{"id":1102,"date":"2022-02-09T13:33:19","date_gmt":"2022-02-09T11:33:19","guid":{"rendered":"http:\/\/www.videospotting.org\/eng\/?page_id=1102"},"modified":"2022-02-09T15:26:24","modified_gmt":"2022-02-09T13:26:24","slug":"downhill-new-acquisitions-of-diva-station-2021","status":"publish","type":"page","link":"https:\/\/www.videospotting.org\/eng\/downhill-new-acquisitions-of-diva-station-2021","title":{"rendered":"Downhill. New acquisitions of DIVA Station (2021)"},"content":{"rendered":"

Curator: Vesna Bukovec
\nProduction:<\/strong> SCCA-Ljubljana, 2021
\nDuration:<\/strong> 45\u2019
\nPremiere:<\/strong> VideoGaredn.7 (VideoDvori\u0161\u010de.7), \u0160kuc Gallery (24. 8. 2021)<\/p>\n

Ur\u0161ka Aplinc\u2019s student video (Slide<\/em>, 2014) shows tireless absurd movement with the help of a prop that is not made to fit the body, and therefore forces it into a specific posture and movement. Nata\u0161a Berk fulfills her long-standing wish and forms a music group with her own alter egos, with which she performs on stage in the video\u00a0PolyPlay<\/em>\u00a0(2007). In her first documentary\u00a0Some Information<\/em>\u00a0(1968), Ana Nu\u0161a Dragan records a move from a student dormitory, capturing a farewell from a playful youth and a transition to adulthood. With the responsibilities of the adult world, marked primarily by paying bills, encounters Lada Cerar in the video\u00a0Blow My Bills Away. Calculator<\/em>\u00a0(2012). In a 1997 television portrait, Maja \u0160kerbot presents the \u2018unconventional lady\u2019 Milena Kosec, a \u2018dabbler and dilettante\u2019 who works without rules. At that time, scarecrows had their own country in her vegetable garden, as they recognized the ideal location in the newly formed country in the form of a bird in southeastern Europe. The state is supposed to provide security for its inhabitants. What does ensuring security look like in times of pandemic, exploitation, violence, climate change and fake news, I ask myself in the video\u00a0What is danger?<\/em>\u00a0(2020\/21). In the performance\u00a0Alopecia areata<\/em>\u00a0(2018), Tatiana Kocmur reconstructs the state of mind in a period of personal distress, the consequences of doubts, fears and frustrations. Female voice programming interfaces \u2013 digital shamans from the two-channel video\u00a0Vala<\/em>\u00a0(2017) by Agnes Momirski might help dealing with personal hardships. Jatun Risba\u2019s performance\u00a0Be-coming Tree. Autumn<\/em>\u00a0(2020\/2021) brings insight into the coexistence of life and death in nature, merging with the forest, and establishing a dialogue between the World Wide Web and the World Mycelium Network.<\/p>\n

Vesna Bukovec<\/em><\/p>\n

Ur\u0161ka Aplinc, Slide<\/em><\/strong>, 1\u2032 52\u201d
\nU.A., 2014
\n\u00bb video<\/a>
\n\"Ur\u0161ka<\/p>\n

Nata\u0161a Berk, PolyPlay<\/em><\/strong>, 4\u2032 18\u201d
\nN.B., 2004
\n\u00bb video<\/a>
\n\"Nata\u0161a<\/p>\n

Ana Nu\u0161a Dragan, Some Information<\/em><\/strong>, 1\u2032 54\u201d
\nA.N.D., 1968
\n\u00bb video<\/a>
\n\"Ana<\/p>\n

Lada Cerar, Blow My Bills Away. Calculator<\/em><\/strong>, 2\u2032 51\u201d
\nL.C., 2012
\n\u00bb video<\/a>
\n\"Lada<\/p>\n

Maja \u0160kerbot, Interview with Milena Kosec<\/em><\/strong>, 5\u2032 10\u201d
\nGajba TV, 1997
\n\u00bb video<\/a>
\n\"Maja<\/p>\n

Vesna Bukovec, What is Danger?<\/em><\/strong>, 2\u2032
\nV.B., 2020\/2021
\n\u00bb video<\/a>
\n\"Vesna<\/p>\n

Tatiana Kocmur, Alopecia areata<\/em><\/strong>, 5\u2032 40\u201d
\nTranslacija | Traslaci\u00f3n, 2018
\n\u00bb video<\/a>
\n\"Tatiana<\/p>\n

Agnes Momirski, Vala<\/em><\/strong>, 10\u2032 16\u201d
\nA.M., 2017
\n\u00bb video<\/a>
\n\"Agnes<\/p>\n

Jatun Risba, Be-coming Tree in Autumn<\/em><\/strong>, 10\u2032 27\u201d
\nJ.R., 2020\/2021
\n\u00bb video<\/a>
\n\"Jatun<\/p>\n","protected":false},"excerpt":{"rendered":"

Curator: Vesna Bukovec Production: SCCA-Ljubljana, 2021 Duration: 45\u2019 Premiere: VideoGaredn.7 (VideoDvori\u0161\u010de.7), \u0160kuc Gallery (24. 8. 2021) Ur\u0161ka Aplinc\u2019s student video (Slide, 2014) shows tireless absurd movement with the help of a prop that is not made to fit the body, and therefore forces it into a specific posture and movement. Nata\u0161a Berk fulfills her long-standing […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-1102","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.videospotting.org\/eng\/wp-json\/wp\/v2\/pages\/1102","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.videospotting.org\/eng\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.videospotting.org\/eng\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.videospotting.org\/eng\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.videospotting.org\/eng\/wp-json\/wp\/v2\/comments?post=1102"}],"version-history":[{"count":2,"href":"https:\/\/www.videospotting.org\/eng\/wp-json\/wp\/v2\/pages\/1102\/revisions"}],"predecessor-version":[{"id":1156,"href":"https:\/\/www.videospotting.org\/eng\/wp-json\/wp\/v2\/pages\/1102\/revisions\/1156"}],"wp:attachment":[{"href":"https:\/\/www.videospotting.org\/eng\/wp-json\/wp\/v2\/media?parent=1102"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}