{"id":352,"date":"2012-01-20T15:05:33","date_gmt":"2012-01-20T13:05:33","guid":{"rendered":"http:\/\/www.videospotting.org\/eng\/?page_id=352"},"modified":"2013-10-02T16:54:36","modified_gmt":"2013-10-02T14:54:36","slug":"intimising-dance-2011","status":"publish","type":"page","link":"https:\/\/www.videospotting.org\/eng\/intimising-dance-2011","title":{"rendered":"Intimising Dance (2011)"},"content":{"rendered":"<p class=\"crta\"><strong>Selection: Ida Hir\u0161enfelder<\/strong><br \/>\n<strong>Production:<\/strong> SCCA-Ljubljana, 2011<br \/>\n<strong>Duration:<\/strong> 52&#8242; 38&#8221;<\/p>\n<p>The dance video as a genre of video art was very strongly present in Slovene cultural environment in the 90s when dancers e.g En-Knap and video artists e.g. Sa\u0161o Podgor\u0161ek or Ema Kugler had created some of the most known collaborations between performance and visual arts. In the 21. Century it seems that this collaborations had somewhat disappeared from video production. We have examined this assumption with an overview of video production of the past decade and found that dance video production of this period can be viewed with the following four very different approaches:<\/p>\n<ul>\n<ul>\n<li>Dance video that is made as an artistic (video) interpretation of an existing dance performance (Ana \u010cigon: <em>Timelessness<\/em>). It is also possible that such a performes would be specifically designed for video and not for the live audience (Apolonija \u0160u\u0161ter\u0161i\u010d: <em>Entrance de Singel<\/em>).<\/li>\n<\/ul>\n<\/ul>\n<p>&nbsp;<\/p>\n<ul>\n<ul>\n<li>Dance video would be the final product of the performance initiated by video artist him\/herself. It could be a solo performance for one dancer (Maja Slavec: <em>Revaluation<\/em>; Evelin Stermitz: <em>Inside the Outside<\/em>) or a more ambitious dance project where the artist would play the role of a theatre director (Neven Korda: <em>Echoes<\/em>).<\/li>\n<\/ul>\n<\/ul>\n<p>&nbsp;<\/p>\n<ul>\n<ul>\n<li>Dance video in which the artist mixes found footages of a dance performance that are emphasised by the rhythm of music in connection to the rhythm of video picture (Maja Smrekar: <em>Repeating Coincidence<\/em>; Zemira Alajbegovi\u0107: <em>Vortex<\/em>).<\/li>\n<\/ul>\n<\/ul>\n<p>&nbsp;<\/p>\n<ul>\n<li>Dance video where the video artist him\/herself acts as an amateur dancer (Ana \u010cigon: <em>One More Kick<\/em>; Sa\u0161o Vrabi\u010d: <em>Santa<\/em>).<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p class=\"crta\">From the indicated four approaches we are able to conclude that in comparison to the video of the 90s with predominant large dance and video production we are speaking about gradual &#8220;intimising&#8221; of the dance video.<\/p>\n<p><strong>Ana \u010cigon, Timelessness<\/strong>, 20&#8242;<br \/>\nAna \u010cigon, 2008<br \/>\n<img decoding=\"async\" class=\"slika\" src=\"http:\/\/www.videospotting.org\/wp-content\/uploads\/video-img\/cigon\/cigon-brezcasnost.jpg\" alt=\"Ana \u010cigon, Timelessness\" \/><\/p>\n<p><strong>Apolonija \u0160u\u0161ter\u0161i\u010d, Kees van Zelst, Entrance de Singel<\/strong>, 5&#8242; 50&#8221;<br \/>\nApolonija \u0160u\u0161ter\u0161i\u010d, Kees van Zelst, 1997<br \/>\n<img decoding=\"async\" class=\"slika\" src=\"http:\/\/www.videospotting.org\/wp-content\/uploads\/video-img\/sustersic\/sustersic-zelst-entrance.jpg\" alt=\"Apolonija \u0160u\u0161ter\u0161i\u010d, Kees van Zelst, Entrance de Singel\" \/><\/p>\n<p><strong>Maja Slavec, Revaluation (short version)<\/strong>, 5&#8242;<br \/>\nMaja Slavec, 2008<br \/>\n<img decoding=\"async\" class=\"slika\" src=\"http:\/\/www.videospotting.org\/wp-content\/uploads\/video-img\/slavec\/slavec-revaluation.jpg\" alt=\"Maja Slavec, Revaluation\" \/><\/p>\n<p><strong>Evelin Stermitz, Inside the Outside<\/strong>, 5&#8242; 33&#8221;<br \/>\nEvelin Stermitz, 2006<br \/>\n<img decoding=\"async\" class=\"slika\" src=\"http:\/\/www.videospotting.org\/wp-content\/uploads\/video-img\/stermitz\/stermitz-inside-the-outside.jpg\" alt=\"Evelin Stermitz, Inside the Outside\" \/><\/p>\n<p><strong>Neven Korda, Echoes<\/strong>, 5&#8242;<br \/>\nAksioma &#8211; Zavod za sodobno umetnost, Ljubljana, 2009<br \/>\n<img decoding=\"async\" class=\"slika\" src=\"http:\/\/www.videospotting.org\/wp-content\/uploads\/video-img\/korda\/korda-odmevi.jpg\" alt=\"Neven Korda, Echoes\" \/><\/p>\n<p><strong>Maja Smrekar, Repeating Coincidence<\/strong>, 3&#8242; 42&#8221;<br \/>\nMaja Smrekar, 2009<br \/>\n<img decoding=\"async\" class=\"slika\" src=\"http:\/\/www.videospotting.org\/wp-content\/uploads\/video-img\/smrekar\/smrekar-repeating-coincidence.jpg\" alt=\"Maja Smrekar, Repeating Coincidence\" \/><\/p>\n<p><strong>Zemira Alajbegovi\u0107, Vortex<\/strong>, 4&#8242; 5&#8221;<br \/>\nTV Slovenija, 2000<br \/>\n<img decoding=\"async\" class=\"slika\" src=\"http:\/\/www.videospotting.org\/wp-content\/uploads\/video-img\/alajbegovic\/alajbegovic-vortex.jpg\" alt=\"Zemira Alajbegovi\u0107, Vortex\" \/><\/p>\n<p><strong>Ana \u010cigon, One More Kick<\/strong>, 4&#8242; 35&#8221;<br \/>\nAna \u010cigon, 2009<br \/>\n<img decoding=\"async\" class=\"slika\" src=\"http:\/\/www.videospotting.org\/wp-content\/uploads\/video-img\/cigon\/cigon-one-more-kick.jpg\" alt=\"Ana \u010cigon, One More Kick\" \/><\/p>\n<p><strong>Sa\u0161o Vrabi\u010d, Santa (short version)<\/strong>, 3&#8242; 32&#8221;<br \/>\nSa\u0161o Vrabi\u010d, 2001<br \/>\n<img decoding=\"async\" class=\"slika\" src=\"http:\/\/www.videospotting.org\/wp-content\/uploads\/video-img\/vrabic\/vrabic-santa.jpg\" alt=\"Sa\u0161o Vrabi\u010d, Santa\" \/><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Selection: Ida Hir\u0161enfelder Production: SCCA-Ljubljana, 2011 Duration: 52&#8242; 38&#8221; The dance video as a genre of video art was very strongly present in Slovene cultural environment in the 90s when dancers e.g En-Knap and video artists e.g. Sa\u0161o Podgor\u0161ek or Ema Kugler had created some of the most known collaborations between performance and visual arts. [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":22,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-352","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.videospotting.org\/eng\/wp-json\/wp\/v2\/pages\/352","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.videospotting.org\/eng\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.videospotting.org\/eng\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.videospotting.org\/eng\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.videospotting.org\/eng\/wp-json\/wp\/v2\/comments?post=352"}],"version-history":[{"count":9,"href":"https:\/\/www.videospotting.org\/eng\/wp-json\/wp\/v2\/pages\/352\/revisions"}],"predecessor-version":[{"id":515,"href":"https:\/\/www.videospotting.org\/eng\/wp-json\/wp\/v2\/pages\/352\/revisions\/515"}],"wp:attachment":[{"href":"https:\/\/www.videospotting.org\/eng\/wp-json\/wp\/v2\/media?parent=352"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}