{"id":1026,"date":"2022-01-14T14:40:41","date_gmt":"2022-01-14T12:40:41","guid":{"rendered":"http:\/\/www.videospotting.org\/eng\/?page_id=1026"},"modified":"2022-02-09T15:23:42","modified_gmt":"2022-02-09T13:23:42","slug":"back2back-mila-persin-2021","status":"publish","type":"page","link":"https:\/\/www.videospotting.org\/eng\/back2back-mila-persin-2021","title":{"rendered":"Back2Back: Mila Per\u0161in (2021)"},"content":{"rendered":"<p class=\"crta\"><strong>Curator: Mila Per\u0161in<br \/>\nProduction:<\/strong> SCCA-Ljubljana, 2021<br \/>\n<strong>Duration:<\/strong> 87\u2019 (including the talk)<br \/>\n<strong>Premiere:<\/strong> online screening (19.\u201321. 2. 2021)<\/p>\n<p><strong>Back2Back<\/strong> is a new type of event within the curated Videospotting programs, where we invite domestic and international authors at various stages of their creative path to present their own production and establish a dialogue with works of their choice from the DIVA Station archive. We will invite mostly artists who do not yet have their works in the archive. Before the screening, we will prepare short conversations with them, which will shed light on their own authorial focuses and reveal why they were addressed by selected works. The program was designed with the aim of opening the archive to artistic research, which, together with the presentation of their own practice, establishes interesting parallels to classical curatorial approaches.<br \/>\n______<\/p>\n<p>The selection contains 10 short videos from different periods of Slovenian film and video production, which are connected at different levels and coincide with the short film <em>Auntie Milena<\/em>. The red thread of the program is memories. Memories that are translated in thousands of different ways haunt us, sometimes even suffocate us, and most of all, help us manage time. Precisely because of personal persuasiveness and unpretentious aesthetics, these films are subtle studies that weave the phenomenon of remembrance.<\/p>\n<p>The program also reveals the other part of human memory &#8211; accumulated dirt, which we often cannot escape. The nostalgic world of memory thus often has no power in dealing with the weight of the time that surrounds it.<\/p>\n<p><em>Mila Per\u0161in<\/em><\/p>\n<p class=\"crta\"><video poster=\"http:\/\/www.e-arhiv.org\/diva\/cache\/540_1553_1553_SCCA_Back2back_Mila_Persin_01.jpg\" controls=\"controls\" width=\"720\" height=\"405\"><source src=\"http:\/\/www.e-arhiv.org\/diva\/uplimg\/works\/1553\/1553_SCCA_Back2back_Mila_Persin_640.mp4\" type=\"video\/mp4\" \/><\/video><\/p>\n<p><strong>Small but dangers, <em>The Curtain<\/em><\/strong>, 3\u2032 51\u201d<br \/>\nSBD, 2013<br \/>\n<a href=\"http:\/\/www.e-arhiv.org\/diva\/index.php?opt=work&amp;id=1346&#038;lang_pref=en\" target=\"_blank\" rel=\"noopener noreferrer\">\u00bb video<\/a><br \/>\n<img decoding=\"async\" class=\"slika\" src=\"http:\/\/www.videospotting.org\/wp-content\/uploads\/video-img\/sbd\/sbd-zavesa.jpg\" alt=\"Small but dangers, Zavesa\" \/><\/p>\n<p><strong>Mila Per\u0161in, <em>Auntie Milena<\/em><\/strong>, 9\u2032 10\u201d<br \/>\nAVA \u2013 Akademija za vizualne umetnosti, 2019<br \/>\n<a href=\"http:\/\/www.e-arhiv.org\/diva\/index.php?opt=work&amp;id=1552&#038;lang_pref=en\" target=\"_blank\" rel=\"noopener noreferrer\">\u00bb video (trailer)<\/a><br \/>\n<img decoding=\"async\" class=\"slika\" src=\"http:\/\/www.videospotting.org\/wp-content\/uploads\/video-img\/persin\/persin-tetka-milena.jpg\" alt=\"Mila Per\u0161in, Tetka Milena\" \/><\/p>\n<p><strong>Ana Nu\u0161a Dragan, <em>Communication of Gastronomy<\/em><\/strong>, 2\u2032 45\u201d<br \/>\nA.N.D., 1971<br \/>\n<a href=\"http:\/\/www.e-arhiv.org\/diva\/index.php?opt=work&amp;id=1531&#038;lang_pref=en\" target=\"_blank\" rel=\"noopener noreferrer\">\u00bb video<\/a><br \/>\n<img decoding=\"async\" class=\"slika\" src=\"http:\/\/www.videospotting.org\/wp-content\/uploads\/video-img\/dragan\/dragan-komunikacija-gastronomije.jpg\" alt=\"Ana Nu\u0161a Dragan, Komunikacija gastronomije\" \/><\/p>\n<p><strong>Miha Vipotnik, <em>Lumino auro<\/em><\/strong>, 23\u2032 39\u201d<br \/>\nUho;Oko Institute for Art and Technology &#038; M. V., 2011<br \/>\n<a href=\"http:\/\/www.e-arhiv.org\/diva\/index.php?opt=work&amp;id=1197&#038;lang_pref=en\" target=\"_blank\" rel=\"noopener noreferrer\">\u00bb video<\/a><br \/>\n<img decoding=\"async\" class=\"slika\" src=\"http:\/\/www.videospotting.org\/wp-content\/uploads\/video-img\/vipotnik\/vipotnik-lumino-auro.jpg\" alt=\"Miha Vipotnik, Lumino auro\" \/><\/p>\n<p><strong>Sa\u0161o Sedla\u010dek, <em>The Big Switch Off<\/em><\/strong>, 1\u2032 48\u201d<br \/>\nAksioma, 2011<br \/>\n<a href=\"http:\/\/www.e-arhiv.org\/diva\/index.php?opt=work&amp;id=1026&#038;lang_pref=en\" target=\"_blank\" rel=\"noopener noreferrer\">\u00bb video<\/a><br \/>\n<img decoding=\"async\" class=\"slika\" src=\"http:\/\/www.videospotting.org\/wp-content\/uploads\/video-img\/sedlacek\/sedlacek-veliki-izklop.jpg\" alt=\"Sa\u0161o Sedla\u010dek, Veliki izklop\" \/><\/p>\n<p><strong>Kristina Kokalj, <em>Memory Machine<\/em><\/strong>, 4\u2032 25\u201d<br \/>\nALUO, 2018<br \/>\n<a href=\"http:\/\/www.e-arhiv.org\/diva\/index.php?opt=work&amp;id=1416&#038;lang_pref=en\" target=\"_blank\" rel=\"noopener noreferrer\">\u00bb video<\/a><br \/>\n<img decoding=\"async\" class=\"slika\" src=\"http:\/\/www.videospotting.org\/wp-content\/uploads\/video-img\/kokalj\/kristina-kokalj-masina-spomina.jpg\" alt=\"Kristina Kokalj, Ma\u0161ina spomina\" \/><\/p>\n<p><strong>Danilo Milovanovi\u0107, <em>Cover<\/em><\/strong>, 6\u2032 13\u201d<br \/>\nD.M., 2016<br \/>\n<a href=\"http:\/\/www.e-arhiv.org\/diva\/index.php?opt=work&amp;id=1360&#038;lang_pref=en\" target=\"_blank\" rel=\"noopener noreferrer\">\u00bb video<\/a><br \/>\n<img decoding=\"async\" class=\"slika\" src=\"http:\/\/www.videospotting.org\/wp-content\/uploads\/video-img\/milovanovic\/milovanovic-cover.jpg\" alt=\"Danilo Milovanovi\u0107, Cover\" \/><\/p>\n<p><strong>Tanja La\u017eeti\u0107, <em>Hotel Kumrovec<\/em><\/strong>, 7\u2032 42\u201d<br \/>\nT.L., 2007<br \/>\n<a href=\"http:\/\/www.e-arhiv.org\/diva\/index.php?opt=work&amp;id=899&#038;lang_pref=en\" target=\"_blank\" rel=\"noopener noreferrer\">\u00bb video<\/a><br \/>\n<img decoding=\"async\" class=\"slika\" src=\"http:\/\/www.videospotting.org\/wp-content\/uploads\/video-img\/lazetic\/lazetic-hotel-kumrovec.jpg\" alt=\"Tanja La\u017eeti\u0107, Hotel Kumrovec\" \/><\/p>\n<p><strong>Jasna Hribernik, <em>Carte Postale<\/em><\/strong>, 6\u2032 10\u201d<br \/>\nTV Slovenija, 1997<br \/>\n<a href=\"http:\/\/www.e-arhiv.org\/diva\/index.php?opt=work&amp;id=29&#038;lang_pref=en\" target=\"_blank\" rel=\"noopener noreferrer\">\u00bb video<\/a><br \/>\n<img decoding=\"async\" class=\"slika\" src=\"http:\/\/www.videospotting.org\/wp-content\/uploads\/video-img\/hribernik\/hribernik-carte-postale.jpg\" alt=\"Jasna Hribernik, Carte Postale\" \/><\/p>\n<p class=\"crta\"><strong>Katarina Re\u0161ek (KUKLA), <em>Zvezdana (Napravi mi dete)<\/em><\/strong>, 3\u2032 17\u201d<br \/>\nKuklaxklan, 2014<br \/>\n<a href=\"http:\/\/www.e-arhiv.org\/diva\/index.php?opt=work&amp;id=1244&#038;lang_pref=en\" target=\"_blank\" rel=\"noopener noreferrer\">\u00bb video<\/a><br \/>\n<img decoding=\"async\" class=\"slika\" src=\"http:\/\/www.videospotting.org\/wp-content\/uploads\/video-img\/kukla\/kukla-zvezdana.jpg\" alt=\"Katarina Re\u0161ek (KUKLA), Zvezdana\" \/><\/p>\n<p><strong>Mila Per\u0161in<\/strong> (1999) studies the Conceptualisation of space at the Academy of Visual Arts (AVA) in Ljubljana. As a high school student she, with her video installation, attended a youth Triennale for modern arts in Tallinn called Eksperimenta! Mila was a part of the youth jury at various festivals, for example, Liffe (Ljubljana International Film Festival), Zlata pali\u010dica (Festival of Performing Arts for Children and Young People), Film na oko (Internatinal Film Festival for Youth in Ljubljana), and Opus (International Competition of Young Dance Creators). She was also an organising member of Sonica (Festival of Contemporary Electronic Music and Transitory Art), Docu Rough Cut at Sarajevo Film Festival, Indigo festival (Festival of Contemporary Ideas), Mladi levi (International Contemporary Performing Arts Festival), Kino Otok (Isola Cinema International Film Festival), and FeKK (Ljubljana Short Film Festival). Her first short film Tetka Milena (Auntie Milena) was selected for the competing part of FeKK and FSF (Festival of Slovenian Film). Since 2019, she has been working at DobraVaga gallery as a member of its creative team.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Curator: Mila Per\u0161in Production: SCCA-Ljubljana, 2021 Duration: 87\u2019 (including the talk) Premiere: online screening (19.\u201321. 2. 2021) Back2Back is a new type of event within the curated Videospotting programs, where we invite domestic and international authors at various stages of their creative path to present their own production and establish a dialogue with works of [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-1026","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.videospotting.org\/eng\/wp-json\/wp\/v2\/pages\/1026","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.videospotting.org\/eng\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.videospotting.org\/eng\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.videospotting.org\/eng\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.videospotting.org\/eng\/wp-json\/wp\/v2\/comments?post=1026"}],"version-history":[{"count":5,"href":"https:\/\/www.videospotting.org\/eng\/wp-json\/wp\/v2\/pages\/1026\/revisions"}],"predecessor-version":[{"id":1153,"href":"https:\/\/www.videospotting.org\/eng\/wp-json\/wp\/v2\/pages\/1026\/revisions\/1153"}],"wp:attachment":[{"href":"https:\/\/www.videospotting.org\/eng\/wp-json\/wp\/v2\/media?parent=1026"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}