{"id":1082,"date":"2022-02-07T15:52:39","date_gmt":"2022-02-07T13:52:39","guid":{"rendered":"http:\/\/www.videospotting.org\/eng\/?page_id=1082"},"modified":"2022-02-09T15:25:34","modified_gmt":"2022-02-09T13:25:34","slug":"kiblix-from-the-archives-of-the-diva-station-2021","status":"publish","type":"page","link":"https:\/\/www.videospotting.org\/eng\/kiblix-from-the-archives-of-the-diva-station-2021","title":{"rendered":"Kiblix: From the Archives of the DIVA Station (2021)"},"content":{"rendered":"<p class=\"crta\"><strong>Curators: Irena Bori\u0107 and Vesna Bukovec<br \/>\nProduction:<\/strong> SCCA-Ljubljana, KIBLA, 2021<br \/>\n<strong>Duration:<\/strong> 4 online screenings with talks<br \/>\n<strong>Premiere:<\/strong> online screenings (April\u2013May 2021)<\/p>\n<p>The International Festival of Arts, Technology and Science\u00a0<strong><a href=\"https:\/\/www.202122.kiblix.org\/en\/home-2\/\" target=\"_blank\" rel=\"noopener\">Kiblix 2020-2021<\/a><\/strong>\u00a0hosts the\u00a0<a href=\"http:\/\/www.e-arhiv.org\/diva\/index.php?lang_pref=en\" target=\"_blank\" rel=\"noopener\"><strong>DIVA Station<\/strong><\/a>\u00a0archive with a series of events in April and May. The theme of the festival\u00a0<em>Virtual Worlds Now<\/em>\u00a0is focused on the critical evaluation of the intersections and disconnections between the virtual and the physical, and the research and critique of modern technological media and their use in contemporary art, culture and education, which is especially interesting at a time of epidemic constraints, when for many people digital and virtual have become the dominant environment for work, communication, education and entertainment.<\/p>\n<p class=\"crta\">In a series of four events under the common title\u00a0<em>From the Archives of the DIVA Station<\/em>, we are preparing a series of online video projections on the computer and online art, perception of physicality in a virtual environment, and transmitted feelings. The purpose of online projections is to get acquainted with works from the digital archive, get to know individual authors, and create a space for joint reflection, discussion, and knowledge exchange. Each event will be based on a selection of (including older) works from the archives of the DIVA Station and a conversation with the authors. Deriving from the events\u2019 online context, the focus will be on works that can start a discussion on the new reality of art perception through the digital experience. The conversations will be moderated by\u00a0Irena Bori\u0107\u00a0and\u00a0Vesna Bukovec.<\/p>\n<h4><strong>From the Archives of the DIVA Station: Digital Surfaces<\/strong><\/h4>\n<p>Curator: Irena Bori\u0107<br \/>\n1 April 2021<\/p>\n<p>We will be presented with a computer video animation by Marko Peljhan, conceived as a theatrical play without actors in cyberspace. The video animation was prepared, modeled and rendered using a program written explicitly with the real-time SGI Crimson animation tool. We will also see several short works by Alenka Pirman, which are not videos, but the endless repetition of the PowerPoint presentation, which has been established in the academic and commercial world to present knowledge. The projection will be followed by a conversation between the selector Irena Bori\u0107, the artists, and DIVA Station associate Vesna Bukovec.<\/p>\n<p><strong>Marko Peljhan, <em>LADOMIR-\u0424\u0410\u041a\u0422\u0423\u0420\u0410: FIRST SURFACE\u2013MIKROLAB V1.0<\/em><\/strong>, 23\u2032 10\u201d<br \/>\nProjekt Atol, A Team of Three Production, Aster, 1994<br \/>\n<a href=\"http:\/\/www.e-arhiv.org\/diva\/index.php?opt=work&amp;id=88&#038;lang_pref=en\" target=\"_blank\" rel=\"noopener noreferrer\">\u00bb video<\/a><br \/>\n<img decoding=\"async\" class=\"slika\" src=\"http:\/\/www.videospotting.org\/wp-content\/uploads\/video-img\/peljhan\/peljhan-ladomir.jpg\" alt=\"Marko Peljhan, LADOMIR-\u0424\u0410\u041a\u0422\u0423\u0420\u0410: PRVA POVR\u0160INA\u2013MIKROLAB V1.0\" \/><\/p>\n<p><strong>Alenka Pirman, <em>Ale\u0161 Kermavner: KAJ JE (V-SEBI-NA = V), ok. 1966\u20132006<\/em><\/strong>, 2\u2032 22\u201d<br \/>\nDru\u0161tvo za doma\u010de raziskave &amp; SCCA-Ljubljana, 2006<br \/>\n<a href=\"http:\/\/www.e-arhiv.org\/diva\/index.php?opt=work&amp;id=947&#038;lang_pref=en\" target=\"_blank\" rel=\"noopener noreferrer\">\u00bb video<\/a><br \/>\n<img decoding=\"async\" class=\"slika\" src=\"http:\/\/www.videospotting.org\/wp-content\/uploads\/video-img\/pirman\/pirman-najlepse-pesmi-ales-kermavner.jpg\" alt=\"Alenka Pirman, Ale\u0161 Kermavner: KAJ JE (V-SEBI-NA = V), ok. 1966\u20132006\" \/><\/p>\n<p><strong>Alenka Pirman, <em>Ivan Volari\u010d-Feo: Pe\u0161\u010dena ura, 1969\u20132006<\/em><\/strong>, 2\u2032 2\u201d<br \/>\nDru\u0161tvo za doma\u010de raziskave &amp; SCCA-Ljubljana, 2006<br \/>\n<a href=\"http:\/\/www.e-arhiv.org\/diva\/index.php?opt=work&amp;id=945&#038;lang_pref=en\" target=\"_blank\" rel=\"noopener noreferrer\">\u00bb video<\/a><br \/>\n<img decoding=\"async\" class=\"slika\" src=\"http:\/\/www.videospotting.org\/wp-content\/uploads\/video-img\/pirman\/pirman-najlepse-pesmi-ivan-volaric-feo.jpg\" alt=\"Alenka Pirman, Ivan Volari\u010d-Feo: Pe\u0161\u010dena ura, 1969\u20132006\" \/><\/p>\n<p><strong>Alenka Pirman, <em>Matja\u017e Han\u017eek: Neboti\u010dnik, 1967\u20132006<\/em><\/strong>, 2\u2032 46\u201d<br \/>\nDru\u0161tvo za doma\u010de raziskave &amp; SCCA-Ljubljana, 2006<br \/>\n<a href=\"http:\/\/www.e-arhiv.org\/diva\/index.php?opt=work&amp;id=946&#038;lang_pref=en\" target=\"_blank\" rel=\"noopener noreferrer\">\u00bb video<\/a><br \/>\n<img decoding=\"async\" class=\"slika\" src=\"http:\/\/www.videospotting.org\/wp-content\/uploads\/video-img\/pirman\/pirman-najlepse-pesmi-matjaz-hanzek.jpg\" alt=\"Alenka Pirman, Matja\u017e Han\u017eek: Neboti\u010dnik, 1967\u20132006\" \/><\/p>\n<p>Guests: Alenka Pirman and Marko Peljhan<\/p>\n<p><iframe loading=\"lazy\" title=\"KIBLIX 2021 \/  Iz arhiva Postaje DIVA: Digitalne povr\u0161ine\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/AwcudWcVIkI?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<h4><strong>From the Archives of the DIVA Station: Digital Performances<\/strong><\/h4>\n<p>Curator: Irena Bori\u0107<br \/>\n15 April 2021<\/p>\n<p>We will watch the video of the tandem son:DA and Erin\u00e7 Seymen, which is documentation of a performance, held simultaneously in Maribor and Istanbul. Andrea Knezovi\u0107 explores the relationship between the notion of anxiety, helplessness and the ability to perform, act and autonomously express, while Sa\u0161o Sedla\u010dek, in his video, problematizes the mass destruction of used technological equipment and its disposal. The screening will be followed by a talk between the selector Irena Bori\u0107, the artists and associate of the DIVA Station Vesna Bukovec.<\/p>\n<p><strong>son:DA, <em>Erin\u00e7 Seymen, Performance for a Poem 2. Maribor<\/em><\/strong>, 8\u2032 48\u201d<br \/>\n21st Century, 2006<br \/>\n<a href=\"http:\/\/www.e-arhiv.org\/diva\/index.php?opt=work&amp;id=817&#038;lang_pref=en\" target=\"_blank\" rel=\"noopener noreferrer\">\u00bb video<\/a><br \/>\n<img decoding=\"async\" class=\"slika\" src=\"http:\/\/www.videospotting.org\/wp-content\/uploads\/video-img\/sonda\/sonDA-Seymen-maribor.jpg\" alt=\"son:DA, Erin\u00e7 Seymen, Performance for a Poem 2. Maribor\" \/><\/p>\n<p><strong>Andrea Knezovi\u0107, <em>Ode To Helplessness. The Inability To Breathe In 1.0<\/em><\/strong>, 1\u2032 2\u201d<br \/>\nA.K., 2016<br \/>\n<a href=\"http:\/\/www.e-arhiv.org\/diva\/index.php?opt=work&amp;id=1226&#038;lang_pref=en\" target=\"_blank\" rel=\"noopener noreferrer\">\u00bb video<\/a><br \/>\n<img decoding=\"async\" class=\"slika\" src=\"http:\/\/www.videospotting.org\/wp-content\/uploads\/video-img\/knezovic\/knezovic_the-inability-to-breathe-in_1.0.jpg\" alt=\"Andrea Knezovi\u0107, Ode To Helplessness. The Inability To Breathe In 1.0\" \/><\/p>\n<p><strong>Andrea Knezovi\u0107, <em>Ode To Helplessness. The Inability To Breathe In 2.0<\/em><\/strong>, 1\u2032 26\u201d<br \/>\nA.K., 2016<br \/>\n<a href=\"http:\/\/www.e-arhiv.org\/diva\/index.php?opt=work&amp;id=1227&#038;lang_pref=en\" target=\"_blank\" rel=\"noopener noreferrer\">\u00bb video<\/a><br \/>\n<img decoding=\"async\" class=\"slika\" src=\"http:\/\/www.videospotting.org\/wp-content\/uploads\/video-img\/knezovic\/knezovic_the-inability-to-breathe-in_2.0.jpg\" alt=\"Andrea Knezovi\u0107, Ode To Helplessness. The Inability To Breathe In 2.0\" \/><\/p>\n<p><strong>Sa\u0161o Sedla\u010dek, <em>Veliki izklop\/The Big Switch Off<\/em><\/strong>, 1\u2032 48\u201d<br \/>\nAksioma, 2011<br \/>\n<a href=\"http:\/\/www.e-arhiv.org\/diva\/index.php?opt=work&amp;id=1026&#038;lang_pref=en\" target=\"_blank\" rel=\"noopener noreferrer\">\u00bb video<\/a><br \/>\n<img decoding=\"async\" class=\"slika\" src=\"http:\/\/www.videospotting.org\/wp-content\/uploads\/video-img\/sedlacek\/sedlacek-veliki-izklop.jpg\" alt=\"Sa\u0161o Sedla\u010dek, Veliki izklop\/The Big Switch Off\" \/><\/p>\n<p>Guests: Miha Horvat, Toni Soprano Meneglejte, Andrea Knezovi\u0107, Sa\u0161o Sedla\u010dek<\/p>\n<p><iframe loading=\"lazy\" title=\"KIBLIX 2021 \/ Iz arhiva Postaje DIVA: Digitalni performansi\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/7S5xSoxypL4?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<h4><strong>From the Archives of the DIVA Station: Online and Common<\/strong><\/h4>\n<p>Curator: Irena Bori\u0107<br \/>\n29 April 2021<\/p>\n<p>We will watch a film by Anja Medved and Patricija Mali\u010dev, in which they discuss the puzzles of humanity with creators, scientists and philosophers. The debate is on environmental issues from philosophical perspectives. Are we at odds with nature due to rapid technological developments? The screening will be followed by a conversation between the selector Irena Bori\u0107, the artist Anja Medved and associate of the DIVA Station Vesna Bukovec.<\/p>\n<p><strong>Anja Medved, Patricija Mali\u010dev, <em>The Gathering \u2013 The Secret Side of Things We Share<\/em><\/strong>, 65\u2032<br \/>\nKinoatelje, Zavod Kinoatelje, Zavod Kinoka\u0161\u010da, 2013<br \/>\n<a href=\"http:\/\/www.e-arhiv.org\/diva\/index.php?opt=work&amp;id=1449&#038;lang_pref=en\" target=\"_blank\" rel=\"noopener noreferrer\">\u00bb video<\/a><br \/>\n<img decoding=\"async\" class=\"slika\" src=\"http:\/\/www.videospotting.org\/wp-content\/uploads\/video-img\/medved\/medved-malicev-zbrani.jpg\" alt=\"Anja Medved, Patricija Mali\u010dev, Zbrani \u2013 Zaupno o skupnem\" \/><\/p>\n<p>Guest: Anja Medved<\/p>\n<p><iframe loading=\"lazy\" title=\"KIBLIX 2021 \/ Iz arhiva Postaje DIVA: Spletno in skupno\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/iwo7u4EdUC0?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<h4><strong>From the Archives of the DIVA Station: Body and Identity<\/strong><\/h4>\n<p>Curator: Vesna Bukovec<br \/>\n20 May 2021<\/p>\n<p>The selection of works from the archive was prepared by Vesna Bukovec and takes us on a walk from a micro view of body particles that are visible only by using the digital technology (Bodyfraction), through the possibility of experiencing dispersed identity in VR space (Liminoid), online identity and violence (Cyberstalking), face-covering (Self-portrait) \u2013 today we can also think of it as protecting personal identity \u2013 to the loss of identity in a macro view of a group of people (Tense Present: \u0160um fotonov\/ Photon Noise), who are no longer perceived as individuals with their own story, but as pixels, decomposing in a media-shared image. The intertwining of the development possibilities for humans and society that technology offers us as opposed to various types of abuse. The screening will be followed by a talk between the selector Irena Bori\u0107, the artists and curator and associate of the DIVA Station Vesna Bukovec.<\/p>\n<p><strong>Ur\u0161ula Berlot, Sun\u010dana Kulji\u0161, <em>Bodyfraction<\/em><\/strong>, 7\u2032 4\u201d<br \/>\nU.B. &amp; S.K., 2020<br \/>\n<a href=\"http:\/\/www.e-arhiv.org\/diva\/index.php?opt=work&amp;id=1473&#038;lang_pref=en\" target=\"_blank\" rel=\"noopener noreferrer\">\u00bb video<\/a><br \/>\n<img decoding=\"async\" class=\"slika\" src=\"http:\/\/www.videospotting.org\/wp-content\/uploads\/video-img\/berlot\/berlot-kuljis-bodyfraction.jpg\" alt=\"Ur\u0161ula Berlot, Sun\u010dana Kulji\u0161, Bodyfraction\" \/><\/p>\n<p><strong>Sa\u0161a Spa\u010dal, <em>Liminoid<\/em><\/strong>, 8\u2032 8\u201d<br \/>\nS.S. &amp; +MSUM, 2016<br \/>\n<a href=\"http:\/\/www.e-arhiv.org\/diva\/index.php?opt=work&amp;id=1296&#038;lang_pref=en\" target=\"_blank\" rel=\"noopener noreferrer\">\u00bb video<\/a><br \/>\n<img decoding=\"async\" class=\"slika\" src=\"http:\/\/www.videospotting.org\/wp-content\/uploads\/video-img\/spacal\/spacal-liminoid.jpg\" alt=\"Sa\u0161a Spa\u010dal, Liminoid\" \/><\/p>\n<p><strong>Sara Bezov\u0161ek, <em>Cyberstalking<\/em><\/strong>, 5\u2032 27\u201d<br \/>\nAksioma, 2019<br \/>\n<a href=\"http:\/\/www.e-arhiv.org\/diva\/index.php?opt=work&amp;id=1431&#038;lang_pref=en\" target=\"_blank\" rel=\"noopener noreferrer\">\u00bb video<\/a><br \/>\n<img decoding=\"async\" class=\"slika\" src=\"http:\/\/www.videospotting.org\/wp-content\/uploads\/video-img\/bezovsek\/bezovsek-cyberstalking.jpg\" alt=\"Sara Bezov\u0161ek, Cyberstalking\" \/><\/p>\n<p><strong>Aleksandra Sa\u0161ka Gruden, <em>Self-portrait<\/em><\/strong>, 1\u2032 54\u201d<br \/>\nA.S.G., 2001<br \/>\n<a href=\"http:\/\/www.e-arhiv.org\/diva\/index.php?opt=work&amp;id=1136&#038;lang_pref=en\" target=\"_blank\" rel=\"noopener noreferrer\">\u00bb video<\/a><br \/>\n<img decoding=\"async\" class=\"slika\" src=\"http:\/\/www.videospotting.org\/wp-content\/uploads\/video-img\/gruden\/gruden-avtoportret.jpg\" alt=\"Aleksandra Sa\u0161ka Gruden, Avtoportret\" \/><\/p>\n<p><strong>Jasna Hribernik, <em>Tense Present: Photon Noise<\/em><\/strong>, 1\u2032 18\u201d<br \/>\nWhite Balance, 2015<br \/>\n<a href=\"http:\/\/www.e-arhiv.org\/diva\/index.php?opt=work&amp;id=1215&#038;lang_pref=en\" target=\"_blank\" rel=\"noopener noreferrer\">\u00bb video<\/a><br \/>\n<img decoding=\"async\" class=\"slika\" src=\"http:\/\/www.videospotting.org\/wp-content\/uploads\/video-img\/hribernik\/hribernik-tense-present.jpg\" alt=\"Jasna Hribernik, Tense Present: \u0160um fotonov\" \/><\/p>\n<p>Guests: Ur\u0161ula Berlot, Sara Bezov\u0161ek, Aleksandra Sa\u0161ka Gruden, Jasna Hribernik, Sa\u0161a Spa\u010dal<\/p>\n<p><iframe loading=\"lazy\" title=\"KIBLIX 2021 \/ Iz arhiva Postaje DIVA: Telo in identiteta\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/VLYrtnG060E?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p class=\"crta\">\n","protected":false},"excerpt":{"rendered":"<p>Curators: Irena Bori\u0107 and Vesna Bukovec Production: SCCA-Ljubljana, KIBLA, 2021 Duration: 4 online screenings with talks Premiere: online screenings (April\u2013May 2021) The International Festival of Arts, Technology and Science\u00a0Kiblix 2020-2021\u00a0hosts the\u00a0DIVA Station\u00a0archive with a series of events in April and May. The theme of the festival\u00a0Virtual Worlds Now\u00a0is focused on the critical evaluation of the [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-1082","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.videospotting.org\/eng\/wp-json\/wp\/v2\/pages\/1082","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.videospotting.org\/eng\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.videospotting.org\/eng\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.videospotting.org\/eng\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.videospotting.org\/eng\/wp-json\/wp\/v2\/comments?post=1082"}],"version-history":[{"count":5,"href":"https:\/\/www.videospotting.org\/eng\/wp-json\/wp\/v2\/pages\/1082\/revisions"}],"predecessor-version":[{"id":1155,"href":"https:\/\/www.videospotting.org\/eng\/wp-json\/wp\/v2\/pages\/1082\/revisions\/1155"}],"wp:attachment":[{"href":"https:\/\/www.videospotting.org\/eng\/wp-json\/wp\/v2\/media?parent=1082"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}