{"id":675,"date":"2017-03-02T13:14:19","date_gmt":"2017-03-02T11:14:19","guid":{"rendered":"http:\/\/www.videospotting.org\/eng\/?page_id=675"},"modified":"2017-09-21T14:43:50","modified_gmt":"2017-09-21T12:43:50","slug":"diva-station-presents-iii-2016","status":"publish","type":"page","link":"https:\/\/www.videospotting.org\/eng\/diva-station-presents-iii-2016","title":{"rendered":"DIVA Station Presents III (2016)"},"content":{"rendered":"

Curator: Barbara Bor\u010di\u0107<\/strong>
\nProduction:<\/strong> SCCA-Ljubljana, 2016
\nDuration:<\/strong> 66\u2019
\nText:<\/strong> Barbara Bor\u010di\u0107<\/a>
\nPremiere:<\/strong> LACE (Los Angeles Contemporary Exhibitions), Los Angeles, November 16, 2016<\/p>\n

The program consists of 17 video works and is divided into three sections.<\/p>\n

FROM ANALOGUE TO DIGITAL<\/strong><\/p>\n

Miha Vipotnik, Space 2<\/strong>, 1′ 53”
\nBrut, 1986
\n\u00bb video<\/a>
\n\"Miha
\nThe author encounters the disapproving attitude of TV stations towards video and video makers by defying gravity as he moves around the four edges of the screen, pointing out the possibilities inside the limits of the medium.
\nAna \u010cigon, One More Kick<\/strong>, 4\u201935\u2019\u2019
\nA.\u010c., 2009
\n\u00bb video<\/a>
\n\"Ana
\nThe technique of measuring the edges enables the author to redefine limited space and subsequently establish new perception of reality.
\nSa\u0161o Sedla\u010dek, The Big Switch Off<\/strong>, 1′ 48”
\nAksioma, 2011
\n\u00bb video<\/a>
\n\"Sa\u0161o
\nWith an aspiration of founding an autonomous medium, which could have been carried out during the transition to digital television signal, the artist decides to organize a happening in which the residents of a Ljubljana block of flats throw out their analogue televisions.
\nLuka Dekleva in Luka Prin\u010di\u010d, Singing Bridges Bizovik<\/strong>, 4′ 07″
\nKapelica, Codeep, KinoDvor, 2008
\n\u00bb video<\/a>
\n\"Luka
\nThe author creates new contents and techniques by manipulating video and audio recordings of a bridge.
\nVesna Bukovec, Important News<\/strong>, 1′
\nV. B., 2003
\n\u00bb video<\/a>
\n\"Vesna
\nHumorous and inventive montage of TV news gives a unique commentary on mass media manipulation.
\nNika \u0160pan: How to Socialise the Blues?<\/strong>, 1\u201958\u2019\u2019
\nN.\u0160., 2007
\n\u00bb video<\/a>
\n\"Nika
\nFrom online found footage, the artist excludes the narration, placing the visual support part into the foreground and gives it new meaning.
\n—<\/p>\n

FROM MEMORY TO FICTION<\/strong><\/p>\n

Marko A. Kova\u010di\u010d, Forth into the Past<\/strong>, 10′
\nForum Ljubljana & VPK, 1995
\n\u00bb video<\/a>
\n\"Marko
\nVideo, a part of a larger art project, questions the present through a civilization of the future.
\nValerie Wolf Gang, Distant Memory<\/strong>, 2\u2032 43\u2033
\nV.W.G., 2014
\n\u00bb video<\/a>
\n\"Valerie
\nIn between reality and fiction this video poetry tells the story of Yugoslav President Tito\u2019s ship Galeb.
\nMiha Vipotnik, Path of Crazy Wisdom<\/strong>, 9′
\nCalArts, 1993\/96
\n\u00bb video<\/a>
\n\"Miha
\nA research about the life of a sculpture Eric Orr reaches to the point of absurd and complete fiction in a strange manner of police interrogation.
\n—<\/p>\n

FROM IMPRESSION TO DIGRESSION<\/strong><\/p>\n

Emil Memon: Schizophrenia \/ Blue movie<\/strong>, 5\u201937\u2019\u2019
\nE.M., 1983\/95
\n\u00bb video<\/a>
\n\"Emil
\nThe intimate visual and sound recording about New York, filmed from a small room in the middle of the city landscape, searches for its references in the field of non-narrative art cinema.
\nNata\u0161a Prosenc Stearns, Noise Factor,<\/strong> 3′ 15”
\nN.P.S., 2012
\n\u00bb video<\/a>
\n\"Nata\u0161a
\nThe author translates visuality and sonority of noise to a meditation about personal space and time surrounded by constant urban sounds.
\nUr\u0161ka Djuki\u0107, Persistence vol.2<\/strong>, 1\u2032 22\u2033
\nU.D., 2014
\n\u00bb video<\/a>
\n\"Ur\u0161ka
\nDesigned as a video painting in one sequence shot the work <\/strong>initiates the question of persistence of man and nature in everlastingly exchange of power.
\nNeven Korda, An Autumnal Still Life<\/strong>, 4′ 09”
\n2001\u20132005
\n\u00bb video<\/a>
\n\"Neven
\nA reflection on the author\u2019s early video works from the 1980\u2019s, marked with poetic and contemplative atmosphere and accompanied with melodic music, shows melancholic autumn impressions.
\nZvonka Sim\u010di\u010d, Broken h-h-ha\u2026egg<\/strong>, 1′
\nZavod CCC, 2000
\n\u00bb video<\/a>
\n\"Zvonka
\nA vibrant video talks about the traps of mother’s love and problems with insemination through a gently erotic scene in a sensitive and painterly manner.
\nAna \u010cigon: Finger in U.S.<\/strong>, 2\u201915\u2019\u2019
\nA.\u010c., 2010
\n\u00bb video<\/a>
\n\"Ana
\nThe video is a humorous, simple and bold commentary on the austere customs control in U.S.
\nJasna Hribernik: Tense Present: Photon Noise<\/strong>, 1\u201918\u2019\u2019
\nWhite Balance, 2015
\n\u00bb video<\/a>
\n\"Jasna
\nWith the usage of photon noise video effect the author gradually erases a group of migrants moving through Slovene landscape from a recording, making a comment on the austerity measures against refuges at Slovenian border.
\nAndrej Lupinc \u2013 Lupo, In Eight Minutes Around the World<\/strong>, 8′ 20”
\nTV Slovenija & A. L., 1990\u20132000
\n\u00bb video<\/a>
\n\"Andrej
\nThe work is an original documentary video patchwork with shots from various places in the world that Andrej Lupinc visited in the span of ten years.<\/p>\n","protected":false},"excerpt":{"rendered":"

Curator: Barbara Bor\u010di\u0107 Production: SCCA-Ljubljana, 2016 Duration: 66\u2019 Text: Barbara Bor\u010di\u0107 Premiere: LACE (Los Angeles Contemporary Exhibitions), Los Angeles, November 16, 2016 The program consists of 17 video works and is divided into three sections. FROM ANALOGUE TO DIGITAL Miha Vipotnik, Space 2, 1′ 53” Brut, 1986 \u00bb video The author encounters the disapproving attitude […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":11,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-675","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.videospotting.org\/eng\/wp-json\/wp\/v2\/pages\/675","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.videospotting.org\/eng\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.videospotting.org\/eng\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.videospotting.org\/eng\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.videospotting.org\/eng\/wp-json\/wp\/v2\/comments?post=675"}],"version-history":[{"count":9,"href":"https:\/\/www.videospotting.org\/eng\/wp-json\/wp\/v2\/pages\/675\/revisions"}],"predecessor-version":[{"id":754,"href":"https:\/\/www.videospotting.org\/eng\/wp-json\/wp\/v2\/pages\/675\/revisions\/754"}],"wp:attachment":[{"href":"https:\/\/www.videospotting.org\/eng\/wp-json\/wp\/v2\/media?parent=675"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}