{"id":653,"date":"2017-01-22T20:54:12","date_gmt":"2017-01-22T18:54:12","guid":{"rendered":"http:\/\/www.videospotting.org\/eng\/?page_id=653"},"modified":"2017-01-22T20:59:02","modified_gmt":"2017-01-22T18:59:02","slug":"let-the-dead-sleep-2014","status":"publish","type":"page","link":"https:\/\/www.videospotting.org\/eng\/let-the-dead-sleep-2014","title":{"rendered":"\u2018Let the Dead Sleep\u2019 (2014)"},"content":{"rendered":"<p class=\"crta\"><strong>Curator: Jasna Jernej\u0161ek<\/strong><br \/>\n<strong>Production:<\/strong> SCCA-Ljubljana, 2014<br \/>\n<strong>Duration:<\/strong> 103\u2032 38\u2033<\/p>\n<p>The title of the programme is taken from the Miha Vipotnik\u2019s video, entitled <em>Lenora<\/em> in which he metaphorically addresses the possibilities of artists to question the incomprehensible paradox of death, or \u201eenigma of death\u201c as Hans Belting designated it. The idea of death that exceeds biological finitude of human body is based on complex mixture of processes, socially accepted knowledges, expectations, beliefs, rituals and everyday practices which are integral part of the cultural definition of death.<\/p>\n<p>The selected artists contemplate the idea of death in various ways. How is one touched upon the death of the (beloved) Other? Is death possible without life, and the opposite, is the life without death possible? How to deliberate one\u2019s own death? How to see one\u2019s own death given that it is impossible gaze which is a source of numerous fantasies? The artists of this programme do not offer unambiguous answers but rather reflect their personal experiences in their own expressive ways.<\/p>\n<p class=\"crta\">The program was premiered on January 18, 2017 at Photon Gallery in Ljubljana as an accompanying event of the exhibition The Last Gaze.<\/p>\n<p><strong>Damijan Kracina, Ant<\/strong>, 1&#8242; 07&#8243;<br \/>\n1997<br \/>\n<img decoding=\"async\" class=\"slika\" src=\"http:\/\/www.videospotting.org\/wp-content\/uploads\/video-img\/kracina\/kracina-mravlja.jpg\" alt=\"Damijan Kracina, Mravlja\" \/><\/p>\n<p><strong>Miha Vipotnik, Lenora<\/strong>, 4&#8242; 50&#8243;<br \/>\nRTV Slovenija, 1983<br \/>\n<img decoding=\"async\" class=\"slika\" src=\"http:\/\/www.videospotting.org\/wp-content\/uploads\/video-img\/vipotnik\/vipotnik-lenora.jpg\" alt=\"Miha Vipotnik, Lenora\" \/><\/p>\n<p><strong>Ema Kugler, Phantom<\/strong>, 87&#8242; 45&#8243;<br \/>\nZavod ZANK \/ VPK, Cankarjev dom, RTV Slovenija, 2003<br \/>\n<img decoding=\"async\" class=\"slika\" src=\"http:\/\/www.videospotting.org\/wp-content\/uploads\/video-img\/kugler\/kugler-phantom.jpg\" alt=\"Ema Kugler, Fantom\" \/><\/p>\n<p><strong>Marko Kova\u010di\u010d, Requiem M<\/strong>, 4&#8242; 02&#8243;<br \/>\n1990<br \/>\n<img decoding=\"async\" class=\"slika\" src=\"http:\/\/www.videospotting.org\/wp-content\/uploads\/video-img\/kovacic\/kovacic-requiem-m.jpg\" alt=\"Marko Kova\u010di\u010d, Requiem M\" \/><\/p>\n<p><strong>Nata\u0161a Prosenc Stearns, Afterlife<\/strong>, 2&#8242; 43&#8243;<br \/>\nNata\u0161a Prosenc Stearns, 2010<br \/>\n<img decoding=\"async\" class=\"slika\" src=\"http:\/\/www.videospotting.org\/wp-content\/uploads\/video-img\/prosenc\/prosenc-afterlife.jpg\" alt=\"Nata\u0161a Prosenc, Afterlife\" \/><\/p>\n<p><strong>Gorazd Krnc, Three Doors<\/strong>, 3&#8242; 11&#8243;<br \/>\nGulag Productions, 2007<br \/>\n<img decoding=\"async\" class=\"slika\" src=\"http:\/\/www.videospotting.org\/wp-content\/uploads\/video-img\/krnc\/krnc-tri-vrata.jpg\" alt=\"Gorazd Krnc, Three Doors\" \/><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Curator: Jasna Jernej\u0161ek Production: SCCA-Ljubljana, 2014 Duration: 103\u2032 38\u2033 The title of the programme is taken from the Miha Vipotnik\u2019s video, entitled Lenora in which he metaphorically addresses the possibilities of artists to question the incomprehensible paradox of death, or \u201eenigma of death\u201c as Hans Belting designated it. The idea of death that exceeds biological [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":16,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-653","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.videospotting.org\/eng\/wp-json\/wp\/v2\/pages\/653","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.videospotting.org\/eng\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.videospotting.org\/eng\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.videospotting.org\/eng\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.videospotting.org\/eng\/wp-json\/wp\/v2\/comments?post=653"}],"version-history":[{"count":3,"href":"https:\/\/www.videospotting.org\/eng\/wp-json\/wp\/v2\/pages\/653\/revisions"}],"predecessor-version":[{"id":656,"href":"https:\/\/www.videospotting.org\/eng\/wp-json\/wp\/v2\/pages\/653\/revisions\/656"}],"wp:attachment":[{"href":"https:\/\/www.videospotting.org\/eng\/wp-json\/wp\/v2\/media?parent=653"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}