{"id":732,"date":"2017-05-22T10:47:10","date_gmt":"2017-05-22T08:47:10","guid":{"rendered":"http:\/\/www.videospotting.org\/eng\/?page_id=732"},"modified":"2017-09-21T14:44:20","modified_gmt":"2017-09-21T12:44:20","slug":"diva-station-presents-iv-2017","status":"publish","type":"page","link":"https:\/\/www.videospotting.org\/eng\/diva-station-presents-iv-2017","title":{"rendered":"DIVA Station Presents IV (2017)"},"content":{"rendered":"

Curator: Barbara Bor\u010di\u0107<\/strong>
\nProduction:<\/strong> SCCA-Ljubljana, 2017
\nDuration:<\/strong> 62\u2019
\nText:<\/strong> Barbara Bor\u010di\u0107<\/a>
\nPremiere:<\/strong> Blickle Kino \/ 21er Haus, Quartier Belvedere, Museum f\u00fcr zeitgen\u00f6ssische Kunst, Wien, June 7, 2017<\/p>\n

The program consists of 16 video works and is divided into three sections.<\/p>\n

FROM ANALOGUE TO DIGITAL<\/strong><\/p>\n

Miha Vipotnik, Space 2<\/strong>, 1\u2032 53\u2033
\nBrut, 1986
\n\u00bb video<\/a>
\n\"Miha
\nThe author encounters the disapproving attitude of TV stations towards video and video makers by defying gravity as he moves around the four edges of the screen, pointing out the possibilities inside the limits of the medium.
\n <\/p>\n

Ana \u010cigon, One More Kick<\/strong>, 4\u2032 53\u2033
\nA.\u010c., 2009
\n\u00bb video<\/a>
\n\"Ana
\nThe technique of measuring the edges enables the author to redefine limited space and subsequently establish new perception of reality.
\n <\/p>\n

Sa\u0161o Sedla\u010dek, The Big Switch Off<\/strong>, 1\u2032 48\u2033
\nAksioma, 2011
\n\u00bb video<\/a>
\n\"Sa\u0161o
\nWith an aspiration of founding an autonomous medium, which could have been carried out during the transition to digital television signal, the artist decides to organize a happening in which the residents of a Ljubljana block of flats throw out their analogue televisions.
\n <\/p>\n

Luka Dekleva in Luka Prin\u010di\u010d, Singing Bridges Bizovik<\/strong>, 4\u2032 07\u2033
\nKapelica, Codeep, KinoDvor, 2008
\n\u00bb video<\/a>
\n\"Luka
\nThe author creates new contents and techniques by manipulating video and audio recordings of a bridge.
\n <\/p>\n

Vesna Bukovec, Important News<\/strong>, 1\u2032
\nV. B., 2003
\n\u00bb video<\/a>
\n\"Vesna
\nHumorous and inventive montage of TV news gives a unique commentary on mass media manipulation.
\n <\/p>\n

Nika \u0160pan: How to Socialise the Blues?<\/strong>, 1\u2032 58\u2033
\nN.\u0160., 2007
\n\u00bb video<\/a>
\n\"Nika
\nFrom online found footage, the artist excludes the narration, placing the visual support part into the foreground and gives it new meaning.
\n <\/p>\n

—<\/p>\n

FROM MEMORY TO FICTION<\/strong><\/p>\n

Ema Kugler, Taiga<\/strong>, 8\u2032 22\u2033
\nForum Ljubljana & VPK, 1996
\n\u00bb video<\/a>
\n\"Ema
\nA dark video landscape with human figures in menacing costumes, engaged in a game of dance and fight, pleasure and torture.
\n <\/p>\n

Damijan Kracina and Vladimir Leben, Galapagos<\/strong>, 5\u2032 39\u2033
\nD.K. in V.L., 2005
\n\u00bb video<\/a>
\n\"Damijan
\nThe video was created for a joint exhibition by Leban and Kracina entitled Galapagos. The artists invented a variety of fantasy animals and added a DIY music piece, all with a good sense of humour and the absurd.
\n <\/p>\n

Marko A. Kova\u010di\u010d, Forth into the Past<\/strong>, 10\u2032
\nForum Ljubljana & VPK, 1995
\n\u00bb video<\/a>
\n\"Marko
\nVideo, a part of a larger art project, questions the present through a civilization of the future.
\n <\/p>\n

Valerie Wolf Gang, Distant Memory<\/strong>, 2\u2032 43\u2033
\nV.W.G., 2014
\n\u00bb video<\/a>
\n\"Valerie
\nIn between reality and fiction this video poetry tells the story of Yugoslav President Tito\u2019s ship Galeb.
\n <\/p>\n

—<\/p>\n

FROM IMPRESSION TO DIGRESSION<\/strong><\/p>\n

Nata\u0161a Prosenc Stearns, Noise Factor,<\/strong> 3\u2032 15\u2033
\nN.P.S., 2012
\n\u00bb video<\/a>
\n\"Nata\u0161a
\nThe author translates visuality and sonority of noise to a meditation about personal space and time surrounded by constant urban sounds.
\n <\/p>\n

Ur\u0161ka Djuki\u0107, Persistence vol.2<\/strong>, 1\u2032 22\u2033
\nU.D., 2014
\n\u00bb video<\/a>
\n\"Ur\u0161ka
\nDesigned as a video painting in one sequence shot the work <\/strong>initiates the question of persistence of man and nature in everlastingly exchange of power.
\n <\/p>\n

Neven Korda, An Autumnal Still Life<\/strong>, 4\u2032 09\u2033
\n2001\u20132005
\n\u00bb video<\/a>
\n\"Neven
\nA reflection on the author\u2019s early video works from the 1980\u2019s, marked with poetic and contemplative atmosphere and accompanied with melodic music, shows melancholic autumn impressions.
\n <\/p>\n

Zvonka Sim\u010di\u010d, Broken h-h-ha\u2026egg<\/strong>, 1\u2032
\nZavod CCC, 2000
\n\u00bb video<\/a>
\n\"Zvonka
\nA vibrant video talks about the traps of mother’s love and problems with insemination through a gently erotic scene in a sensitive and painterly manner.
\n <\/p>\n

Jasna Hribernik: Tense Present: Photon Noise<\/strong>, 1\u2032 18\u2033
\nWhite Balance, 2015
\n\u00bb video<\/a>
\n\"Jasna
\nWith the usage of photon noise video effect the author gradually erases a group of migrants moving through Slovene landscape from a recording, making a comment on the austerity measures against refuges at Slovenian border.
\n <\/p>\n

Andrej Lupinc \u2013 Lupo, In Eight Minutes Around the World<\/strong>, 8\u2032 20\u2033
\nTV Slovenija & A. L., 1990\u20132000
\n\u00bb video<\/a>
\n\"Andrej
\nThe work is an original documentary video patchwork with shots from various places in the world that Andrej Lupinc visited in the span of ten years.<\/p>\n

 <\/p>\n

Special thanks: Slovenski kulturno informacijski center v Avstriji \u2013 SKICA, Ursula Blickle Video Archiv
\n <\/p>\n","protected":false},"excerpt":{"rendered":"

Curator: Barbara Bor\u010di\u0107 Production: SCCA-Ljubljana, 2017 Duration: 62\u2019 Text: Barbara Bor\u010di\u0107 Premiere: Blickle Kino \/ 21er Haus, Quartier Belvedere, Museum f\u00fcr zeitgen\u00f6ssische Kunst, Wien, June 7, 2017 The program consists of 16 video works and is divided into three sections. FROM ANALOGUE TO DIGITAL Miha Vipotnik, Space 2, 1\u2032 53\u2033 Brut, 1986 \u00bb video The […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":9,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-732","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.videospotting.org\/eng\/wp-json\/wp\/v2\/pages\/732","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.videospotting.org\/eng\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.videospotting.org\/eng\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.videospotting.org\/eng\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.videospotting.org\/eng\/wp-json\/wp\/v2\/comments?post=732"}],"version-history":[{"count":7,"href":"https:\/\/www.videospotting.org\/eng\/wp-json\/wp\/v2\/pages\/732\/revisions"}],"predecessor-version":[{"id":755,"href":"https:\/\/www.videospotting.org\/eng\/wp-json\/wp\/v2\/pages\/732\/revisions\/755"}],"wp:attachment":[{"href":"https:\/\/www.videospotting.org\/eng\/wp-json\/wp\/v2\/media?parent=732"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}