{"id":1120,"date":"2022-02-09T13:57:44","date_gmt":"2022-02-09T11:57:44","guid":{"rendered":"http:\/\/www.videospotting.org\/eng\/?page_id=1120"},"modified":"2022-02-09T15:26:54","modified_gmt":"2022-02-09T13:26:54","slug":"all-paths-lead-to-dreams-2021","status":"publish","type":"page","link":"https:\/\/www.videospotting.org\/eng\/all-paths-lead-to-dreams-2021","title":{"rendered":"All paths lead to dreams (2021)"},"content":{"rendered":"

Curator: Anne Tassel
\nProduction:<\/strong> SCCA-Ljubljana, 2021
\nDuration:<\/strong> 54\u2019
\nPremiere:<\/strong> VideoGarden.8 (VideoDvori\u0161\u010de.8), \u0160kuc Gallery (9. 9. 2021)<\/p>\n

Neven Korda, in his work\u00a0Angelic Wreath at Speed<\/em>\u00a0\u200b\u200b(2006), explores artificial worlds and questions reality. Sa\u0161o Sedla\u010dek, in the video\u00a0Picnic on a Dump<\/em>\u00a0(2004), uses the ugly environment of the landfill for a picnic and combines artistic actions in an extreme environment. In the short film\u00a0Woodman\u2019s Bizzare Dream<\/em>\u00a0(2009) we explore the dreamier sphere created by Matev\u017e Jerman and Aleksander Peji\u0107 which when viewed transfers the dreamy tension into reality. In the video performance\u00a0Code I<\/em>\u00a0(2000) by the artist Duba Sambolec, the artist deals with automated clich\u00e9 phrases, which in the performance lose their original meaning, deconstruct, become annoying, automated and go through this same cycle again and again. The performances thus touch on the individual\u2019s will and control in rebellion and the fight against pressure and abuse. Video\u00a0Water Glove<\/em>\u00a0(2015) from Nata\u0161a Prosenc Stearns combines and explores the real hand with an impossible water glove and thus creates a new, in real life impossible phenomenon. In her work\u00a0Ballabende<\/em>\u00a0(1995), Jasna Hribernik takes us into romanticized contrasting worlds that respond and intertwine with different musical genres. Video\u00a0Pissing<\/em>\u00a0(2002) by Martina Bastard, Mateja Ocepek and Nata\u0161a Sku\u0161ek transcends the gender spectrum with a simple standing urination campaign.<\/p>\n

Anne Tassel<\/em><\/p>\n

Neven Korda, <\/strong>Angelic Wreath On Speed<\/em><\/strong>, 4\u2032 42\u201d
\nN.K., 2006
\n\u00bb video<\/a>
\n\"Neven<\/p>\n

Sa\u0161o Sedla\u010dek, Picnic on a Dump<\/em><\/strong>, 9\u2032 6\u201d
\nS.S., 2004
\n\u00bb video<\/a>
\n\"Sa\u0161o<\/p>\n

Matev\u017e Jerman, Aleksandar Peji\u0107, Woodsman\u2019s Bizzare Dream 2<\/em><\/strong>, 3\u2032 15\u201d
\nM.J. & A.P., 2009
\n\u00bb video<\/a>
\n\"Matev\u017e<\/p>\n

Duba Sambolec, Code I<\/em><\/strong>, 4\u2032 29\u201d
\nD.S.., 2000
\n\u00bb video<\/a>
\n\"Duba<\/p>\n

Nata\u0161a Prosenc Stearns, Water Glove<\/em><\/strong>, 58\u201d
\nN.P.S., 2015
\n\u00bb video<\/a>
\n\"Nata\u0161a<\/p>\n

Jasna Hribernik, Ballabende<\/em><\/strong>, 21\u2032 46\u201d
\nN.P.S., 1995
\n\u00bb video<\/a>
\n\"Jasna<\/p>\n

Martina Bastarda, Mateja Ocepek, Nata\u0161a Sku\u0161ek, Pissing<\/em><\/strong>, 4\u2032 28\u201d
\nM.B.,M.O.,N.S., 2002
\n\u00bb video<\/a>
\n\"Martina<\/p>\n

Anne Elisabeth Tassel<\/strong> (1995) is a graduate of digital arts (School of Arts UNG) and a post-graduate student of video and new media at ALUO. In 2020 she curated a pop-up exhibition with Gallery 7:069 at Kino \u0160i\u0161ka. For the forth year at FeKK (Ljubljana short film Festival) she co-curates Internet Archeology programme and was a selector of this years FeKK BAL competition programme. Her creative field spans from video, (short) films and curating, but still prefers being a veiwer the most.<\/p>\n","protected":false},"excerpt":{"rendered":"

Curator: Anne Tassel Production: SCCA-Ljubljana, 2021 Duration: 54\u2019 Premiere: VideoGarden.8 (VideoDvori\u0161\u010de.8), \u0160kuc Gallery (9. 9. 2021) Neven Korda, in his work\u00a0Angelic Wreath at Speed\u00a0\u200b\u200b(2006), explores artificial worlds and questions reality. Sa\u0161o Sedla\u010dek, in the video\u00a0Picnic on a Dump\u00a0(2004), uses the ugly environment of the landfill for a picnic and combines artistic actions in an extreme […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-1120","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.videospotting.org\/eng\/wp-json\/wp\/v2\/pages\/1120","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.videospotting.org\/eng\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.videospotting.org\/eng\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.videospotting.org\/eng\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.videospotting.org\/eng\/wp-json\/wp\/v2\/comments?post=1120"}],"version-history":[{"count":2,"href":"https:\/\/www.videospotting.org\/eng\/wp-json\/wp\/v2\/pages\/1120\/revisions"}],"predecessor-version":[{"id":1157,"href":"https:\/\/www.videospotting.org\/eng\/wp-json\/wp\/v2\/pages\/1120\/revisions\/1157"}],"wp:attachment":[{"href":"https:\/\/www.videospotting.org\/eng\/wp-json\/wp\/v2\/media?parent=1120"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}