{"id":14,"date":"2009-04-03T16:10:59","date_gmt":"2009-04-03T14:10:59","guid":{"rendered":"http:\/\/www.videospotting.org\/eng\/?page_id=14"},"modified":"2022-01-14T12:05:29","modified_gmt":"2022-01-14T10:05:29","slug":"exhibitions","status":"publish","type":"page","link":"https:\/\/www.videospotting.org\/eng\/exhibitions","title":{"rendered":"Exhibitions"},"content":{"rendered":"

The list of research and thematic programs of video art in Slovenia presented on exhibitions at international festivals and in galleries or in the SCCA Project Room.<\/p>\n

 <\/p>\n

2020<\/strong><\/p>\n

Transgression?<\/strong><\/a><\/h4>\n

\"Borghesia,<\/a><\/p>\n

Group exhibition of video works from DIVA Station archive
\n10 \u2013 28 January 2020
\nKino \u0160i\u0161ka, Ljubljana<\/p>\n

Curators: Vesna Bukovec, Peter Cerov\u0161ek
\nArtists: Zemira Alajbegovi\u0107 \/ Neven Korda, Martina Bastarda \/ Mateja Ocepek \/ Nata\u0161a Sku\u0161ek, Cym \/ Luka Dekleva \/ Luka Prin\u010di\u010d \/ Jodi Rose, Ana \u010cigon \/ Lea Juri\u0161i\u0107 \/ Teja Reba \/ Barbara Kapelj, Nika Ham, Ne\u017ea Jurman (Nez Pez), Danilo Milovanovi\u0107, Katarina Re\u0161ek (KUKLA), Sa\u0161o Sedla\u010dek, Maja Slavec<\/p>\n

he group exhibition presents a selection of ten video works from the archive of the DIVA Station. They were made in different periods and within different contexts. The works, diverse in style and content, can be connected on three levels. They share the placement within the urban area of Ljubljana and her city edges. They share the specific usage of sound in dialogue with the visual, and above all, they share the questioning and violation of rules and restrictions. The selected works represent independence, mischief, rebellion.<\/p>\n

 <\/p>\n

2019<\/strong><\/p>\n

Cheers to Women! 25 Years of Film and Video<\/strong><\/a><\/h4>\n

\"\u017divele!\"<\/a><\/p>\n

25th International Festival of Contemporary Arts \u2013 City of Women
\nGroup exhibition
\n24 September \u2013 7 October 2019
\nAlkatraz Gallery, AKC Metelkova, Ljubljana<\/p>\n

Curators: Vesna Bukovec in Ana \u010cigon
\nArtists: Zemira Alajbegovi\u0107 & Neven Korda,* Nika Autor,* Vesna Bukovec,* Jasmina Cibic,* Ana \u010cigon,* Andreja D\u017eaku\u0161i\u010d, Ana Grobler, Marina Gr\u017eini\u0107 & Aina \u0160mid, \u0110ejmi Hadrovi\u0107, Maja Hodo\u0161\u010dek, Sanela Jahi\u0107, Ne\u017ea Knez, Polonca Lov\u0161in,* Aprilija Lu\u017ear, Nika Oblak & Primo\u017e Novak, Ana Pe\u010dar & Oliver Ressler, Nata\u0161a Prosenc Stearns, Marija Mojca Punger\u010dar, Pila Rusjan, Duba Sambolec, Zvonka T Sim\u010di\u010d, Nata\u0161a Sku\u0161ek, Metka Zupani\u010d, Valerie Wolf Gang<\/p>\n

International festival of Contemporary Arts \u2013 City of Women is celebrating 25th anniversary. SCCA-Ljubljana together with video and new media archive DIVA Station joins the festival as a partner organisation. Artists Ana \u010cigon and Vesna Bukovec, as well a DIVA Station co-worker, curated a group exhibition Cheers to Women! 25 years of Film and Video with emphasis on female video artists active in the last 25 years. In their search for the authors, the curators analysed the video archive DIVA Station and looked through the former editions of the City of Women festival.<\/p>\n

 <\/p>\n

2018<\/strong><\/p>\n

Let\u2019s Roll Our Sleeves Up<\/strong><\/a><\/h4>\n

\"Zavihajmo<\/a><\/p>\n

Group exhibition
\nCurators: Vesna Bukovec and Maja Hodo\u0161\u010dek
\n8 May\u201310 June 2018
\nLikovni salon Gallery, Celje<\/p>\n

The group multi-media exhibition springs from the dialogue of two artists, who share the understanding that the field of art can be one of the possible forms of cooperation within the social phenomena as well as a strategy in promoting change towards solidarity and social equality. Both also operate within institutions. Vesna Bukovec is a co-worker of the DIVA Station, Maja Hodo\u0161\u010dek is a curator at the Centre for Contemporary Arts Celje. During the preparations for the exhibition, they studied the works in the archive of the DIVA Station, however, the presented selection is not limited merely to the existing archival units.<\/p>\n

—<\/p>\n

Projected Visions. From art in the urban context to fiction and dystopia<\/strong><\/a><\/h4>\n

\"Apollonia\"<\/a><\/p>\n

Exhibition
\nCurator: Barbara Bor\u010di\u0107
\n27 January\u201325 February 2018
\nApollonia, \u00e9changes artistiques europ\u00e9ens, Strasbourg
\nThe exhibition (as a part pf the project e.city-Ljubljana) consists of nineteen video works, bound to the theme of urban and public space in their everyday dimension but also in its utopian and dystopic aspects.<\/p>\n

 <\/p>\n

2017<\/strong><\/p>\n

Video art and music video<\/strong><\/a><\/h4>\n

\"Fekk\"<\/p>\n

Exhibition, screening, discussion
\n1 September 2017
\nProject Room SCCA, Ljubljana<\/p>\n

In cooperation with the Short Film Festival FeKK Ljubljana, we prepared the first edition of the laboratory (SCCA LAB), dedicated to the music video. In the SCCA Project Room we set up an exhibition \/ video ambience – a combination of the DIVA Station (older video clips) with the selection of the FEKK Festival (the newest clips) – with interesting interactions between the sound in the image, between the past and the contemporary.<\/p>\n

 <\/p>\n

2016<\/strong><\/p>\n

Proximity Effect. The image of transition displayed in video works or how the space has been disintegrating.<\/a><\/h4>\n

\"Proximity<\/a><\/p>\n

Exhibition from DIVA Station video and new media archive
\nCurator: Nika Grabar
\n15 March\u20138 May 2016
\nV\u017eigalica Gallery, Trg francoske revolucije 7, Ljubljana<\/p>\n

Within the context of DIVA Station, an archive of video and new media art, SCCA-Ljubljana is continuously preparing exhibitions with specific themes involving in-depth research. In 2016, the current exhibition curated by Nika Grabar questions the meaning of space in chosen video works by artists Zemira Alajbegovi\u0107, Neven Korda\/Borghesia, Marko Peljhan, Sa\u0161o Podgor\u0161ek & Iztok Kova\u010d, Nata\u0161a Prosenc Stearns, Miha Vipotnik.<\/p>\n

 <\/p>\n

2015<\/strong><\/p>\n

Race with Time 2. Performance and Video in a Rear-view Mirror<\/a><\/h4>\n

\"Tekma<\/a><\/p>\n

Exhibition and presentation
\nCurator: Barbara Bor\u010di\u0107
\nJune 15\u2013 July 7, 2015<\/strong>
\ngrey) (area space for contemporary and media art, Kor\u010dula, Croatia<\/p>\n

Barbara Bor\u010di\u0107, curator of the exhibition Race with Time 2. Performance and Video in a Rear-view Mirror<\/strong>,<\/strong> selected works by eight artists (Martina Bastarda \/ Mateja Ocepek \/ Nata\u0161a Sku\u0161ek, Mateja Bu\u010dar, Ana \u010cigon, Toma\u017e Furlan, Marko A. Kova\u010di\u010d, Miha Vipotnik) from SCCA’s DIVA Station, video and new media archive. In frame of the exhibition, the presentation DIVA Station \u2013 archiving of images and time<\/em><\/strong> by the curator took place on June 28, 2015, accompanied by screening of DIVA at \u0160kuc Gallery<\/em>, a video essay by Nika Grabar<\/strong>.<\/p>\n

 <\/p>\n

2014<\/strong><\/p>\n

VIDESPOTTING PRESENTS: Industrial Landscape and Feedback Loop<\/a><\/h4>\n

\"Tekma<\/a><\/p>\n

Exhibition of video works
\nOctober 30\u2013November 10, 2014
\nMuseum of Contemporary Art Zagreb (library foyer and media facade)<\/p>\n

Two (Videospotting) video programmes met their premiere at Museum of Contemporary Art Zagreb on October 30, 2014. Industrial Landscape (curated by Miha Colner) displays different genres of works and generations of artists from Slovenia that refer to such dark motives of decaying industrial spaces. However, in these works the industrial heritage is interpreted in a more non-dogmatic and ambivalent ways that have not necessarily negative connotations. Feedback Loop (curated by Ida Hir\u0161enfelder) presents the part of video archive which is extremely important for understanding video art and its social impact, but remains almost entirely unnoticed and non-representational. In these works the artists are dealing with experimental use of video language which does not fit into the time limit prescribed by conventional presentation formats at galleries and festivals. Neither do these works fit into the logic of a narrative story line.<\/p>\n

—<\/p>\n

Race with Time. Performance and Video in a Rear-view Mirror<\/a><\/h4>\n

\"Tekma<\/a><\/p>\n

Slovenski gledali\u0161ki in\u0161titut (National Theatre Museum\/Institute), June 5\u201316, 2014<\/p>\n

The relationship between performance art and video art could be schematically demonstrated by four modes: 1) video as a document of performance, 2) video as a part of performance \/ performance as a part of video, 3) (video) performance, staged only for the camera, and 4) performance made possible only through video, its expressive and technological possibilities for processing and editing.<\/p>\n

 <\/p>\n

2009<\/strong><\/p>\n

DIVA at \u0160kuc Gallery <\/a><\/h4>\n

\"DIVA<\/a><\/p>\n

\u0160kuc Gallery, Stari trg 21, Ljubljana, May 28-June 20, 2009<\/p>\n

A study exhibition entitled DIVA at \u0160kuc Gallery showcases the DIVA Station archive of SCCA-Ljubljana, presenting it as a ‘live archive’. It includes an educational programme, practical demonstrations, theoretical contributions, representative video works, curatorial selections and international collaboration, and also presents theoretical, practical and artistic aspects of audio-visual archives of contemporary art.<\/p>\n

 <\/p>\n

2008<\/strong><\/p>\n

VS_Bergen<\/a><\/h4>\n

\"VS_Bergen\"<\/a><\/p>\n

Bergen, January 18 \u2013 March 2, 2008<\/p>\n

The SCCA was invited by The Foundation & Gallery 3,14<\/a> from Bergen to prepare the exhibition of research and thematic programs of video art in Slovenia: Videodokument_Presents<\/a>, Eyedentify Yourself<\/a>, and Creatures_2<\/a>.<\/p>\n

 <\/p>\n

2006<\/strong><\/p>\n

Vrnitev_Ljubljana (Return_Ljubljana)<\/a><\/h4>\n

\"Vrnitev_Ljubljana\"<\/a><\/p>\n

Various sites, May 11, 2006<\/p>\n

The exhibition was a part of the world premiere of the Vrnitev<\/strong> (Return) Project organized by Postaje Topolove \/ Stazione Topol\u00f2 (The Topolo Station)<\/strong>, Italy. The screening of a compilation of 112 one minute video works made in 2004 by artists from all over the world and presenting the “return” to the small village Topolo took place on several sites in Slovenia.<\/p>\n

 <\/p>\n

2005<\/strong><\/p>\n

Project Room Event<\/a><\/h4>\n

\"Dogodek<\/a><\/p>\n

Ljubljana, September 12, 2005<\/p>\n

On the occasion of the 12th anniversary of AKC Metelkova mesto<\/strong> (Authonomous cultural centre Metelkova City) the SCCA-Ljubljana invited friends, colleagues, collaborators and other visitors to the Project Room to attain an opening of exhibition of video works. The program included various genres from video travelogue and home video to video installation.<\/p>\n

 <\/p>\n

2004<\/strong><\/p>\n

Dotik_Udine<\/a><\/h4>\n

\"Dotik\"<\/a><\/p>\n

Udine\/Videm, Italy, May 13, 2004<\/p>\n

The exhibition of Slovene video art accompanied by the lecture at Dotik Festival<\/strong> presented selected works from the thirty-five years of video history, characterised by their capacity to speak without words and function through images and sound in the ambience of an old shelter.<\/p>\n

 <\/p>\n

2002<\/strong><\/p>\n

Utopia Travel_Ljubljana<\/a><\/h4>\n

\"Utopia<\/a>
\nLjubljana, June 28-29, 2002<\/p>\n

The program consisting of one short film and eight videos was a part of Utopia Travel<\/a>, a mobile videotheque with selections of films and videos from ten cities of Africa, Azia and Europe.<\/p>\n","protected":false},"excerpt":{"rendered":"

The list of research and thematic programs of video art in Slovenia presented on exhibitions at international festivals and in galleries or in the SCCA Project Room.   2020 Transgression? Group exhibition of video works from DIVA Station archive 10 \u2013 28 January 2020 Kino \u0160i\u0161ka, Ljubljana Curators: Vesna Bukovec, Peter Cerov\u0161ek Artists: Zemira Alajbegovi\u0107 […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":5,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-14","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.videospotting.org\/eng\/wp-json\/wp\/v2\/pages\/14","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.videospotting.org\/eng\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.videospotting.org\/eng\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.videospotting.org\/eng\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.videospotting.org\/eng\/wp-json\/wp\/v2\/comments?post=14"}],"version-history":[{"count":37,"href":"https:\/\/www.videospotting.org\/eng\/wp-json\/wp\/v2\/pages\/14\/revisions"}],"predecessor-version":[{"id":1024,"href":"https:\/\/www.videospotting.org\/eng\/wp-json\/wp\/v2\/pages\/14\/revisions\/1024"}],"wp:attachment":[{"href":"https:\/\/www.videospotting.org\/eng\/wp-json\/wp\/v2\/media?parent=14"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}