{"id":1223,"date":"2023-02-09T16:19:56","date_gmt":"2023-02-09T14:19:56","guid":{"rendered":"http:\/\/www.videospotting.org\/eng\/?page_id=1223"},"modified":"2023-02-09T16:19:56","modified_gmt":"2023-02-09T14:19:56","slug":"selection-from-the-diva-station-archive-an-escape-into-experiment-2021","status":"publish","type":"page","link":"https:\/\/www.videospotting.org\/eng\/selection-from-the-diva-station-archive-an-escape-into-experiment-2021","title":{"rendered":"Selection from the DIVA Station Archive: An Escape into Experiment (2021)"},"content":{"rendered":"<p class=\"crta\"><strong>Back2Back: Tatiana Kocmur \u2013 Sunflower<br \/>\nCurators: Peter Cerov\u0161ek and Vesna Bukovec<br \/>\nProduction:<\/strong> SCCA-Ljubljana, 2021<br \/>\n<strong>Duration:<\/strong> 57\u2019<br \/>\n<strong>Premiere:<\/strong> V-F-X Ljubljana, Slovenian Cinematheque (8 July 2021)<\/p>\n<p><b>Back2Back<\/b> is a series of events where we invite local and international authors to present their production and establish a dialogue with works of their choice from the DIVA Station archive.<\/p>\n<p>The programme is part of the first edition of the international festival of experimental audiovisual practices <a href=\"http:\/\/www.scca-ljubljana.si\/en\/v-f-x-ljubljana\" rel=\"noopener\" target=\"_blank\">V-F-X Ljubljana<\/a> (video-film-experiment).<\/p>\n<p class=\"crta\">From a TV signal to video, from film stock to computer generated images. Te selection of works from the DIVA Station archive is a collage of different aesthetic and substantive approaches that reflect the time of their making and the technical limitations of a particular medium. All works share the creation of their own interspace of interpretation within the classically defined bearers of messages (words, images, sound, music\u2026).<\/p>\n<p><strong>Miha Vipotnik, Space 2<\/strong>, 1\u2032 53\u2033<br \/>\nBrut, 1986<br \/>\n<a href=\"http:\/\/www.e-arhiv.org\/diva\/index.php?opt=work&amp;id=12\" target=\"_blank\" rel=\"noopener noreferrer\">\u00bb video<\/a><br \/>\n<img decoding=\"async\" class=\"slika\" src=\"http:\/\/www.videospotting.org\/wp-content\/uploads\/video-img\/vipotnik\/vipotnik-prostor2.jpg\" alt=\"Miha Vipotnik, Space 2\" \/><\/p>\n<p><strong>Zemira Alajbegovi\u0107, Tereza<\/strong>, 4\u2019 26\u2019\u2019<br \/>\nFV Video \/ \u0160KUC \u2013 Forum, 1983<br \/>\n<a href=\"http:\/\/www.e-arhiv.org\/diva\/index.php?opt=work&amp;id=384\" target=\"_blank\" rel=\"noopener noreferrer\">\u00bb video<\/a><br \/>\n<img decoding=\"async\" class=\"slika\" src=\"http:\/\/www.videospotting.org\/wp-content\/uploads\/video-img\/alajbegovic\/alajbegovic-tereza.jpg\" alt=\"Zemira Alajbegovi\u0107, Tereza\" \/><\/p>\n<p><strong>Gorazd Krnc, <em>Three Doors<\/em><\/strong>, 3&#8242; 11&#8243;<br \/>\nGulag produkcija, 2007<br \/>\n<a href=\"http:\/\/www.e-arhiv.org\/diva\/index.php?opt=work&amp;id=573\" target=\"_blank\" rel=\"noopener noreferrer\">\u00bb video<\/a><br \/>\n<img decoding=\"async\" class=\"slika\" src=\"http:\/\/www.videospotting.org\/wp-content\/uploads\/video-img\/krnc\/krnc-tri-vrata.jpg\" alt=\"Gorazd Krnc, Three Doors\" \/><\/p>\n<p><strong>Neven Korda, <em>Here and Now<\/em><\/strong>, 8\u2019 50\u201d<br \/>\nN.K., 2007<br \/>\n<a href=\"http:\/\/www.e-arhiv.org\/diva\/index.php?opt=work&amp;id=1185\" target=\"_blank\" rel=\"noopener noreferrer\">\u00bb video<\/a><br \/>\n<img decoding=\"async\" class=\"slika\" src=\"http:\/\/www.videospotting.org\/wp-content\/uploads\/video-img\/korda\/korda-tukaj-in-zdaj.jpg\" alt=\"Neven Korda, Here and Now\" \/><\/p>\n<p><strong>Sara Bezov\u0161ek, <em>Computering_preview<\/em><\/strong>, 2\u2019<br \/>\nKino \u0160i\u0161ka, 2019<br \/>\n<a href=\"http:\/\/www.e-arhiv.org\/diva\/index.php?opt=work&amp;id=1185\" target=\"_blank\" rel=\"noopener noreferrer\">\u00bb video<\/a><br \/>\n<img decoding=\"async\" class=\"slika\" src=\"http:\/\/www.videospotting.org\/wp-content\/uploads\/video-img\/bezovsek\/bezovsek-computering.jpg\" alt=\"Sara Bezov\u0161ek, Computering_preview\" \/><\/p>\n<p><strong>Kristina Kokalj, <em>Memory Machine<\/em><\/strong>, 4\u2032 25\u201d<br \/>\nALUO, 2018<br \/>\n<a href=\"http:\/\/www.e-arhiv.org\/diva\/index.php?opt=work&amp;id=1416\" target=\"_blank\" rel=\"noopener noreferrer\">\u00bb video<\/a><br \/>\n<img decoding=\"async\" class=\"slika\" src=\"http:\/\/www.videospotting.org\/wp-content\/uploads\/video-img\/kokalj\/kristina-kokalj-masina-spomina.jpg\" alt=\"Kristina Kokalj, Memory Machine\" \/><\/p>\n<p><strong>Borut Savski, <em>Videographics 19<\/em><\/strong>, 4\u2019 23\u201d<br \/>\nB.S., 2007<br \/>\n<a href=\"http:\/\/www.e-arhiv.org\/diva\/index.php?opt=work&amp;id=1416\" target=\"_blank\" rel=\"noopener noreferrer\">\u00bb video<\/a><br \/>\n<img decoding=\"async\" class=\"slika\" src=\"http:\/\/www.videospotting.org\/wp-content\/uploads\/video-img\/savski\/savski-videografike19.jpg\" alt=\"Borut Savski, Videographics 19\" \/><\/p>\n<p><strong>Ur\u0161ula Berlot,\u00a0<em>Liquid Solidity<\/em><\/strong>, 5\u2019 6\u201d<br \/>\nU.B., 2017<br \/>\n<a href=\"http:\/\/www.e-arhiv.org\/diva\/index.php?opt=work&amp;id=1479\" target=\"_blank\" rel=\"noopener\">\u00bb video<\/a><br \/>\n<img decoding=\"async\" class=\"slika\" src=\"http:\/\/www.videospotting.org\/wp-content\/uploads\/video-img\/berlot\/berlot-liquid-solidity.jpg\" alt=\"Ur\u0161ula Berlot,\u00a0Liquid Solidity\" \/><\/p>\n<p><strong>Agnes Momirski, <em>NO.4 (SONAR)<\/em> (Sontag Shogun)<\/strong>, 3\u2019 33\u201d<br \/>\nA.M., 2017<br \/>\n<a href=\"http:\/\/www.e-arhiv.org\/diva\/index.php?opt=work&amp;id=1541\" target=\"_blank\" rel=\"noopener\">\u00bb video<\/a><br \/>\n<img decoding=\"async\" class=\"slika\" src=\"http:\/\/www.videospotting.org\/wp-content\/uploads\/video-img\/momirski\/momirski-no4-sonar.jpg\" alt=\"Agnes Momirski, NO.4 (SONAR)\" \/><\/p>\n<p><strong>Nata\u0161a Prosenc Stearns, <em>Nightmares of the New World<\/em><\/strong>, 7\u2019 31\u201d<br \/>\nN.P.S., 2017<br \/>\n<a href=\"http:\/\/www.e-arhiv.org\/diva\/index.php?opt=work&amp;id=1256\" target=\"_blank\" rel=\"noopener\">\u00bb video<\/a><br \/>\n<img decoding=\"async\" class=\"slika\" src=\"http:\/\/www.videospotting.org\/wp-content\/uploads\/video-img\/prosenc\/prosenc-stearns-nightmares.jpg\" alt=\"Nata\u0161a Prosenc Stearns, Nightmares of the New World\" \/><\/p>\n<p><strong>Sa\u0161o Sedla\u010dek, <em>Sky In Ruins (di sotto in s\u00f9)<\/em><\/strong>, 3\u2019 40\u201d<br \/>\nS.S., 2016<br \/>\n<img decoding=\"async\" class=\"slika\" src=\"http:\/\/www.videospotting.org\/wp-content\/uploads\/video-img\/sedlacek\/sedlacek-sky-in-ruins.jpg\" alt=\"Sa\u0161o Sedla\u010dek, Sky In Ruins (di sotto in s\u00f9)\" \/><\/p>\n<p><strong>Damijan Kracina and Vladimir Leben: Galapagos<\/strong>, 5\u2032 39\u2033<br \/>\nD.K. in V.L., 2005<br \/>\n<a href=\"http:\/\/www.e-arhiv.org\/diva\/index.php?opt=work&amp;id=361\" target=\"_blank\" rel=\"noopener noreferrer\">\u00bb video<\/a><br \/>\n<img decoding=\"async\" class=\"slika\" src=\"http:\/\/www.videospotting.org\/wp-content\/uploads\/video-img\/kracina\/kracina-leben-galapagos.jpg\" alt=\"Damijan Kracina and Vladimir Leben: Galapagos\" \/><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Back2Back: Tatiana Kocmur \u2013 Sunflower Curators: Peter Cerov\u0161ek and Vesna Bukovec Production: SCCA-Ljubljana, 2021 Duration: 57\u2019 Premiere: V-F-X Ljubljana, Slovenian Cinematheque (8 July 2021) Back2Back is a series of events where we invite local and international authors to present their production and establish a dialogue with works of their choice from the DIVA Station archive. [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-1223","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.videospotting.org\/eng\/wp-json\/wp\/v2\/pages\/1223","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.videospotting.org\/eng\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.videospotting.org\/eng\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.videospotting.org\/eng\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.videospotting.org\/eng\/wp-json\/wp\/v2\/comments?post=1223"}],"version-history":[{"count":1,"href":"https:\/\/www.videospotting.org\/eng\/wp-json\/wp\/v2\/pages\/1223\/revisions"}],"predecessor-version":[{"id":1224,"href":"https:\/\/www.videospotting.org\/eng\/wp-json\/wp\/v2\/pages\/1223\/revisions\/1224"}],"wp:attachment":[{"href":"https:\/\/www.videospotting.org\/eng\/wp-json\/wp\/v2\/media?parent=1223"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}