{"id":41,"date":"2009-04-10T12:14:33","date_gmt":"2009-04-10T10:14:33","guid":{"rendered":"http:\/\/www.videospotting.org\/eng\/?page_id=41"},"modified":"2016-04-14T17:44:14","modified_gmt":"2016-04-14T15:44:14","slug":"videodokument-presents_2-2000","status":"publish","type":"page","link":"https:\/\/www.videospotting.org\/eng\/videodokument-presents_2-2000","title":{"rendered":"Videodokument Presents_2  (2000)"},"content":{"rendered":"<p class=\"crta\"><strong>Curated by:<\/strong> <strong>Barbara Bor\u010di\u0107<\/strong> and <strong>Igor \u0160panjol<\/strong><br \/>\n<strong>Production:<\/strong> SCCA-Ljubljana 2000<br \/>\n<strong>Duration:<\/strong> 67 minutes<\/p>\n<p>Twelve video works from Videodokument present important shifts in understanding and usage of video as a means of expression from 1993 to 2000.<\/p>\n<p class=\"crta\">It is a complementary screening program to the presentations of <a href=\"http:\/\/www.videodokument.org\/\" target=\"_blank\">Videodokument<\/a> accompanied by lectures on video art in Slovenia.<\/p>\n<p><strong>Zemira Alajbegovi\u0107 in Neven Korda (ZANK), Sand Collectors<\/strong>, 12&#8242;<br \/>\nForum Ljubljana &#038; TV Slovenija, 1995<br \/>\n<img decoding=\"async\" class=\"slika\" src=\"http:\/\/www.videospotting.org\/wp-content\/uploads\/video-img\/zank\/zank-zbiralci-peska.jpg\" alt=\"Zemira Alajbegovi\u0107 in Neven Korda (ZANK), Zbiralci peska\" \/><\/p>\n<p><strong>Mirko Simi\u010d, Ausl\u00e4nder (Magnifico)<\/strong>, 3&#8242; 52&#8221;<br \/>\nMagnifico &#038; VPK, 1995<br \/>\n<img decoding=\"async\" class=\"slika\" src=\"http:\/\/www.videospotting.org\/wp-content\/uploads\/video-img\/simic\/simic-auslander.jpg\" alt=\"Mirko Simi\u010d, Auslander (Magnifico)\" \/>       <\/p>\n<p><strong>Ema Kugler, Taiga<\/strong>, 8&#8242; 23&#8221;<br \/>\nForum Ljubljana &#038; VPK, 1996<br \/>\n<img decoding=\"async\" class=\"slika\" src=\"http:\/\/www.videospotting.org\/wp-content\/uploads\/video-img\/kugler\/kugler-tajga.jpg\" alt=\"Ema Kugler, Taiga\" \/><\/p>\n<p><strong>Nata\u0161a Prosenc, One Way<\/strong>, 5&#8242; 32&#8221;<br \/>\nTV Slovenija, 1996<br \/>\n<img decoding=\"async\" class=\"slika\" src=\"http:\/\/www.videospotting.org\/wp-content\/uploads\/video-img\/prosenc\/prosenc-one-way.jpg\" alt=\"Nata\u0161a Prosenc, One Way\" \/><\/p>\n<p><strong>Marko A. Kova\u010di\u010d, Forth into the Past<\/strong>, 10&#8242;<br \/>\nForum Ljubljana &#038; VPK, 1995<br \/>\n<img decoding=\"async\" class=\"slika\" src=\"http:\/\/www.videospotting.org\/wp-content\/uploads\/video-img\/kovacic\/kovacic-naprej.jpg\" alt=\"Marko A. Kova\u010di\u010d, Forth into the Past\" \/><\/p>\n<p><strong>Miha Vipotnik, Path of Crazy Wisdom<\/strong>, 9&#8242;<br \/>\nCalArts, 1993\/96<br \/>\n<img decoding=\"async\" class=\"slika\" src=\"http:\/\/www.videospotting.org\/wp-content\/uploads\/video-img\/vipotnik\/vipotnik-path.jpg\" alt=\"Miha Vipotnik, Path of Crazy Wisdom\" \/><\/p>\n<p><strong>Apolonija \u0160u\u0161ter\u0161i\u010d, Private Corridor \u2013 Public Toilets<\/strong>, 3&#8242; 30&#8221;<br \/>\nRijksakademie van beeldende kunsten Amsterdam &#038; Forum Ljubljana, 1997<br \/>\n<img decoding=\"async\" class=\"slika\" src=\"http:\/\/www.videospotting.org\/wp-content\/uploads\/video-img\/sustersic\/sustersic-private-corridor.jpg\" alt=\"Apolonija \u0160u\u0161ter\u0161i\u010d, Private Corridor \u2013 Public Toilets\" \/><\/p>\n<p><strong>Sa\u0161o Vrabi\u010d, Tower Flatline<\/strong>, 2&#8242;<br \/>\nS. V., 1998<br \/>\n<img decoding=\"async\" class=\"slika\" src=\"http:\/\/www.videospotting.org\/wp-content\/uploads\/video-img\/vrabic\/vrabic-tower-flatline.jpg\" alt=\"Sa\u0161o Vrabi\u010d, Tower Flatline\" \/><\/p>\n<p><strong>Zmago Lenardi\u010d, Big Blue Subway<\/strong>, 12&#8242; 42&#8221;<br \/>\nVPK &#038; White Balance, 2000<br \/>\n<img decoding=\"async\" class=\"slika\" src=\"http:\/\/www.videospotting.org\/wp-content\/uploads\/video-img\/lenardic\/lenardic-big-blue.jpg\" alt=\"Zmago Lenardi\u010d, Big Blue Subway\" \/><\/p>\n<p><strong>Sa\u0161o Podgor\u0161ek, Mobitel WAP<\/strong>, 25&#8221;<br \/>\nAgencija 41, 2000<br \/>\n<img decoding=\"async\" class=\"slika\" src=\"http:\/\/www.videospotting.org\/wp-content\/uploads\/video-img\/podgorsek\/podgorsek-wap.jpg\" alt=\"Sa\u0161o Podgor\u0161ek, Mobitel WAP\" \/><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Curated by: Barbara Bor\u010di\u0107 and Igor \u0160panjol Production: SCCA-Ljubljana 2000 Duration: 67 minutes Twelve video works from Videodokument present important shifts in understanding and usage of video as a means of expression from 1993 to 2000. It is a complementary screening program to the presentations of Videodokument accompanied by lectures on video art in Slovenia. [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":43,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-41","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.videospotting.org\/eng\/wp-json\/wp\/v2\/pages\/41","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.videospotting.org\/eng\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.videospotting.org\/eng\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.videospotting.org\/eng\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.videospotting.org\/eng\/wp-json\/wp\/v2\/comments?post=41"}],"version-history":[{"count":9,"href":"https:\/\/www.videospotting.org\/eng\/wp-json\/wp\/v2\/pages\/41\/revisions"}],"predecessor-version":[{"id":613,"href":"https:\/\/www.videospotting.org\/eng\/wp-json\/wp\/v2\/pages\/41\/revisions\/613"}],"wp:attachment":[{"href":"https:\/\/www.videospotting.org\/eng\/wp-json\/wp\/v2\/media?parent=41"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}