bodyspotting-1997\">Bodyspotting (1997)<\/a>]<\/li>\n<\/ul>\n<div style=\"height: 25px;\"><\/div>\n<p><strong>Bojana Kri\u017eanec<\/strong><\/p>\n<ul>\n<li><em>Fit Day<\/em>, 2006 [<a href=\"http:\/\/www.videospotting.org\/eng\/one-minute_sao-paolo-2007\">One Minute_S\u00e3o Paolo (2007)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/one-minute_2006-2007-2008\">One Minute_2006-2007 (2008)<\/a>]<\/li>\n<\/ul>\n<div style=\"height: 25px;\"><\/div>\n<p><strong>Gorazd Krnc<\/strong><\/p>\n<ul>\n<li><em>Three Doors<\/em>, 2007 [<a href=\"http:\/\/www.videospotting.org\/eng\/let-the-dead-sleep-2014\">\u2018Let the Dead Sleep\u2019 (2014)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/selection-from-the-diva-station-archive-an-escape-into-experiment-2021\">Selection from the DIVA Station Archive: An Escape into Experiment (2021)<\/a>]<\/li>\n<li><em>Me V(isual) S(ound) You<\/em>, 2006 [<a href=\"http:\/\/www.videospotting.org\/eng\/with-every-minute-more-time-2015\">With every minute more time (2015)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/the-world-is-obliged-to-live-you-2017\">The world is obliged to live you (2017)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/the-world-is-obliged-to-live-you-ii-2018\">The world is obliged to live you II (2018)<\/a>]<\/li>\n<li><em>Five AM, Light<\/em>, 2000 [<a href=\"http:\/\/www.videospotting.org\/eng\/faces-and-structures-2018\">Faces and Structures (2018)<\/a>]<\/li>\n<li><em>No Title Yet<\/em>, 2000 [<a href=\"http:\/\/www.videospotting.org\/eng\/back2back-jake-yuzna-2021\">Back2Back: Jake Yuzna (2021)<\/a>]<\/li>\n<\/ul>\n<div style=\"height: 25px;\"><\/div>\n<p><strong>Ema Kugler<\/strong><\/p>\n<ul>\n<li><em>Phantom<\/em>, 2003 [<a href=\"http:\/\/www.videospotting.org\/eng\/video-in-public-art-2012\">Video in Public Art (2012)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/let-the-dead-sleep-2014\">\u2018Let the Dead Sleep\u2019 (2014)<\/a>]<\/li>\n<li><em>Menhir<\/em>, 1999 [<a href=\"http:\/\/www.videospotting.org\/eng\/recent-video-works-2000\">Recent Video Works (2000)<\/a>]<\/li>\n<li><em>Taiga<\/em>, 1996 [<a href=\"http:\/\/www.videospotting.org\/eng\/bodyspotting-1997\">Bodyspotting (1997)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/videodokument-presents_1-2000\">Videodokument Presents_1 (2000)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/videodokument-presents_2-2000\">Videodokument Presents_2 (2000)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/videodokument_presents-2006\">Videodokument_Presents (2006)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/videodance_6-2008\">Videodance_6 (2008)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/concrete_recollected_constructed-2008\">Concrete_Recollected_Constructed (2008)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/exhibitions\/vs_bergen\">VS_Bergen (2008)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/diva-station_presents-2009\">DIVA Station_Presents (2009)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/diva-station-presents-iv-2017\">DIVA Station Presents IV (2017)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/video-discipline-dreams-2019\">Video Discipline &amp; Dreams (2019)<\/a>]<\/li>\n<li><em>The Visitor<\/em>, 1995 [<a href=\"http:\/\/www.videospotting.org\/eng\/in-praise-of-dreams-video-art-from-the-90s-2019\">In Praise of Dreams. Video-art from the 90s (2019)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/back2back-ester-ivakic-2022\">Back2Back: Ester Ivaki\u010d (2022)<\/a>]<\/li>\n<li><em>Hydra<\/em>, 1993 [<a href=\"http:\/\/www.videospotting.org\/eng\/from-alternative-scene-to-art-video-1994\">From Alternative Scene to Art Video (1994)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/creatures-1997\">Creatures (1997)<\/a>]<\/li>\n<\/ul>\n<div style=\"height: 25px;\"><\/div>\n<p><a name=\"kuglervodusekstravs\"><\/a><br \/>\n<strong>Ema Kugler, Nada Vodu\u0161ek, Jane \u0160travs<\/strong><\/p>\n<ul>\n<li><em>Nostalgic Cut<\/em>, 1985 [<a href=\"http:\/\/www.videospotting.org\/eng\/constants-and-continuities-2013\">Constants and Continuities (2013)<\/a>]<\/li>\n<\/ul>\n<div style=\"height: 25px;\"><\/div>\n<p><strong>Robert Kulovec Mueller<\/strong><\/p>\n<ul>\n<li><em>Arrhythmia<\/em>, 2007 [<a href=\"http:\/\/www.videospotting.org\/eng\/one-minute_sao-paolo-2007\">One Minute_S\u00e3o Paolo (2007)<\/a>]<\/li>\n<\/ul>\n<div style=\"height: 25px;\"><\/div>\n<p><strong>Marko Kumer<\/strong><\/p>\n<ul>\n<li><em>Desiah<\/em>, 2007 [<a href=\"http:\/\/www.videospotting.org\/eng\/one-minute_sao-paolo-2007\">One Minute_S\u00e3o Paolo (2007)<\/a>]<\/li>\n<\/ul>\n<div class=\"vrh\" align=\"right\"><img decoding=\"async\" style=\"padding-right: 5px;\" src=\"http:\/\/www.videospotting.org\/wp-content\/themes\/videospotting-tema\/images\/top.gif\" alt=\"\" \/><a href=\"http:\/\/www.videospotting.org\/eng\/artists\">top<\/a><\/div>\n<div class=\"crta\"><\/div>\n<p><a name=\"l\"><\/a><strong>L<\/strong><\/p>\n<p><strong>Tanja La\u017eeti\u0107<\/strong><\/p>\n<ul>\n<li><em>Hotel Kumrovec<\/em>, 2007 [<a href=\"http:\/\/www.videospotting.org\/eng\/back2back-mila-persin-2021\">Back2Back: Mila Per\u0161in (2021)<\/a>]<\/li>\n<li><em>The Wrong Place<\/em>, 2006 [<a href=\"http:\/\/www.videospotting.org\/eng\/with-every-minute-more-time-2015\">With every minute more time (2015)<\/a>]<\/li>\n<\/ul>\n<div style=\"height: 25px;\"><a name=\"lealudvik\"><\/a><\/div>\n<p><strong>Lealudvik<\/strong><\/p>\n<ul>\n<li><em>I would go poof!<\/em>, 2017 [<a href=\"http:\/\/www.videospotting.org\/eng\/beyond-the-visible-new-acquisitions-of-diva-station-2020\">Beyond the visible. New acquisitions of DIVA Station (2020)<\/a>]<\/li>\n<\/ul>\n<div style=\"height: 25px;\"><\/div>\n<p><strong>Vladimir Leben<\/strong><br \/>\n&gt;&gt;&gt; See <strong><a href=\"#kracina-leben\">Damijan Kracina &amp; Vladimir Leben<\/a><\/strong><\/p>\n<div style=\"height: 25px;\"><\/div>\n<p><strong>Zmago Lenardi\u010d<\/strong><\/p>\n<ul>\n<li><em>Big Blue Subway<\/em>, 2007 [<a href=\"http:\/\/www.videospotting.org\/eng\/videodokument-presents_2-2000\">Videodokument Presents_2 (2000)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/private-public-2005\">Private-Public (2005)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/transient-bodies-2007\">Transient Bodies (2007)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/at-some-point-in-some-place-2017\">At some point, in some place (2017)<\/a>]<\/li>\n<li><em>Waiting for Changes<\/em>, 2007 [<a href=\"http:\/\/www.videospotting.org\/eng\/welcome-to-the-8-minute-autumnal-picnic-in-the-past-2019\">Welcome to the 8 minute Autumnal Picnic in the Past (2019)<\/a>]<\/li>\n<\/ul>\n<p>&gt;&gt;&gt; See also <a href=\"#hribernik-lenardic\"><strong>Jasna Hribernik &amp; Zmago Lenardi\u010d<\/strong><\/a><\/p>\n<div style=\"height: 25px;\"><\/div>\n<p><strong>Polonca Lov\u0161in<\/strong><\/p>\n<ul>\n<li><em>Back to the City<\/em>, 2011 [<a href=\"http:\/\/www.scca-ljubljana.si\/en\/cheers-to-women-25-years-of-film-and-video\/\" target=\"_blank\" rel=\"noopener noreferrer\">Cheers to Women! 25 Years of Film and Video (2019)<\/a>]<\/li>\n<li><em>Street: Always Better<\/em>, 2002 [<a href=\"http:\/\/www.videospotting.org\/eng\/concrete_recollected_constructed-2008\">Concrete_Recollected_Constructed (2008)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/diva-station-presents-ii-2010\">DIVA Station Presents II (2010)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/recordings-of-reality-subjectivization-of-objectivity-2018\">Recordings of Reality \u2013 Subjectivization of Objectivity (2018)<\/a>]<\/li>\n<\/ul>\n<div style=\"height: 25px;\"><\/div>\n<p><strong>Andrej Lupinc \u2013 Lupo<\/strong><\/p>\n<ul>\n<li><em>In Eight Minutes Around the World<\/em>, 1990-2000 [<a href=\"http:\/\/www.videospotting.org\/eng\/creatures_2-2003\">Creatures_2 (2003)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/new-new-video-2004\">New New Video (2004)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/private-public-2005\">Private-Public (2005)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/exhibitions\/utopia-travel_ljubljana\">Utopia Travel_Ljubljana (2002)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/exhibitions\/dotik_udine\">Dotik_Udine (2004)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/exhibitions\/project-room-event\">Project Room Event (2005)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/exhibitions\/vs_bergen\">VS_Bergen (2008)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/diva-station_presents-2009\">DIVA Station_Presents (2009)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/man-and-environment-2010\">Man and Environment (2010)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/diva-station-presents-ii-2010\">DIVA Station Presents II (2010)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/with-every-minute-more-time-2015\">With every minute more time (2015)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/diva-station-presents-iii-2016\">DIVA Station Presents III (2016)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/at-some-point-in-some-place-2017\">At some point, in some place (2017)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/diva-station-presents-iv-2017\">DIVA Station Presents IV (2017)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/video-discipline-dreams-2019\">Video Discipline &amp; Dreams (2019)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/welcome-to-the-8-minute-autumnal-picnic-in-the-past-2019\">Welcome to the 8 minute Autumnal Picnic in the Past (2019)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/back2back-matevz-jerman-2022\">Back2Back: Matev\u017e Jerman (2022)<\/a>]<\/li>\n<li><em>Screams and Shouts<\/em>, 1985 [<a href=\"http:\/\/www.videospotting.org\/eng\/faces-and-structures-2018\">Faces and Structures (2018)<\/a>]<\/li>\n<\/ul>\n<div style=\"height: 25px;\"><\/div>\n<p><strong>Aprilija Lu\u017ear<\/strong><\/p>\n<ul>\n<li><em>Women\u2019s Taxi \u2013 Talking Portraits<\/em>, 2002-2006 [<a href=\"http:\/\/www.scca-ljubljana.si\/en\/cheers-to-women-25-years-of-film-and-video\/\" target=\"_blank\" rel=\"noopener noreferrer\">Cheers to Women! 25 Years of Film and Video (2019)<\/a>]<\/li>\n<\/ul>\n<div class=\"vrh\" align=\"right\"><img decoding=\"async\" style=\"padding-right: 5px;\" src=\"http:\/\/www.videospotting.org\/wp-content\/themes\/videospotting-tema\/images\/top.gif\" alt=\"\" \/><a href=\"http:\/\/www.videospotting.org\/eng\/artists\">top<\/a><\/div>\n<div class=\"crta\"><\/div>\n<p><a name=\"m\"><\/a><strong>M<\/strong><\/p>\n<p><strong>Oliver Marc<\/strong><\/p>\n<ul>\n<li><em>Welcome.<\/em>, 2017 [<a href=\"http:\/\/www.videospotting.org\/eng\/welcome-to-the-8-minute-autumnal-picnic-in-the-past-2019\">Welcome to the 8 minute Autumnal Picnic in the Past (2019)<\/a>]<\/li>\n<\/ul>\n<div style=\"height: 25px;\"><\/div>\n<p><strong>Oliver Mar\u010deta<\/strong><\/p>\n<ul>\n<li><em>Innocent When You Dream<\/em>, 1995 [<a href=\"http:\/\/www.videospotting.org\/eng\/creatures_2-2003\">Creatures_2 (2003)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/exhibitions\/vs_bergen\">VS_Bergen (2008)<\/a>]<\/li>\n<li><em>Jesus von New Orleans<\/em>, 1994 [<a href=\"http:\/\/www.videospotting.org\/eng\/thank-you-for-your-attention-2016\">Thank you for your attention! (2016)]<\/a><\/li>\n<\/ul>\n<div style=\"height: 25px;\"><\/div>\n<p><strong>Anja Medved and Patricija Mali\u010dev<\/strong><\/p>\n<ul>\n<li><em>The Gathering \u2013 The Secret Side of Things We Share<\/em>, 2013 [<a href=\"http:\/\/www.videospotting.org\/eng\/kiblix-from-the-archives-of-the-diva-station-2021\">Kiblix: From the Archives of the DIVA Station (2021)<\/a>]<\/li>\n<\/ul>\n<div style=\"height: 25px;\"><\/div>\n<p><strong>Emil Memon<\/strong><\/p>\n<ul>\n<li><em>On the Run, an American songn<\/em>, 2018 [<a href=\"http:\/\/www.videospotting.org\/eng\/beyond-the-visible-new-acquisitions-of-diva-station-2020\">Beyond the visible. New acquisitions of DIVA Station (2020)<\/a>]<\/li>\n<li><em>Schizophrenia \/ Blue Movie<\/em>, 1983-1995 [<a href=\"http:\/\/www.videospotting.org\/eng\/diva-station-presents-iii-2016\">DIVA Station Presents III (2016)]<\/a><\/li>\n<li><em>Schizophrenia \/ Blue movie<\/em>, 1983\/1995 [<a href=\"http:\/\/www.videospotting.org\/eng\/at-some-point-in-some-place-2017\">At some point, in some place (2017)<\/a>]<\/li>\n<li><em>Blue Movie<\/em>, 1983 [<a href=\"http:\/\/www.videospotting.org\/eng\/feedback-loop-2013\">Feedback Loop (2013), <\/a><a href=\"http:\/\/www.videospotting.org\/eng\/feedback-loop-ii-2016\">Feedback Loop II (2016)<\/a>]<\/li>\n<\/ul>\n<div style=\"height: 25px;\"><\/div>\n<p><strong>Danilo Milovanovi\u0107<\/strong><\/p>\n<ul>\n<li><em>Longcut<\/em>, 2017 [<a href=\"http:\/\/www.videospotting.org\/eng\/when-i-wake-up-i-am-going-to-make-something-2022\">When I wake up, I am going to make something (2022)<\/a>]<\/li>\n<li><em>Plastic Makes It Static<\/em>, 2017 [<a href=\"http:\/\/www.videospotting.org\/eng\/recordings-of-reality-subjectivization-of-objectivity-2018\">Recordings of Reality \u2013 Subjectivization of Objectivity (2018)<\/a>]<\/li>\n<li><em>Roundabout Park<\/em>, 2017 [<a href=\"http:\/\/www.scca-ljubljana.si\/en\/transgression\/\" target=\"_blank\" rel=\"noopener\">Transgression? (2020)<\/a>]<\/li>\n<li><em>Cover<\/em>, 2016 [<a href=\"http:\/\/www.videospotting.org\/eng\/back2back-mila-persin-2021\">Back2Back: Mila Per\u0161in (2021)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/back2back-tatiana-kocmur-2023\">Back2Back: Tatiana Kocmur (2023)<\/a>]<\/li>\n<\/ul>\n<div style=\"height: 25px;\"><\/div>\n<p><strong>Keiko Miyazaki<\/strong><\/p>\n<ul>\n<li><em>What is Your Fetish?<\/em>, 2018 [<a href=\"http:\/\/www.videospotting.org\/eng\/recordings-of-reality-subjectivization-of-objectivity-2018\">Recordings of Reality \u2013 Subjectivization of Objectivity (2018)<\/a>]<\/li>\n<\/ul>\n<div style=\"height: 25px;\"><\/div>\n<p><strong>Miha Mohori\u010d<\/strong><\/p>\n<ul>\n<li><em>Ode to Camel<\/em>, 2018 [<a href=\"http:\/\/www.videospotting.org\/eng\/recordings-of-reality-subjectivization-of-objectivity-2018\">Recordings of Reality \u2013 Subjectivization of Objectivity (2018)<\/a>]<\/li>\n<\/ul>\n<div style=\"height: 25px;\"><\/div>\n<p><strong>Yuliya Molina<\/strong><\/p>\n<ul>\n<li><em>Nenad<\/em>, 2017 [<a href=\"http:\/\/www.videospotting.org\/eng\/back2back-jake-yuzna-2021\">Back2Back: Jake Yuzna (2021)<\/a>]<\/li>\n<li><em>Some-body<\/em>, 2015 [<a href=\"http:\/\/www.videospotting.org\/eng\/fresh-perspective-2016\">Fresh Perspective (2016)<\/a>]<\/li>\n<\/ul>\n<div style=\"height: 25px;\"><\/div>\n<p><strong>Agnes Momirski<\/strong><\/p>\n<ul>\n<li><em>NO.4 (SONAR)<\/em>, 2017 [<a href=\"http:\/\/www.videospotting.org\/eng\/selection-from-the-diva-station-archive-an-escape-into-experiment-2021\">Selection from the DIVA Station Archive: An Escape into Experiment (2021)<\/a>]<\/li>\n<li><em>Vala<\/em>, 2017\u00a0[<a href=\"http:\/\/www.videospotting.org\/eng\/downhill-new-acquisitions-of-diva-station-2021\">Downhill. New acquisitions of DIVA Station (2021)<\/a>]<\/li>\n<\/ul>\n<div style=\"height: 25px;\"><\/div>\n<p><strong>Amir Muratovi\u0107<\/strong><\/p>\n<ul>\n<li><em>With the Wind<\/em>, 2008 [<a href=\"http:\/\/www.videospotting.org\/eng\/back2back-ester-ivakic-2022\">Back2Back: Ester Ivaki\u010d (2022)<\/a>]<\/li>\n<li><em>Tense in the Cabinet<\/em>, 2007 [<a href=\"http:\/\/www.videospotting.org\/eng\/one-minute_sao-paolo-2007\">One Minute_S\u00e3o Paolo (2007)<\/a>]<\/li>\n<\/ul>\n<div class=\"vrh\" align=\"right\"><img decoding=\"async\" style=\"padding-right: 5px;\" src=\"http:\/\/www.videospotting.org\/wp-content\/themes\/videospotting-tema\/images\/top.gif\" alt=\"\" \/><a href=\"http:\/\/www.videospotting.org\/eng\/artists\">top<\/a><\/div>\n<div class=\"crta\"><\/div>\n<p><a name=\"n\"><\/a><strong>N<\/strong><\/p>\n<p><strong>Sa\u0161a Nabergoj<\/strong><br \/>\n&gt;&gt;&gt; See <a href=\"#kracina-poljanec-nabergoj\"><strong>Damjan Kracina &amp; Toni Poljanec &amp; Sa\u0161a Nabergoj<\/strong><\/a><\/p>\n<div style=\"height: 25px;\"><\/div>\n<p><strong>Katarina Nikolov<\/strong><br \/>\n&gt;&gt;&gt; See <a href=\"#potocan-nikolov\"><strong>Branko Poto\u010dan &amp; Katarina Nikolov<\/strong><\/a><\/p>\n<div style=\"height: 25px;\"><\/div>\n<p><strong>Niko Novak<\/strong><br \/>\n&gt;&gt;&gt; See <strong><a href=\"#jerman-novak\">Matev\u017e Jerman, Niko Novak<\/a><\/strong><\/p>\n<div style=\"height: 25px;\"><\/div>\n<p><strong>Primo\u017e Novak<\/strong><br \/>\n&gt;&gt;&gt; See <a href=\"#oblak-novak\"><strong>Nika Oblak &amp; Primo\u017e Novak<\/strong><\/a><\/p>\n<div class=\"vrh\" align=\"right\"><img decoding=\"async\" style=\"padding-right: 5px;\" src=\"http:\/\/www.videospotting.org\/wp-content\/themes\/videospotting-tema\/images\/top.gif\" alt=\"\" \/><a href=\"http:\/\/www.videospotting.org\/eng\/artists\">top<\/a><\/div>\n<div class=\"crta\"><\/div>\n<p><a name=\"o\"><\/a><strong>O<\/strong><br \/>\n<a name=\"oblak-novak\"><\/a><br \/>\n<strong>Nika Oblak &amp; Primo\u017e Novak<\/strong><\/p>\n<ul>\n<li><em>The Scream<\/em>, 2015 [<a href=\"http:\/\/www.scca-ljubljana.si\/en\/cheers-to-women-25-years-of-film-and-video\/\" target=\"_blank\" rel=\"noopener noreferrer\">Cheers to Women! 25 Years of Film and Video (2019)<\/a>]<\/li>\n<li><em>Going South<\/em>, 2009 [<a href=\"http:\/\/www.videospotting.org\/eng\/man-and-environment-2010\">Man and Environment (2010)<\/a>]<\/li>\n<li><em>Shund<\/em>, 2008 [<a href=\"http:\/\/www.videospotting.org\/eng\/with-every-minute-more-time-2015\">With every minute more time (2015)<\/a>]<\/li>\n<\/ul>\n<div style=\"height: 25px;\"><\/div>\n<p><strong>Mateja Ocepek<\/strong><br \/>\n&gt;&gt;&gt; See <a href=\"#bastarda-ocepek-skusek\"><strong>Martina Bastarda, Mateja Ocepek, Nata\u0161a Sku\u0161ek<\/strong><\/a><\/p>\n<div style=\"height: 25px;\"><\/div>\n<p><strong>Patrick Olten <\/strong><br \/>\n&gt;&gt;&gt; See <a href=\"#kovac-olten\"><strong>Iztok Kova\u010d &amp; Patrick Olten<\/strong><\/a><\/p>\n<div style=\"height: 25px;\"><\/div>\n<p><strong>Marjan Osole-Max<\/strong><\/p>\n<ul>\n<li><em>Avtop<\/em>, 1983 [<a href=\"http:\/\/www.videospotting.org\/eng\/videodokument-presents_1-2000\">Videodokument Presents_1 (2000)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/videodokument_presents-2006\">Videodokument_Presents (2006)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/exhibitions\/vs_bergen\">VS_Bergen (2008)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/diva-station_presents-2009\">DIVA Station_Presents (2009)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/video-discipline-dreams-2019\">Video Discipline &amp; Dreams (2019)<\/a>]<\/li>\n<li><em>Morte ai sciavi<\/em>, 1983 [<a href=\"http:\/\/www.videospotting.org\/eng\/the-dark-alter-2012\">The Dark Alter (2012)<\/a>]<\/li>\n<\/ul>\n<div style=\"height: 25px;\"><\/div>\n<p><strong>Alen O\u017ebolt<\/strong><br \/>\n&gt;&gt;&gt; See <strong><a href=\"#vssd\">V.S.S.D.<\/a><\/strong><\/p>\n<div class=\"vrh\" align=\"right\"><img decoding=\"async\" style=\"padding-right: 5px;\" src=\"http:\/\/www.videospotting.org\/wp-content\/themes\/videospotting-tema\/images\/top.gif\" alt=\"\" \/><a href=\"http:\/\/www.videospotting.org\/eng\/artists\">top<\/a><\/div>\n<div class=\"crta\"><\/div>\n<p><a name=\"p\"><\/a><strong>P<\/strong><\/p>\n<p><strong>Eva Pavli\u010d Seifert<\/strong><br \/>\n&gt;&gt;&gt; See <strong><a href=\"#plateauresidue\">P L A T E AU R E S I D U E<\/a><\/strong><\/p>\n<div style=\"height: 25px;\"><\/div>\n<p><strong>Marko Peljhan\/Projekt Atol<\/strong><\/p>\n<ul>\n<li><em>The Park of Culture (TV situation)<\/em>, 1996 [<a href=\"http:\/\/www.videospotting.org\/eng\/faces-and-structures-2018\">Faces and Structures (2018)<\/a>]<\/li>\n<li><em>LADOMIR \u03c6AKT\u03b3PA: First Surface-MIKROLAB<\/em>, 1994 [<a href=\"http:\/\/www.videospotting.org\/eng\/creatures-1997\">Creatures (1997)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/kiblix-from-the-archives-of-the-diva-station-2021\">Kiblix: From the Archives of the DIVA Station (2021)<\/a>]<\/li>\n<\/ul>\n<div style=\"height: 25px;\"><\/div>\n<p><strong>Ana Pe\u010dar<\/strong><br \/>\n&gt;&gt;&gt; See <strong><a href=\"#pecar-ressler\">Ana Pe\u010dar &amp; Oliver Ressler<\/a><\/strong><\/p>\n<div style=\"height: 25px;\"><a name=\"pecar-ressler\"><\/a><\/div>\n<p><strong>Ana Pe\u010dar &amp; Oliver Ressler<\/strong><\/p>\n<ul>\n<li><em>In the Red<\/em>, 2014 [<a href=\"http:\/\/www.scca-ljubljana.si\/en\/cheers-to-women-25-years-of-film-and-video\/\" target=\"_blank\" rel=\"noopener noreferrer\">Cheers to Women! 25 Years of Film and Video (2019)<\/a>]<\/li>\n<\/ul>\n<div style=\"height: 25px;\"><\/div>\n<p><strong>Mila Per\u0161in<\/strong><\/p>\n<ul>\n<li><em>Auntie Milena<\/em>, 2019 [<a href=\"http:\/\/www.videospotting.org\/eng\/back2back-mila-persin-2021\">Back2Back: Mila Per\u0161in (2021)<\/a>]<\/li>\n<\/ul>\n<div style=\"height: 25px;\"><\/div>\n<p><strong>Alenka Pirman<\/strong><\/p>\n<ul>\n<li><em>Ale\u0161 Kermavner \u2013 KAJ JE (V-SEBI-NA = V), ok. 1966\u20132006<\/em>, 2006 [<a href=\"http:\/\/www.videospotting.org\/eng\/faces-and-structures-2018\">Faces and Structures (2018)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/kiblix-from-the-archives-of-the-diva-station-2021\">Kiblix: From the Archives of the DIVA Station (2021)<\/a>]<\/li>\n<li><em>Franci Zagori\u010dnik \u2013 \u010crno-beli diapazon, 1966\u20132006<\/em>, 2006 [<a href=\"http:\/\/www.videospotting.org\/eng\/faces-and-structures-2018\">Faces and Structures (2018)<\/a>]<\/li>\n<li><em>Ivan Volari\u010d-Feo: Pe\u0161\u010dena ura, 1969\u20132006<\/em>, 2006 [<a href=\"http:\/\/www.videospotting.org\/eng\/kiblix-from-the-archives-of-the-diva-station-2021\">Kiblix: From the Archives of the DIVA Station (2021)<\/a>]<\/li>\n<li><em>Matja\u017e Han\u017eek: Neboti\u010dnik, 1967\u20132006<\/em>, 2006 [<a href=\"http:\/\/www.videospotting.org\/eng\/kiblix-from-the-archives-of-the-diva-station-2021\">Kiblix: From the Archives of the DIVA Station (2021)<\/a>]<\/li>\n<li><em>Close Your Eyes and Watch<\/em>, 2006 [<a href=\"http:\/\/www.videospotting.org\/eng\/back2back-jake-yuzna-2021\">Back2Back: Jake Yuzna (2021)<\/a>]<\/li>\n<\/ul>\n<div style=\"height: 25px;\"><\/div>\n<p><strong>Alenka Pirman &amp; Maja \u0160ubic<\/strong><\/p>\n<ul>\n<li><em>Ajiaco<\/em>, 1998 [<a href=\"http:\/\/www.videospotting.org\/eng\/keyword-food-12-2011\">Keyword: Food [12] (2011)<\/a>]<\/li>\n<\/ul>\n<div style=\"height: 25px;\"><a name=\"plateauresidue\"><\/a><\/div>\n<p><strong>P L A T E AU R E S I D U E<\/strong><\/p>\n<ul>\n<li><em>Alma Mater<\/em>, 2018 [<a href=\"http:\/\/www.videospotting.org\/eng\/beyond-the-visible-new-acquisitions-of-diva-station-2020\">Beyond the visible. New acquisitions of DIVA Station (2020)<\/a>]<\/li>\n<\/ul>\n<div style=\"height: 25px;\"><\/div>\n<p><strong>Sa\u0161o Podgor\u0161ek<\/strong><\/p>\n<ul>\n<li><em>England<\/em>, 2006 [<a href=\"http:\/\/www.videospotting.org\/eng\/diva-station_presents-2009\">DIVA Station_Presents (2009)<\/a>]<\/li>\n<li><em>Mobitel WAP<\/em>, 2000 [<a href=\"http:\/\/www.videospotting.org\/eng\/videodokument-presents_2-2000\">Videodokument Presents_2 (2000)<\/a>]<\/li>\n<li><em>God is god (Laibach)<\/em>, 1996 [<a href=\"http:\/\/www.videospotting.org\/eng\/intolerance-1997\">Intolerance (1997)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/the-dark-alter-2012\">The Dark Alter (2012)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/video-discipline-dreams-2019\">Video Discipline &amp; Dreams (2019)<\/a>]<\/li>\n<li><em>Jou\u017eek (Vlado Kreslin)<\/em>, 1995 [<a href=\"http:\/\/www.videospotting.org\/eng\/bodyspotting-1997\">Bodyspotting (1997)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/memories-1997\">Memories (1997)<\/a>]<\/li>\n<li><em>You never cry (Demolition Group)<\/em>, 1995 [<a href=\"http:\/\/www.videospotting.org\/eng\/bodyspotting-1997\">Bodyspotting (1997)<\/a>]<\/li>\n<li><em>U tvojim o\u010dima \/ In Your Eyes (Demolition Group)<\/em>, 1995 [<a href=\"http:\/\/www.videospotting.org\/eng\/docuart-1997\">Docuart (1997)<\/a>]<\/li>\n<li><em>Model (Demolition Group)<\/em>, 1994 [<a href=\"http:\/\/www.videospotting.org\/eng\/creatures-1997\">Creatures (1997)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/videodokument-presents_1-2000\">Videodokument Presents_1 (2000)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/videodokument_presents-2006\">Videodokument_Presents (2006)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/exhibitions\/vs_bergen\">VS_Bergen (2008)<\/a>]<\/li>\n<li><em>Cry baby (Demolition Group)<\/em>, 1993 [<a href=\"http:\/\/www.videospotting.org\/eng\/from-alternative-scene-to-art-video-1994\">From Alternative Scene to Art Video (1994)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/bodyspotting-1997\">Bodyspotting (1997)<\/a>]<\/li>\n<li><em>Path<\/em>, 1993 [<a href=\"http:\/\/www.videospotting.org\/eng\/from-alternative-scene-to-art-video-1994\">From Alternative Scene to Art Video (1994)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/bodyspotting-1997\">Bodyspotting (1997)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/videodance_6-2008\">Videodance_6 (2008)<\/a>]<\/li>\n<li><em>But the Goat Survived<\/em>, 1992 [<a href=\"http:\/\/www.videospotting.org\/eng\/exhibitions\/utopia-travel_ljubljana\">Utopia Travel_Ljubljana (2002)<\/a>]<\/li>\n<\/ul>\n<div style=\"height: 25px;\"><a name=\"podgorsek-kovac\"><\/a><\/div>\n<p><strong>Sa\u0161o Podgor\u0161ek &amp; Iztok Kova\u010d<\/strong><\/p>\n<ul>\n<li><em>Vertigo Bird<\/em>, 1996 [<a href=\"http:\/\/www.videospotting.org\/eng\/docuart-1997\">Docuart (1997)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/videodance_6-2008\">Videodance_6 (2008)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/diva-station-presents-ii-2010\">DIVA Station Presents II (2010)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/industrial-landscape-2011\">Industrial Landscape (2011)<\/a>]<\/li>\n<\/ul>\n<div style=\"height: 25px;\"><\/div>\n<p><strong>Toni Poljanec<\/strong><br \/>\n&gt;&gt;&gt; See <a href=\"#kracina-poljanec-nabergoj\"><strong>Damjan Kracina &amp; Toni Poljanec &amp; Sa\u0161a Nabergoj<\/strong><\/a><\/p>\n<div style=\"height: 25px;\"><a name=\"potocan-nikolov\"><\/a><\/div>\n<p><strong>Branko Poto\u010dan &amp; Katarina Nikolov<\/strong><\/p>\n<ul>\n<li><em>Kje so tiste stezice \u2026 \/ Where Are the Paths\u2026<\/em>, 2003 [<a href=\"http:\/\/www.videospotting.org\/eng\/videodance_6-2008\">Videodance_6 (2008)<\/a>]<\/li>\n<\/ul>\n<div style=\"height: 25px;\"><\/div>\n<p><strong>Bo\u0161tjan Potokar<\/strong><\/p>\n<ul>\n<li><em>Return \u2013 Topolo<\/em>, 2004-06 [<a href=\"http:\/\/www.videospotting.org\/eng\/one-minute_sao-paolo-2007\">One Minute_S\u00e3o Paolo (2007)<\/a>]<\/li>\n<\/ul>\n<div style=\"height: 25px;\"><\/div>\n<p><strong>Mark Po\u017elep<\/strong><\/p>\n<ul>\n<li><em>Soft Machine<\/em>, 2010 [<a href=\"http:\/\/www.videospotting.org\/eng\/thank-you-for-your-attention-2016\">Thank you for your attention! (2016)<\/a>]<\/li>\n<\/ul>\n<div style=\"height: 25px;\"><\/div>\n<p><strong>Luka Prin\u010di\u010d<\/strong><br \/>\n&gt;&gt;&gt; See <strong><a href=\"#dekleva-princic\">Luka Dekleva &amp; Luka Prin\u010di\u010d<\/a><\/strong><br \/>\n&gt;&gt;&gt; See <a href=\"#temp\"><strong>TEMP Group<\/strong><\/a><\/p>\n<div style=\"height: 25px;\"><\/div>\n<p><strong>Nata\u0161a Prosenc Stearns<\/strong><\/p>\n<ul>\n<li><em>Untitled, 27 March 2020<\/em>, 2020 [<a href=\"http:\/\/www.videospotting.org\/eng\/back2back-tatiana-kocmur-2023\">Back2Back: Tatiana Kocmur (2023)<\/a>]<\/li>\n<li><em>Nightmares of the New World<\/em>, 2017 [<a href=\"http:\/\/www.videospotting.org\/eng\/selection-from-the-diva-station-archive-an-escape-into-experiment-2021\">Selection from the DIVA Station Archive: An Escape into Experiment (2021)<\/a>]<\/li>\n<li><em>Reposition<\/em>, 2015 [<a href=\"http:\/\/www.scca-ljubljana.si\/en\/cheers-to-women-25-years-of-film-and-video\/\" target=\"_blank\" rel=\"noopener noreferrer\">Cheers to Women! 25 Years of Film and Video (2019)<\/a>]<\/li>\n<li><em>Water Glove<\/em>, 2015 [<a href=\"http:\/\/www.videospotting.org\/eng\/all-paths-lead-to-dreams-2021\">All paths lead to dreams (2021)<\/a>]<\/li>\n<li><em>Noise Factor<\/em>, 2012 [<a href=\"http:\/\/www.videospotting.org\/eng\/with-every-minute-more-time-2015\">With every minute more time (2015), <\/a><a href=\"http:\/\/www.videospotting.org\/eng\/diva-station-presents-iii-2016\">DIVA Station Presents III (2016)<\/a>,  <a href=\"http:\/\/www.videospotting.org\/eng\/at-some-point-in-some-place-2017\">At some point, in some place (2017)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/diva-station-presents-iv-2017\">DIVA Station Presents IV (2017)<\/a>]<\/li>\n<li><em>Aterlife<\/em>, 2010 [<a href=\"http:\/\/www.videospotting.org\/eng\/let-the-dead-sleep-2014\">\u2018Let the Dead Sleep\u2019 (2014)<\/a>]<\/li>\n<li><em>Going Where<\/em>, 2010 [ <a href=\"http:\/\/www.videospotting.org\/eng\/at-some-point-in-some-place-2017\">At some point, in some place (2017)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/when-i-wake-up-i-am-going-to-make-something-2022\">When I wake up, I am going to make something (2022)<\/a>]<\/li>\n<li><em>Connected<\/em>, 2005 [<a href=\"http:\/\/www.videospotting.org\/eng\/video-in-public-art-2012\">Video in Public Art (2012)<\/a>]<\/li>\n<li><em>Crossing<\/em>, 2005 [<a href=\"http:\/\/www.videospotting.org\/eng\/the-meaning-of-time-2009\">The Meaning of Time (2009)<\/a>]<\/li>\n<li><em>The Beach<\/em>, 2004 [ <a href=\"http:\/\/www.videospotting.org\/eng\/at-some-point-in-some-place-2017\">At some point, in some place (2017)<\/a>]<\/li>\n<li><em>Construct<\/em>, 2002 [<a href=\"http:\/\/www.videospotting.org\/eng\/man-and-environment-2010\">Man and Environment (2010)<\/a>]<\/li>\n<li><em>One Way<\/em>, 1996 [<a href=\"http:\/\/www.videospotting.org\/eng\/bodyspotting-1997\">Bodyspotting (1997)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/videodokument-presents_1-2000\">Videodokument Presents_1 (2000)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/videodokument-presents_2-2000\">Videodokument Presents_2 (2000)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/videodokument_presents-2006\">Videodokument_Presents (2006)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/exhibitions\/vs_bergen\">VS_Bergen (2008)<\/a>]<\/li>\n<li><em>Concrete Man<\/em>, 1995 [<a href=\"http:\/\/www.videospotting.org\/eng\/thank-you-for-your-attention-2016\">Thank you for your attention! (2016)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/in-praise-of-dreams-video-art-from-the-90s-2019\">In Praise of Dreams. Video-art from the 90s (2019)<\/a>]<\/li>\n<li><em>Disc<\/em>, 1995 [<a href=\"http:\/\/www.videospotting.org\/eng\/the-world-is-obliged-to-live-you-2017\">The world is obliged to live you (2017)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/the-world-is-obliged-to-live-you-ii-2018\">The world is obliged to live you II (2018)<\/a>]<\/li>\n<li><em>The Double<\/em>, 1995 [<a href=\"http:\/\/www.videospotting.org\/eng\/transient-bodies-2007\">Transient Bodies (2007)<\/a>]<\/li>\n<li><em>Tango for Fish<\/em>, 1992 [<a href=\"http:\/\/www.videospotting.org\/eng\/from-alternative-scene-to-art-video-1994\">From Alternative Scene to Art Video (1994)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/memories-1997\">Memories (1997)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/in-praise-of-dreams-video-art-from-the-90s-2019\">In Praise of Dreams. Video-art from the 90s (2019)<\/a>]<\/li>\n<li><em>\u010cas? \/ Time?<\/em>, 1990 [<a href=\"http:\/\/www.videospotting.org\/eng\/awaiting-the-future-2017\">Awaiting the Future (2017)<\/a>]<\/li>\n<\/ul>\n<div style=\"height: 25px;\"><\/div>\n<p><strong>Marija Mojca Punger\u010dar<\/strong><\/p>\n<ul>\n<li><em>Outside My Door: Good Fairy<\/em>, 2004 [<a href=\"http:\/\/www.videospotting.org\/eng\/one-minute_sao-paolo-2007\">One Minute_S\u00e3o Paolo (2007)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/one-minute_2006-2007-2008\">One Minute_2006-2007 (2008)<\/a>]<\/li>\n<li><em>Career Fitness<\/em>, 1998 [<a href=\"http:\/\/www.scca-ljubljana.si\/en\/cheers-to-women-25-years-of-film-and-video\/\" target=\"_blank\" rel=\"noopener noreferrer\">Cheers to Women! 25 Years of Film and Video (2019)<\/a>]<\/li>\n<li><em>Portable Home<\/em>, 1996 [<a href=\"http:\/\/www.videospotting.org\/eng\/docuart-1997\">Docuart (1997)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/private-public-2005\">Private-Public (2005)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/trace-2007\">Trace (2007)<\/a>]<\/li>\n<\/ul>\n<div class=\"vrh\" align=\"right\"><img decoding=\"async\" style=\"padding-right: 5px;\" src=\"http:\/\/www.videospotting.org\/wp-content\/themes\/videospotting-tema\/images\/top.gif\" alt=\"\" \/><a href=\"http:\/\/www.videospotting.org\/eng\/artists\">top<\/a><\/div>\n<div class=\"crta\"><\/div>\n<p><a name=\"r\"><\/a><strong>R<\/strong><\/p>\n<div style=\"height: 25px;\"><\/div>\n<p><strong>R\u00c1TNEEK (Maja Prelog, Bla\u017e Murn)<\/strong><\/p>\n<ul>\n<li><em>2 0 4 5<\/em>, 2016 [<a href=\"http:\/\/www.videospotting.org\/eng\/fresh-perspective-2016\">Fresh Perspective (2016)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/welcome-to-the-8-minute-autumnal-picnic-in-the-past-2019\">Welcome to the 8 minute Autumnal Picnic in the Past (2019)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/back2back-matevz-jerman-2022\">Back2Back: Matev\u017e Jerman (2022)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/looking-to-the-bright-future-2022\">Looking to the bright future! (2022)<\/a>]<\/li>\n<\/ul>\n<div style=\"height: 25px;\"><\/div>\n<p><strong>Oliver Ressler<\/strong><br \/>\n&gt;&gt;&gt; See <strong><a href=\"#pecar-ressler\">Ana Pe\u010dar &amp; Oliver Ressler<\/a><\/strong><\/p>\n<div style=\"height: 25px;\"><\/div>\n<p><strong>Katarina Re\u0161ek (Kukla)<\/strong><\/p>\n<ul>\n<li><em>Napoleon (Napravi mi dete)<\/em>, 2016 [<a href=\"http:\/\/www.videospotting.org\/eng\/fresh-perspective-2016\">Fresh Perspective (2016)<\/a>]<\/li>\n<li><em>Among the Lull (Your Gay Thoughts)<\/em>, 2015 [<a href=\"http:\/\/www.scca-ljubljana.si\/en\/transgression\/\" target=\"_blank\" rel=\"noopener\">Transgression? (2020)<\/a>]<\/li>\n<li><em>Zvezdana (Napravi mi dete)<\/em>, 2014 [<a href=\"http:\/\/www.videospotting.org\/eng\/back2back-mila-persin-2021\">Back2Back: Mila Per\u0161in (2021)<\/a>]<\/li>\n<\/ul>\n<div style=\"height: 25px;\"><\/div>\n<p><strong>Jatun Risba<\/strong><\/p>\n<ul>\n<li><em>Be-coming Tree in Autumn<\/em>, 2020\/2021 [<a href=\"http:\/\/www.videospotting.org\/eng\/downhill-new-acquisitions-of-diva-station-2021\">Downhill. New acquisitions of DIVA Station (2021)<\/a>]<\/li>\n<\/ul>\n<div style=\"height: 25px;\"><\/div>\n<p><strong>Pila Rusjan<\/strong><\/p>\n<ul>\n<li><em>Elisa, 5<\/em>, 2010 [<a href=\"http:\/\/www.videospotting.org\/eng\/fresh-perspective-2016\">Fresh Perspective (2016)<\/a>,<a href=\"http:\/\/www.videospotting.org\/eng\/recordings-of-reality-subjectivization-of-objectivity-2018\">Recordings of Reality \u2013 Subjectivization of Objectivity (2018)<\/a>, <a href=\"http:\/\/www.scca-ljubljana.si\/en\/cheers-to-women-25-years-of-film-and-video\/\" target=\"_blank\" rel=\"noopener noreferrer\">Cheers to Women! 25 Years of Film and Video (2019)<\/a>]<\/li>\n<li><em>Re-Turn<\/em>, 2010 [<a href=\"http:\/\/www.videospotting.org\/eng\/keyword-food-12-2011\">Keyword: Food [12] (2011)<\/a>]<\/li>\n<\/ul>\n<div style=\"height: 25px;\"><\/div>\n<p><strong>Rene Rusjan<\/strong><\/p>\n<ul>\n<li><em>Zbudi me, \u010de zaspim \/ Wake Me Up if I Fall Asleep<\/em>, 2006 [<a href=\"http:\/\/www.videospotting.org\/eng\/one-minute_sao-paolo-2007\">One Minute_S\u00e3o Paolo (2007)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/one-minute_2006-2007-2008\">One Minute_2006-2007 (2008)<\/a>]<\/li>\n<\/ul>\n<div class=\"vrh\" align=\"right\"><img decoding=\"async\" style=\"padding-right: 5px;\" src=\"http:\/\/www.videospotting.org\/wp-content\/themes\/videospotting-tema\/images\/top.gif\" alt=\"\" \/><a href=\"http:\/\/www.videospotting.org\/eng\/artists\">top<\/a><\/div>\n<div class=\"crta\"><\/div>\n<p><a name=\"s_\"><\/a><strong>S<\/strong><\/p>\n<p><strong>Nora de Saint Picman<\/strong><\/p>\n<ul>\n<li><em>Orpheus<\/em>, 1997 [<a href=\"http:\/\/www.videospotting.org\/eng\/random-tape-destruction-2010\">Random Tape Destruction (2010)<\/a>]<\/li>\n<\/ul>\n<div style=\"height: 25px;\"><\/div>\n<p><strong>Kolja Saksida<\/strong><\/p>\n<ul>\n<li><em>Koyaa &#8220;Broom&#8221;<\/em>, 2005 [<a href=\"http:\/\/www.videospotting.org\/eng\/one-minute_sao-paolo-2007\">One Minute_S\u00e3o Paolo (2007)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/one-minute_2006-2007-2008\">One Minute_2006-2007 (2008)<\/a>]<\/li>\n<\/ul>\n<p>&gt;&gt;&gt; See also <a href=\"#kovacic-saksida\"><strong>Marko A. Kova\u010di\u010d &amp; Kolja Saksida<\/strong><br \/>\n<\/a><\/p>\n<div style=\"height: 25px;\"><\/div>\n<p><strong>Duba Sambolec<\/strong><\/p>\n<ul>\n<li><em>Collectors #3<\/em>, 2003 [<a href=\"http:\/\/www.videospotting.org\/eng\/concrete_recollected_constructed-2008\">Concrete_Recollected_Constructed (2008)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/race-with-time-performance-in-a-rear-view-mirror-2014\">Race with Time. Performance in a Rear-view Mirror (2014)<\/a>]<\/li>\n<li><em>Tour de place<\/em>, 2001 [<a href=\"http:\/\/www.videospotting.org\/eng\/trace-2007\">Trace (2007)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/keyword-food-12-2011\">Keyword: Food [12] (2011)<\/a>]<\/li>\n<li><em>Code I<\/em>, 2000 [<a href=\"http:\/\/www.videospotting.org\/eng\/all-paths-lead-to-dreams-2021\">All paths lead to dreams (2021)<\/a> ]<\/li>\n<li><em>Shadowless A &amp; Shadowless B<\/em>, 2000 [<a href=\"http:\/\/www.scca-ljubljana.si\/en\/cheers-to-women-25-years-of-film-and-video\/\" target=\"_blank\" rel=\"noopener noreferrer\">Cheers to Women! 25 Years of Film and Video (2019)<\/a>]<\/li>\n<\/ul>\n<div style=\"height: 25px;\"><\/div>\n<p><strong>Borut Savski<\/strong><\/p>\n<ul>\n<li><em>Videographics 19<\/em>, 2007 [<a href=\"http:\/\/www.videospotting.org\/eng\/selection-from-the-diva-station-archive-an-escape-into-experiment-2021\">Selection from the DIVA Station Archive: An Escape into Experiment (2021)<\/a>]<\/li>\n<\/ul>\n<div style=\"height: 25px;\"><\/div>\n<p><strong>Sa\u0161o Sedla\u010dek<\/strong><\/p>\n<ul>\n<li><em>Sky In Ruins (di sotto in s\u00f9)<\/em>, 2016 [<a href=\"http:\/\/www.videospotting.org\/eng\/selection-from-the-diva-station-archive-an-escape-into-experiment-2021\">Selection from the DIVA Station Archive: An Escape into Experiment (2021)<\/a>]<\/li>\n<li><em>The Big Switch Off<\/em>, 2011 [<a href=\"http:\/\/www.videospotting.org\/eng\/with-every-minute-more-time-2015\">With every minute more time (2015), <\/a><a href=\"http:\/\/www.videospotting.org\/eng\/diva-station-presents-iii-2016\">DIVA Station Presents III (2016)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/diva-station-presents-iv-2017\">DIVA Station Presents IV (2017)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/back2back-mila-persin-2021\">Back2Back: Mila Per\u0161in (2021)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/back2back-jake-yuzna-2021\">Back2Back: Jake Yuzna (2021)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/kiblix-from-the-archives-of-the-diva-station-2021\">Kiblix: From the Archives of the DIVA Station (2021)<\/a>]<\/li>\n<li><em>Picnic on a Dump<\/em>, 2004 [<a href=\"http:\/\/www.videospotting.org\/eng\/private-public-2005\">Private-Public (2005)<\/a>, <a href=\"http:\/\/www.videospotting.org\/dogodek-v-projektni-sobi\">Dogodek v Projektni sobi (2005)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/keyword-food-12-2011\">Keyword: Food [12] (2011)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/video-in-public-art-2012\">Video in Public Art (2012)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/welcome-to-the-8-minute-autumnal-picnic-in-the-past-2019\">Welcome to the 8 minute Autumnal Picnic in the Past (2019)<\/a>, <a href=\"http:\/\/www.scca-ljubljana.si\/en\/transgression\/\" target=\"_blank\" rel=\"noopener\">Transgression? (2020)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/all-paths-lead-to-dreams-2021\">All paths lead to dreams (2021)<\/a>]<\/li>\n<li><em>Just Do It!<\/em>, 2003 [<a href=\"http:\/\/www.videospotting.org\/eng\/video-in-public-art-2012\">Video in Public Art (2012)<\/a>]<\/li>\n<\/ul>\n<div style=\"height: 25px;\"><\/div>\n<p><strong>Polona Sepe<\/strong><\/p>\n<ul>\n<li><em>My Nightmarish Housing<\/em>, 1987 [<a href=\"http:\/\/www.videospotting.org\/eng\/constants-and-continuities-2013\">Constants and Continuities (2013)<\/a>]<\/li>\n<\/ul>\n<div style=\"height: 25px;\"><\/div>\n<p><strong>Rok Sieberer-Kuri<\/strong><\/p>\n<ul>\n<li><em>Silence Please, We\u2019re Watching<\/em>, 2001 [<a href=\"http:\/\/www.videospotting.org\/eng\/keyword-food-12-2011\">Keyword: Food [12] (2011)<\/a>]<\/li>\n<li><em>Too Blind to See<\/em>, 2000 [<a href=\"http:\/\/www.videospotting.org\/eng\/recent-video-works-2000\">Recent Video Works (2000)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/exhibitions\/utopia-travel_ljubljana\">Utopia Travel_Ljubljana (2002)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/random-tape-destruction-2010\">Random Tape Destruction (2010)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/back2back-jake-yuzna-2021\">Back2Back: Jake Yuzna (2021)<\/a>]<\/li>\n<li><em>Technotime<\/em>, 1999 [<a href=\"http:\/\/www.videospotting.org\/eng\/feedback-loop-2013\">Feedback Loop (2013), <\/a><a href=\"http:\/\/www.videospotting.org\/eng\/feedback-loop-ii-2016\">Feedback Loop II (2016)<\/a>]<\/li>\n<li><em>Media Teror Chroma Qart Mix (mix II.)<\/em>, 1998 [<a href=\"http:\/\/www.videospotting.org\/eng\/with-every-minute-more-time-2015\">With every minute more time (2015)<\/a>]<\/li>\n<li><em>Media Teror<\/em>, 1997 [<a href=\"http:\/\/www.videospotting.org\/eng\/exhibitions\/utopia-travel_ljubljana\">Utopia Travel_Ljubljana (2002)<\/a>]<\/li>\n<li><em>Metelkova City I, II<\/em>, 1996-98 [<a href=\"http:\/\/www.videospotting.org\/eng\/the-dark-alter-2012\">The Dark Alter (2012)<\/a>]<\/li>\n<li><em>Kres II. Razstava<\/em>, 1990 [<a href=\"http:\/\/www.videospotting.org\/eng\/back2back-jake-yuzna-2021\">Back2Back: Jake Yuzna (2021)<\/a>]<\/li>\n<li><em>Crisis<\/em>, 1989 [<a href=\"http:\/\/www.videospotting.org\/eng\/videodokument-presents_1-2000\">Videodokument Presents_1 (2000)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/videodokument_presents-2006\">Videodokument_Presents (2006)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/exhibitions\/vs_bergen\">VS_Bergen (2008)<\/a>]<\/li>\n<\/ul>\n<div style=\"height: 25px;\"><\/div>\n<p><strong>Zvonka T Sim\u010di\u010d<\/strong><\/p>\n<ul>\n<li><em>Ad Utero Ab Ovo<\/em>, 2007 [<a href=\"http:\/\/www.scca-ljubljana.si\/en\/cheers-to-women-25-years-of-film-and-video\/\" target=\"_blank\" rel=\"noopener noreferrer\">Cheers to Women! 25 Years of Film and Video (2019)<\/a>]<\/li>\n<li><em>Every Day<\/em>, 2002 [<a href=\"http:\/\/www.videospotting.org\/eng\/one-minute_sao-paolo-2007\">One Minute_S\u00e3o Paolo (2007)<\/a>]<\/li>\n<li><em>Broken h-h-ha\u2026egg<\/em>, 2000 [<a href=\"http:\/\/www.videospotting.org\/eng\/one-minute_sao-paolo-2007\">One Minute_S\u00e3o Paolo (2007)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/one-minute_2006-2007-2008\">One Minute_2006-2007 (2008)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/diva-station_presents-2009\">DIVA Station_Presents (2009), <\/a><a href=\"http:\/\/www.videospotting.org\/eng\/diva-station-presents-iii-2016\">DIVA Station Presents III (2016)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/diva-station-presents-iv-2017\">DIVA Station Presents IV (2017)<\/a>]<\/li>\n<\/ul>\n<div style=\"height: 25px;\"><\/div>\n<p><strong>Mirko Simi\u010d<\/strong><\/p>\n<ul>\n<li><em>Psycho Smile (Hic et Nunc)<\/em>, 1999 [<a href=\"http:\/\/www.videospotting.org\/eng\/recent-video-works-2000\">Recent Video Works (2000)<\/a>]<\/li>\n<li><em>Dakaka<\/em>, 1997 [<a href=\"http:\/\/www.videospotting.org\/eng\/docuart-1997\">Docuart (1997)<\/a>]<\/li>\n<li><em>Parfum de la terre<\/em>, 1997-2002 [<a href=\"http:\/\/www.videospotting.org\/eng\/exhibitions\/utopia-travel_ljubljana\">Utopia Travel_Ljubljana (2002)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/video-in-public-art-2012\">Video in Public Art (2012)<\/a>]<\/li>\n<li><em>Parabola<\/em>, 1997 [<a href=\"http:\/\/www.videospotting.org\/eng\/feedback-loop-2013\">Feedback Loop (2013)<\/a>]<\/li>\n<li><em>Ausl\u00e4nder (Magnifico)<\/em>, 1995 [<a href=\"http:\/\/www.videospotting.org\/eng\/intolerance-1997\">Intolerance (1997)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/videodokument-presents_2-2000\">Videodokument Presents_2 (2000)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/videodokument_presents-2006\">Videodokument_Presents (2006)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/exhibitions\/vs_bergen\">VS_Bergen (2008)<\/a>]<\/li>\n<li><em>No Brains No Tumors (2227)<\/em>, 1995 [<a href=\"http:\/\/www.videospotting.org\/eng\/dancemania-1997\">Dancemania (1997)<\/a>]<\/li>\n<li><em>Scream (Borghesia)<\/em>, 1995 [<a href=\"http:\/\/www.videospotting.org\/eng\/intolerance-1997\">Intolerance (1997)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/videodokument-presents_1-2000\">Videodokument Presents_1 (2000)<\/a>]<\/li>\n<li><em>Out of Memory<\/em>, 1994 [<a href=\"http:\/\/www.videospotting.org\/eng\/memories-1997\">Memories (1997)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/videodokument-presents_2-2000\">Videodokument Presents_2 (2000)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/awaiting-the-future-2017\">Awaiting the Future (2017)<\/a>]<\/li>\n<li><em>Anti Nazy Mix<\/em>, 1993 [<a href=\"http:\/\/www.videospotting.org\/eng\/random-tape-destruction-2010\">Random Tape Destruction (2010)<\/a>]<\/li>\n<li><em>Back to the Bible<\/em>, 1992 [<a href=\"http:\/\/www.videospotting.org\/eng\/the-world-is-obliged-to-live-you-2017\">The world is obliged to live you (2017)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/the-world-is-obliged-to-live-you-ii-2018\">The world is obliged to live you II (2018)<\/a>]<\/li>\n<li><em>Small Terrace (U redu)<\/em>, 1992 [<a href=\"http:\/\/www.videospotting.org\/eng\/from-alternative-scene-to-art-video-1994\">From Alternative Scene to Art Video (1994)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/memories-1997\">Memories (1997)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/stay-at-home-diva-2020\">Stay at Home, DIVA! (2020)<\/a>]<\/li>\n<li><em>Do You Hear the Sound of Silence<\/em>, 1992 [<a href=\"http:\/\/www.videospotting.org\/eng\/from-alternative-scene-to-art-video-1994\">From Alternative Scene to Art Video (1994)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/bodyspotting-1997\">Bodyspotting (1997)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/exhibitions\/dotik_udine\">Dotik_Udine (2004)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/diva-station_presents-2009\">DIVA Station_Presents (2009)<\/a>]<\/li>\n<li><em>Passer By<\/em>, 1990 [<a href=\"http:\/\/www.videospotting.org\/eng\/with-every-minute-more-time-2015\">With every minute more time (2015)<\/a>]<\/li>\n<li><em>Positive Connection II<\/em>, 2010 [<a href=\"http:\/\/www.videospotting.org\/eng\/awaiting-the-future-2017\">Awaiting the Future (2017)<\/a>]<\/li>\n<\/ul>\n<div style=\"height: 25px;\"><\/div>\n<p><strong>Nata\u0161a Sku\u0161ek<\/strong><\/p>\n<ul>\n<li><em>Free Time<\/em>, 2006 [<a href=\"http:\/\/www.videospotting.org\/eng\/concrete_recollected_constructed-2008\">Concrete_Recollected_Constructed (2008)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/stay-at-home-diva-2020\">Stay at Home, DIVA! (2020)<\/a>]<\/li>\n<li><em>Ecstasy<\/em>, 2005 [<a href=\"http:\/\/www.scca-ljubljana.si\/en\/cheers-to-women-25-years-of-film-and-video\/\" target=\"_blank\" rel=\"noopener noreferrer\">Cheers to Women! 25 Years of Film and Video (2019)<\/a>]<\/li>\n<li><em>Venezia<\/em>, 2003 [<a href=\"http:\/\/www.videospotting.org\/eng\/trace-2007\">Trace (2007)<\/a>]<\/li>\n<li><em>You Will See\u2026<\/em>, 2003 [<a href=\"http:\/\/www.videospotting.org\/eng\/back2back-tatiana-kocmur-2023\">Back2Back: Tatiana Kocmur (2023)<\/a>]<\/li>\n<li><em>Floating<\/em>, 2004 [<a href=\"http:\/\/www.videospotting.org\/eng\/the-meaning-of-time-2009\">The Meaning of Time (2009)<\/a>]<\/li>\n<li><em>Wedding<\/em>, 2004 [<a href=\"http:\/\/www.videospotting.org\/eng\/one-minute_sao-paolo-2007\">One Minute_S\u00e3o Paolo (2007)<\/a>]<\/li>\n<\/ul>\n<p>&gt;&gt;&gt; See also <a href=\"#bastarda-ocepek-skusek\"><strong>Martina Bastarda, Mateja Ocepek, Nata\u0161a Sku\u0161ek<\/strong><\/a><\/p>\n<div style=\"height: 25px;\"><\/div>\n<p><strong>Maja Slavec<\/strong><\/p>\n<ul>\n<li><em>Revaluation<\/em>, 2008 [<a href=\"http:\/\/www.videospotting.org\/eng\/intimising-dance-2011\">Intimising Dance (2011)<\/a>, <a href=\"http:\/\/www.scca-ljubljana.si\/en\/transgression\/\" target=\"_blank\" rel=\"noopener\">Transgression? (2020)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/back2back-tatiana-kocmur-2023\">Back2Back: Tatiana Kocmur (2023)<\/a>]<\/li>\n<\/ul>\n<div style=\"height: 25px;\"><\/div>\n<p><strong>Ana Sluga<\/strong><\/p>\n<ul>\n<li><em>Still Life II<\/em>, 2011 [<a href=\"http:\/\/www.videospotting.org\/eng\/thank-you-for-your-attention-2016\">Thank you for your attention! (2016), <a href=\"http:\/\/www.videospotting.org\/eng\/when-i-wake-up-i-am-going-to-make-something-2022\">When I wake up, I am going to make something (2022)<\/a>]<\/a><\/li>\n<li><em>Somewhere Else<\/em>, 2011 [<a href=\"http:\/\/www.videospotting.org\/eng\/with-every-minute-more-time-2015\">With every minute more time (2015)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/fresh-perspective-2016\">Fresh Perspective (2016)<\/a>]<\/li>\n<li><em>Away<\/em>, 2006 [<a href=\"&lt;a href=\">Industrial Landscape (2011)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/back2back-jake-yuzna-2021\">Back2Back: Jake Yuzna (2021)<\/a>]<\/li>\n<\/ul>\n<div style=\"height: 25px;\"><\/div>\n<p><strong>Small but dangers<\/strong><\/p>\n<ul>\n<li><em>Baldie_3.ppsx<\/em>, 2013 [<a href=\"http:\/\/www.videospotting.org\/eng\/beyond-the-visible-new-acquisitions-of-diva-station-2020\">Beyond the visible. New acquisitions of DIVA Station (2020)<\/a>]<\/li>\n<li><em>The Curtain<\/em>, 2013 [<a href=\"http:\/\/www.videospotting.org\/eng\/stay-at-home-diva-2020\">Stay at Home, DIVA! (2020)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/back2back-mila-persin-2021\">Back2Back: Mila Per\u0161in (2021)<\/a>]<\/li>\n<\/ul>\n<div style=\"height: 25px;\"><\/div>\n<p><strong>Maja Smrekar <\/strong><\/p>\n<ul>\n<li><em>Imaginarij elektromagnetnih transformacij<\/em>, 2009 [<a href=\"http:\/\/www.videospotting.org\/eng\/feedback-loop-2013\">Feedback Loop (2013)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/feedback-loop-ii-2016\">Feedback Loop II (2016)<\/a>]<\/li>\n<li><em>Repeating Coincidence<\/em>, 2009 [<a href=\"http:\/\/www.videospotting.org\/eng\/intimising-dance-2011\">Intimising Dance (2011)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/awaiting-the-future-2017\">Awaiting the Future (2017)<\/a>]<\/li>\n<li><em>The Mechanism<\/em>, 2009 [<a href=\"http:\/\/www.videospotting.org\/eng\/diva-station-presents-ii-2010\">DIVA Station Presents II (2010)<\/a>]<\/li>\n<li><em>The Triple Jusight<\/em>, 2007 [<a href=\"http:\/\/www.videospotting.org\/eng\/one-minute_sao-paolo-2007\">One Minute_S\u00e3o Paolo (2007)<\/a>]<\/li>\n<\/ul>\n<div style=\"height: 25px;\"><\/div>\n<p><strong>son:DA &amp; Erin\u00e7 Seymen<\/strong><\/p>\n<ul>\n<li><em>Performance for a Poem 2. Maribor<\/em>, 2006 [<a href=\"http:\/\/www.videospotting.org\/eng\/kiblix-from-the-archives-of-the-diva-station-2021\">Kiblix: From the Archives of the DIVA Station (2021)<\/a>]<\/li>\n<\/ul>\n<div style=\"height: 25px;\"><\/div>\n<p><strong>Sa\u0161a Spa\u010dal<\/strong><\/p>\n<ul>\n<li><em>Liminoid<\/em>, 2016 [<a href=\"http:\/\/www.videospotting.org\/eng\/kiblix-from-the-archives-of-the-diva-station-2021\">Kiblix: From the Archives of the DIVA Station (2021)<\/a>]<\/li>\n<li><em>Mycophone_unison<\/em>, 2016 [<a href=\"http:\/\/www.videospotting.org\/eng\/back2back-tatiana-kocmur-2023\">Back2Back: Tatiana Kocmur (2023)<\/a>]<\/li>\n<\/ul>\n<p>&gt;&gt;&gt; See also <a href=\"#cigon-spacal-hirsenfelder\"><strong>Ana \u010cigon, Sa\u0161a Spa\u010dal, Ida Hir\u0161enfelder<\/strong><\/a><\/p>\n<div style=\"height: 25px;\"><\/div>\n<p><strong>Zoran Srdi\u0107 Jane\u017ei\u010d<\/strong><\/p>\n<ul>\n<li><em>Trash Robots<\/em>, 2010 [<a href=\"http:\/\/www.videospotting.org\/eng\/awaiting-the-future-2017\">Awaiting the Future (2017)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/the-world-is-obliged-to-live-you-ii-2018\">The world is obliged to live you II (2018)<\/a>]<\/li>\n<li><em>Bobby goes to Zlaty Milos<\/em>, 2009 [<a href=\"http:\/\/www.videospotting.org\/eng\/keyword-food-12-2011\">Keyword: Food [12] (2011)<\/a>]<\/li>\n<li><em>Scribbling on Words<\/em>, 2005 [<a href=\"http:\/\/www.videospotting.org\/eng\/diva-station-presents-ii-2010\">DIVA Station Presents II (2010)<\/a>]<\/li>\n<\/ul>\n<div style=\"height: 25px;\"><\/div>\n<p><strong>Evelin Stermitz<\/strong><\/p>\n<ul>\n<li><em>Inside the Outside<\/em>, 2006 [<a href=\"http:\/\/www.videospotting.org\/eng\/intimising-dance-2011\">Intimising Dance (2011)<\/a>]<\/li>\n<\/ul>\n<div style=\"height: 25px;\"><\/div>\n<div class=\"vrh\" align=\"right\"><img decoding=\"async\" style=\"padding-right: 5px;\" src=\"http:\/\/www.videospotting.org\/wp-content\/themes\/videospotting-tema\/images\/top.gif\" alt=\"\" \/><a href=\"http:\/\/www.videospotting.org\/eng\/artists\">top<\/a><\/div>\n<div class=\"crta\"><\/div>\n<p><a name=\"\u0161\"><\/a><strong>\u0160<\/strong><\/p>\n<p><strong>Robertina \u0160ebjani\u010d<\/strong><\/p>\n<ul>\n<li><em>Bubble<\/em>, 2007 [<a href=\"http:\/\/www.videospotting.org\/eng\/one-minute_sao-paolo-2007\">One Minute_S\u00e3o Paolo (2007)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/one-minute_2006-2007-2008\">One Minute_2006-2007 (2008)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/diva-station_presents-2009\">DIVA Station_Presents (2009)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/with-every-minute-more-time-2015\">With every minute more time (2015)<\/a>]<\/li>\n<\/ul>\n<p>&gt;&gt;&gt; See also <a href=\"#autor-sebjanic\"><strong>Nika Autor &amp; Robertina \u0160ebjani\u010d<\/strong><\/a><br \/>\n&gt;&gt;&gt; See also <a href=\"#temp\"><strong>TEMP Group<\/strong><\/a><\/p>\n<div style=\"height: 25px;\"><\/div>\n<p><strong>Maja \u0160kerbot<\/strong><\/p>\n<ul>\n<li><em>Interview with Milena Kosec<\/em>, 1997 [<a href=\"http:\/\/www.videospotting.org\/eng\/downhill-new-acquisitions-of-diva-station-2021\">Downhill. New acquisitions of DIVA Station (2021)<\/a>]<\/li>\n<\/ul>\n<div style=\"height: 25px;\"><\/div>\n<p><strong>Aina \u0160mid<\/strong><br \/>\n&gt;&gt;&gt; See <strong><a href=\"#grzinic-smid\">Marina Gr\u017eini\u0107 in Aina \u0160mid<\/a><\/strong><\/p>\n<div style=\"height: 25px;\"><\/div>\n<p><strong>Nika \u0160pan<\/strong><\/p>\n<ul>\n<li><em>How to Socialise the Blues?<\/em>, 2007 [<a href=\"http:\/\/www.videospotting.org\/eng\/diva-station_presents-2009\">DIVA Station_Presents (2009), <\/a><a href=\"http:\/\/www.videospotting.org\/eng\/diva-station-presents-iii-2016\">DIVA Station Presents III (2016)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/diva-station-presents-iv-2017\">DIVA Station Presents IV (2017)<\/a>]<\/li>\n<li><em>Per aspera ad astra<\/em>, 1999 [<a href=\"http:\/\/www.videospotting.org\/eng\/feedback-loop-2013\">Feedback Loop (2013)<\/a>]<\/li>\n<\/ul>\n<div style=\"height: 25px;\"><a name=\"soltes-jelkic\"><\/a><\/div>\n<p><strong>Katja \u0160oltes &#038; Emir Jelki\u0107<\/strong><\/p>\n<ul>\n<li><em>How Do You Say \u0106esma \/ Kako se ka\u017ee fountain?<\/em>, 2000 [<a href=\"http:\/\/www.videospotting.org\/eng\/at-some-point-in-some-place-2017\">At some point, in some place (2017)<\/a>]<\/li>\n<div style=\"height: 25px;\"><\/div>\n<p><strong>Jane \u0160travs<\/strong><br \/>\n&gt;&gt;&gt; See <strong><a href=\"#kuglervodusekstravs\">Ema Kugler, Nada Vodu\u0161ek, Jane \u0160travs<\/a><\/strong><\/p>\n<div style=\"height: 25px;\"><\/div>\n<p><strong>Apolonija \u0160u\u0161ter\u0161i\u010d<\/strong><\/p>\n<ul>\n<li><em>Bonnevoie by Day &amp; Night<\/em>, 1998 [<a href=\"http:\/\/www.videospotting.org\/eng\/trace-2007\">Trace (2007)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/video-in-public-art-2012\">Video in Public Art (2012)<\/a>,  <a href=\"http:\/\/www.videospotting.org\/eng\/at-some-point-in-some-place-2017\">At some point, in some place (2017)<\/a>]<\/li>\n<li><em>How To Make Orange Juice I<\/em>, 1998 [<a href=\"http:\/\/www.videospotting.org\/eng\/keyword-food-12-2011\">Keyword: Food [12] (2011)<\/a>]<\/li>\n<li><em>Private Corridor \u2013 Public Toilets<\/em>, 1997 [<a href=\"http:\/\/www.videospotting.org\/eng\/videodokument-presents_1-2000\">Videodokument Presents_1 (2000)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/videodokument-presents_2-2000\">Videodokument Presents_2 (2000)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/videodokument_presents-2006\">Videodokument_Presents (2006)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/exhibitions\/vs_bergen\">VS_Bergen (2008)<\/a>]<\/li>\n<\/ul>\n<div style=\"height: 25px;\"><a name=\"sustersic-zelst\"><\/a><\/div>\n<p><strong>Apolonija \u0160u\u0161ter\u0161i\u010d &amp; Kees van Zelst<\/strong><\/p>\n<ul>\n<li><em>Entrance de Singel<\/em>, 1997 [<a href=\"http:\/\/www.videospotting.org\/eng\/random-tape-destruction-2010\">Random Tape Destruction (2010)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/intimising-dance-2011\">Intimising Dance (2011)<\/a>]<\/li>\n<li><em>Studio 016<\/em>, 1995 [<a href=\"http:\/\/www.videospotting.org\/eng\/random-tape-destruction-2010\">Random Tape Destruction (2010)<\/a>]<\/li>\n<\/ul>\n<div class=\"vrh\" align=\"right\"><img decoding=\"async\" style=\"padding-right: 5px;\" src=\"http:\/\/www.videospotting.org\/wp-content\/themes\/videospotting-tema\/images\/top.gif\" alt=\"\" \/><a href=\"http:\/\/www.videospotting.org\/eng\/artists\">top<\/a><\/div>\n<div class=\"crta\"><\/div>\n<p><a name=\"t\"><\/a><strong>T<\/strong><br \/>\n<a name=\"temp\"><\/a><br \/>\n<strong>TEMP Group (Robertina \u0160ebjani\u010d, Peter Ko\u0161ir, Luka Prin\u010di\u010d)<\/strong><\/p>\n<ul>\n<li><em>Zone D<\/em>, 2005 [<a href=\"http:\/\/www.videospotting.org\/eng\/industrial-landscape-2011\">Industrial Landscape (2011)<\/a>]<\/li>\n<\/ul>\n<div style=\"height: 25px;\"><\/div>\n<p><strong>Toma\u017e Toma\u017ein<\/strong><\/p>\n<ul>\n<li><em>Mr. Tornhill<\/em>, 2005 [<a href=\"http:\/\/www.videospotting.org\/eng\/eyedentify-yourself-2006\">Eyedentify Yourself (2006)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/exhibitions\/vs_bergen\">VS_Bergen (2008)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/with-every-minute-more-time-2015\">With every minute more time (2015)<\/a>]<\/li>\n<\/ul>\n<div class=\"vrh\" align=\"right\"><img decoding=\"async\" style=\"padding-right: 5px;\" src=\"http:\/\/www.videospotting.org\/wp-content\/themes\/videospotting-tema\/images\/top.gif\" alt=\"\" \/><a href=\"http:\/\/www.videospotting.org\/eng\/artists\">top<\/a><\/div>\n<div class=\"crta\"><\/div>\n<p><a name=\"v\"><\/a><strong>V<\/strong><br \/>\n<strong>Noemi Veberi\u010d Levovnik<\/strong><\/p>\n<ul>\n<li><em>FacesVoices<\/em>, 2011 [<a href=\"http:\/\/www.videospotting.org\/eng\/faces-and-structures-2018\">Faces and Structures (2018)<\/a>]<\/li>\n<li><em>The Yellow Turn<\/em>, 2011 [<a href=\"http:\/\/www.videospotting.org\/eng\/fresh-perspective-2016\">Fresh Perspective (2016)<\/a>]<\/li>\n<li><em>Sunday<\/em>, 2009 [<a href=\"http:\/\/www.videospotting.org\/eng\/recordings-of-reality-subjectivization-of-objectivity-2018\">Recordings of Reality \u2013 Subjectivization of Objectivity (2018)<\/a>]<\/li>\n<\/ul>\n<div style=\"height: 25px;\"><\/div>\n<p><strong>Peter Vezjak<\/strong><\/p>\n<ul>\n<li><em>Double Edge (Coptic Rain)<\/em>, 1995 [<a href=\"http:\/\/www.videospotting.org\/eng\/dancemania-1997\">Dancemania (1997)<\/a>]<\/li>\n<li><em>Venite Lucifer (Paracelsus &amp; 300.000 V.K.)<\/em>, 1995 [<a href=\"http:\/\/www.videospotting.org\/eng\/creatures-1997\">Creature (1997)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/videodokument-presents_1-2000\">Videodokument Presents_1 (2000)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/videodokument_presents-2006\">Videodokument_Presents (2006)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/exhibitions\/vs_bergen\">VS_Bergen (2008)<\/a>]<\/li>\n<li><em>Radioactivity (April Nine)<\/em>, 1994 [ <a href=\"http:\/\/www.videospotting.org\/eng\/memories-1997\">Memories (1997)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/videodokument-presents_1-2000\">Videodokument Presents_1 (2000)<\/a> ]<\/li>\n<li><em>Wirtschaft ist Tot (Laibach)<\/em>, 1993 [<a href=\"http:\/\/www.videospotting.org\/eng\/from-alternative-scene-to-art-video-1994\">From Alternative Scene to Art Video (1994)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/creatures-1997\">Creature (1997)<\/a>]<\/li>\n<\/ul>\n<div style=\"height: 25px;\"><\/div>\n<p><strong>Miha Vipotnik<\/strong><\/p>\n<ul>\n<li><em>Laughter<\/em>, 2015 [<a href=\"http:\/\/www.videospotting.org\/eng\/faces-and-structures-2018\">Faces and Structures (2018)<\/a>]<\/li>\n<li><em>Lumino Auro<\/em>, 2011 [<a href=\"http:\/\/www.scca-ljubljana.si\/en\/e-city-ljubljana-projected-visions-2\/\" target=\"_blank\" rel=\"noopener\">Projected Visions. From art in the urban context to fiction and dystopia (2018)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/back2back-mila-persin-2021\">Back2Back: Mila Per\u0161in (2021)<\/a>]<\/li>\n<li><em>Iz de\u017eele Ki Jeni \/ From the Land Ki Jeni<\/em>, 2006 [<a href=\"http:\/\/www.videospotting.org\/eng\/one-minute_sao-paolo-2007\">One Minute_S\u00e3o Paolo (2007)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/one-minute_2006-2007-2008\">One Minute_2006-2007 (2008)<\/a>]<\/li>\n<li><em>Path of Crazy Wisdom<\/em>, 1993\/96 [<a href=\"http:\/\/www.videospotting.org\/eng\/videodokument-presents_2-2000\">Videodokument Presents_2 (2000)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/videodokument_presents-2006\">Videodokument_Presents (2006)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/exhibitions\/vs_bergen\">VS_Bergen (2008), <\/a><a href=\"http:\/\/www.videospotting.org\/eng\/diva-station-presents-iii-2016\">DIVA Station Presents III (2016)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/faces-and-structures-2018\">Faces and Structures (2018)<\/a>]<\/li>\n<li><em>Space 2<\/em>, 1986 [<a href=\"http:\/\/www.videospotting.org\/eng\/with-every-minute-more-time-2015\">With every minute more time (2015),<\/a> <a href=\"http:\/\/www.videospotting.org\/eng\/diva-station-presents-iii-2016\">DIVA Station Presents III (2016)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/diva-station-presents-iv-2017\">DIVA Station Presents IV (2017)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/selection-from-the-diva-station-archive-an-escape-into-experiment-2021\">Selection from the DIVA Station Archive: An Escape into Experiment (2021)<\/a>]<\/li>\n<li><em>Don&#8217;t Panic<\/em>, 1984 [<a href=\"http:\/\/www.videospotting.org\/eng\/videodokument-presents_1-2000\">Videodokument Presents_1 (2000)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/videodokument_presents-2006\">Videodokument_Presents (2006)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/exhibitions\/vs_bergen\">VS_Bergen (2008)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/diva-station_presents-2009\">DIVA Station_Presents (2009)<\/a>]<\/li>\n<li><em>Insert from TV show New Year\u2019s Disco<\/em>, 1983 [<a href=\"http:\/\/www.videospotting.org\/eng\/back2back-ester-ivakic-2022\">Back2Back: Ester Ivaki\u010d (2022)<\/a>]<\/li>\n<li><em>Lenora<\/em>, 1983 [<a href=\"http:\/\/www.videospotting.org\/eng\/let-the-dead-sleep-2014\">\u2018Let the Dead Sleep\u2019 (2014)<\/a>]<\/li>\n<li><em>Videogram 4<\/em>, 1976\/79 [<a href=\"http:\/\/www.videospotting.org\/eng\/exhibitions\/dotik_udine\">Dotik_Udine (2004)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/video-discipline-dreams-2019\">Video Discipline &amp; Dreams (2019)<\/a>]<\/li>\n<li><em>Video grafike<\/em>, 1975 [<a href=\"http:\/\/www.videospotting.org\/eng\/feedback-loop-2013\">Feedback Loop (2013)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/race-with-time-performance-in-a-rear-view-mirror-2014\">Race with Time. Performance in a Rear-view Mirror (2014), <\/a><a href=\"http:\/\/www.videospotting.org\/eng\/feedback-loop-ii-2016\">Feedback Loop II (2016)<\/a>]<\/li>\n<\/ul>\n<div style=\"height: 25px;\"><\/div>\n<p><strong>Hana S. Vodeb<\/strong><\/p>\n<ul>\n<li><em>The End of Fear<\/em>, 2006 [<a href=\"http:\/\/www.videospotting.org\/eng\/one-minute_sao-paolo-2007\">One Minute_S\u00e3o Paolo (2007)<\/a>]<\/li>\n<\/ul>\n<div style=\"height: 25px;\"><\/div>\n<p><strong>Nada Vodu\u0161ek<\/strong><br \/>\n&gt;&gt;&gt; See <strong><a href=\"#kuglervodusekstravs\">Ema Kugler, Nada Vodu\u0161ek, Jane \u0160travs<\/a><\/strong><\/p>\n<div style=\"height: 25px;\"><\/div>\n<p><a name=\"vssd\"><\/a><br \/>\n<strong>V.S.S.D. (Janez Jordan, Alen O\u017ebolt)<\/strong><\/p>\n<ul>\n<li><em>She was what he had missed<\/em>, 1986 [<a href=\"http:\/\/www.videospotting.org\/eng\/constants-and-continuities-2013\">Constants and Continuities (2013)<\/a>]<\/li>\n<\/ul>\n<div style=\"height: 25px;\"><\/div>\n<p><strong>Sa\u0161o Vrabi\u010d<\/strong><\/p>\n<ul>\n<li><em>Santa (short version)<\/em>, 2001 [<a href=\"http:\/\/www.videospotting.org\/eng\/intimising-dance-2011\">Intimising Dance (2011)<\/a>]<\/li>\n<li><em>Drive In<\/em>, 1998 [<a href=\"http:\/\/www.videospotting.org\/eng\/exhibitions\/utopia-travel_ljubljana\">Utopia Travel_Ljubljana<\/a>]<\/li>\n<li><em>Drive 1-3<\/em>, 1996 [<a href=\"http:\/\/www.videospotting.org\/eng\/with-every-minute-more-time-2015\">With every minute more time (2015)<\/a>]<\/li>\n<li><em>Odkrivanje mikrokozmosa \/ Exploration of the Micro-Cosmos<\/em>, 1998 [<a href=\"http:\/\/www.videospotting.org\/eng\/videodokument-presents_1-2000\">Videodokument Presents_1 (2000)<\/a>]<\/li>\n<li><em>Tower Flatline<\/em>, 1998 [<a href=\"http:\/\/www.videospotting.org\/eng\/videodokument-presents_2-2000\">Videodokument Presents_2 (2000)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/videodokument_presents-2006\">Videodokument_Presents (2006)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/exhibitions\/vs_bergen\">VS_Bergen (2008)<\/a>]<\/li>\n<\/ul>\n<div style=\"height: 25px;\"><\/div>\n<p><strong>Tanja Vujinovi\u0107<\/strong><\/p>\n<ul>\n<li><em>Extagram \/ Oscilo<\/em>, 2007 [<a href=\"http:\/\/www.videospotting.org\/eng\/feedback-loop-2013\">Feedback Loop (2013), <\/a><a href=\"http:\/\/www.videospotting.org\/eng\/feedback-loop-ii-2016\">Feedback Loop II (2016)<\/a>]<\/li>\n<li><em>Extagram-ST807<\/em>, 2007 [<a href=\"http:\/\/www.videospotting.org\/eng\/one-minute_sao-paolo-2007\">One Minute_S\u00e3o Paolo (2007)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/one-minute_2006-2007-2008\">One Minute_2006-2007 (2008)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/diva-station_presents-2009\">DIVA Station_Presents (2009)<\/a>]<\/li>\n<li><em>Oscilo-TH807<\/em>, 2007 [<a href=\"http:\/\/www.videospotting.org\/eng\/with-every-minute-more-time-2015\">With every minute more time (2015)<\/a>]<\/li>\n<\/ul>\n<div class=\"vrh\" align=\"right\"><img decoding=\"async\" style=\"padding-right: 5px;\" src=\"http:\/\/www.videospotting.org\/wp-content\/themes\/videospotting-tema\/images\/top.gif\" alt=\"\" \/><a href=\"http:\/\/www.videospotting.org\/eng\/artists\">top<\/a><\/div>\n<div class=\"crta\"><\/div>\n<p><a name=\"z\"><\/a><strong>Z<\/strong><\/p>\n<p><strong>Jan Zakonj\u0161ek<\/strong><\/p>\n<ul>\n<li><em>Kako sem ujel sokola \/ How I Caught the Falcon<\/em>, 1993 [<a href=\"http:\/\/www.videospotting.org\/eng\/bodyspotting-1997\">Bodyspotting (1997)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/dancemania-1997\">Dancemania (1997)<\/a>]<\/li>\n<\/ul>\n<div style=\"height: 25px;\"><a name=\"zank\"><\/a><\/div>\n<p><strong>ZANK (Zemira Alajbegovi\u0107 in Neven Korda)<\/strong><\/p>\n<ul>\n<li><em>Slices of Time<\/em>, 2001 [<a href=\"http:\/\/www.videospotting.org\/eng\/exhibitions\/utopia-travel_ljubljana\">Utopia Travel_Ljubljana (2002)<\/a>]<\/li>\n<li><em>The Old and the New<\/em>, 1997 [<a href=\"http:\/\/www.videospotting.org\/eng\/exhibitions\/dotik_udine\">Dotik_Udine (2004)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/the-dark-alter-2012\">The Dark Alter (2012)<\/a>]<\/li>\n<li><em>Sand Collectors<\/em>, 1995 [<a href=\"http:\/\/www.videospotting.org\/eng\/memories-1997\">Memories (1997)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/videodokument-presents_1-2000\">Videodokument Presents_1 (2000)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/videodokument-presents_2-2000\">Videodokument Presents_2 (2000)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/videodokument_presents-2006\">Videodokument_Presents (2006)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/exhibitions\/vs_bergen\">VS_Bergen (2008)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/video-discipline-dreams-2019\">Video Discipline &amp; Dreams (2019)<\/a>]<\/li>\n<li><em>Autobus<\/em>, 1993 [<a href=\"http:\/\/www.videospotting.org\/eng\/from-alternative-scene-to-art-video-1994\">From Alternative Scene to Art Video (1994)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/intolerance-1997\">Intolerance (1997)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/diva-station-presents-ii-2010\">DIVA Station Presents II (2010)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/back2back-ester-ivakic-2022\">Back2Back: Ester Ivaki\u010d (2022)<\/a>]<\/li>\n<li><em>Icht<\/em>, 1993 [<a href=\"http:\/\/www.videospotting.org\/eng\/videodance_6-2008\">Videodance_6 (2008)<\/a>]<\/li>\n<li><em>400 (Borghesia)<\/em>, 1992 [<a href=\"http:\/\/www.videospotting.org\/eng\/from-alternative-scene-to-art-video-1994\">From Alternative Scene to Art Video (1994)<\/a>]<\/li>\n<li><em>Discipline \/ The Triumph of Desire (Borghesia)<\/em>, 1989 [<a href=\"http:\/\/www.videospotting.org\/eng\/videodokument_presents-2006\">Videodokument_Presents (2006)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/exhibitions\/vs_bergen\">VS_Bergen (2008)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/video-discipline-dreams-2019\">Video Discipline &amp; Dreams (2019)<\/a>]<\/li>\n<li><em>The Triumph of Desire (Borghesia)<\/em>, 1989 [<a href=\"http:\/\/www.videospotting.org\/eng\/the-dark-alter-2012\">The Dark Alter (2012)<\/a>]<\/li>\n<li><em>Poppers<\/em>, 1988 [<a href=\"http:\/\/www.videospotting.org\/eng\/feedback-loop-2013\">Feedback Loop (2013), <\/a><a href=\"http:\/\/www.videospotting.org\/eng\/feedback-loop-ii-2016\">Feedback Loop II (2016)<\/a>]<\/li>\n<li><em>It Rains<\/em>, 1986 [<a href=\"http:\/\/www.videospotting.org\/eng\/industrial-landscape-2011\">Industrial Landscape (2011)<\/a>]<\/li>\n<li><em>A.R. (Borghesia)<\/em>, 1985 [<a href=\"http:\/\/www.scca-ljubljana.si\/en\/transgression\/\" target=\"_blank\" rel=\"noopener\">Transgression? (2020)<\/a>]<\/li>\n<li><em>In Search of Lost Time<\/em>, 1985 [<a href=\"http:\/\/www.videospotting.org\/eng\/the-dark-alter-2012\">The Dark Alter (2012)<\/a>]<\/li>\n<li><em>Kersnikova 4<\/em>, 1984 [<a href=\"http:\/\/www.videospotting.org\/eng\/the-dark-alter-2012\">The Dark Alter (2012)<\/a>]<\/li>\n<li><em>So Young \/ So Young (Borghesia)<\/em>, 1984 [<a href=\"http:\/\/www.videospotting.org\/eng\/diva-station_presents-2009\">DIVA Station_Presents (2009)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/the-world-is-obliged-to-live-you-ii-2018\">The world is obliged to live you II (2018)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/the-world-is-obliged-to-live-you-ii-2018\">The world is obliged to live you II (2018)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/back2back-matevz-jerman-2022\">Back2Back: Matev\u017e Jerman (2022)<\/a>]<\/li>\n<li><em>The Wild Bunch<\/em>, 1984 [<a href=\"http:\/\/www.videospotting.org\/eng\/constants-and-continuities-2013\">Constants and Continuities (2013)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/back2back-jake-yuzna-2021\">Back2Back: Jake Yuzna (2021)<\/a>]<\/li>\n<\/ul>\n<div style=\"height: 25px;\"><\/div>\n<p><strong>Kees van Zelst<\/strong><br \/>\n&gt;&gt;&gt; See <strong><a href=\"#sustersic-zelst\">Apolonija \u0160u\u0161ter\u0161i\u010d &amp; Kees van Zelst<\/a><\/strong><\/p>\n<div style=\"height: 25px;\"><\/div>\n<p><strong>Metka Zupani\u010d<\/strong><\/p>\n<ul>\n<li><em>And Here We Are<\/em>, 2016 [<a href=\"http:\/\/www.scca-ljubljana.si\/en\/cheers-to-women-25-years-of-film-and-video\/\" target=\"_blank\" rel=\"noopener noreferrer\">Cheers to Women! 25 Years of Film and Video (2019)<\/a>]<\/li>\n<\/ul>\n<p>&gt;&gt;&gt; See also <strong><a href=\"#kolektiva\">KOLEKTIVA<\/a><\/strong><\/p>\n<div class=\"vrh\" align=\"right\"><img decoding=\"async\" style=\"padding-right: 5px;\" src=\"http:\/\/www.videospotting.org\/wp-content\/themes\/videospotting-tema\/images\/top.gif\" alt=\"\" \/><a href=\"http:\/\/www.videospotting.org\/eng\/artists\">top<\/a><\/div>\n<div class=\"crta\"><\/div>\n<p><a name=\"\u017e\"><\/a><strong>\u017d<\/strong><\/p>\n<p><strong>Ur\u0161ka \u017dnidar\u0161i\u010d<\/strong><\/p>\n<ul>\n<li><em>Povodni mo\u017e \/ The Underwater Man<\/em>, 1995 [<a href=\"http:\/\/www.videospotting.org\/eng\/dancemania-1997\">Dancemania (1997)<\/a>]<\/li>\n<\/ul>\n<div class=\"vrh\" align=\"right\"><img decoding=\"async\" style=\"padding-right: 5px;\" src=\"http:\/\/www.videospotting.org\/wp-content\/themes\/videospotting-tema\/images\/top.gif\" alt=\"\" \/><a href=\"http:\/\/www.videospotting.org\/eng\/artists\">top<\/a><\/div>\n<div class=\"crta\"><\/div>\n<p><a name=\"y\"><\/a><strong>Y<\/strong><\/p>\n<p><strong>Jake Yuzna<\/strong><\/p>\n<ul>\n<li><em>The Alternative Can Be Hard to See<\/em>, 2021 [<a href=\"http:\/\/www.videospotting.org\/eng\/back2back-jake-yuzna-2021\">Back2Back: Jake Yuzna (2021)<\/a>]<\/li>\n<\/ul>\n<div class=\"crta\"><\/div>\n<p><a name=\"w\"><\/a><strong>W<\/strong><\/p>\n<p><strong>Valerie Wolf Gang<\/strong><\/p>\n<ul>\n<li><em>Sorry, I can\u2019t make it today<\/em>, 2018 [<a href=\"http:\/\/www.scca-ljubljana.si\/en\/cheers-to-women-25-years-of-film-and-video\/\" target=\"_blank\" rel=\"noopener noreferrer\">Cheers to Women! 25 Years of Film and Video (2019)<\/a>]<\/li>\n<li><em>Distant Memory<\/em>, 2014 [<a href=\"http:\/\/www.videospotting.org\/eng\/fresh-perspective-2016\">Fresh Perspective (2016)]<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/diva-station-presents-iii-2016\">DIVA Station Presents III (2016)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/diva-station-presents-iv-2017\">DIVA Station Presents IV (2017)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/correspondences-2018\">Correspondences (2018)<\/a>, <a href=\"http:\/\/www.videospotting.org\/eng\/back2back-jake-yuzna-2021\">Back2Back: Jake Yuzna (2021)<\/a>]<\/li>\n<\/ul>\n<div style=\"height: 25px;\"><\/div>\n","protected":false},"excerpt":{"rendered":"<p>A | B | C | \u010c | D | E | F | G | H | I | J | K | L | M | N | O | P |R |S | \u0160 | T | U | V | Z | \u017d | Y | W A Zemira Alajbegovi\u0107 Quick [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":3,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-10","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.videospotting.org\/eng\/wp-json\/wp\/v2\/pages\/10","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.videospotting.org\/eng\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.videospotting.org\/eng\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.videospotting.org\/eng\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.videospotting.org\/eng\/wp-json\/wp\/v2\/comments?post=10"}],"version-history":[{"count":275,"href":"https:\/\/www.videospotting.org\/eng\/wp-json\/wp\/v2\/pages\/10\/revisions"}],"predecessor-version":[{"id":1236,"href":"https:\/\/www.videospotting.org\/eng\/wp-json\/wp\/v2\/pages\/10\/revisions\/1236"}],"wp:attachment":[{"href":"https:\/\/www.videospotting.org\/eng\/wp-json\/wp\/v2\/media?parent=10"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}