{"id":881,"date":"2018-06-20T16:39:54","date_gmt":"2018-06-20T14:39:54","guid":{"rendered":"http:\/\/www.videospotting.org\/eng\/?page_id=881"},"modified":"2023-02-09T14:31:40","modified_gmt":"2023-02-09T12:31:40","slug":"faces-and-structures-2018","status":"publish","type":"page","link":"https:\/\/www.videospotting.org\/eng\/faces-and-structures-2018","title":{"rendered":"Faces and Structures (2018)"},"content":{"rendered":"<p class=\"crta\"><strong>Curator: Christopher Krause<\/strong><br \/>\n<strong>Production:<\/strong> SCCA-Ljubljana, 2018<br \/>\n<strong>Text:<\/strong> <a href=\"http:\/\/www.videospotting.org\/eng\/texts\/faces-and-structures\">Christopher Krause<\/a><br \/>\n<strong>Presentation:<\/strong> Performative lecture Christopher Krause: <em>Faces + Structures<\/em>, Project Room, SCCA-Ljubljana, April 25, 2018 <\/p>\n<p class=\"crta\">Video art by itself historically implicates a kind of crossover between the logic of the artistic image and the image of mass media. Faces + Structures tries to actualize this artistic approach by addressing the fundamental split of the gaze in somebody who watches: the spectator\/artist; and something that is watched: the artwork. The curated video program and performative <a href=\"http:\/\/www.videospotting.org\/eng\/texts\/faces-and-structures\">lecture<\/a> deal with this split in an essayistic way, in order to ask what it can mean for the role of artistic production today and what it can mean to talk about artworks.<\/p>\n<p><strong>Selected video works:<\/strong><\/p>\n<p><strong>Dalibor Martinis \u2013 Martinis talks to Martinis<\/strong>: parts of it on <strong>Grabar \u2013 Format Oblivion <\/strong>(2012), beginning at 00:30 <a href=\"http:\/\/www.e-arhiv.org\/diva\/index.php?opt=work&amp;id=1037\" target=\"_blank\" rel=\"noopener\">\u00bb video<\/a><\/p>\n<p><strong>Miha Vipotnik \u2013 Path of Crazy Wisdom<\/strong> (1993) <a href=\"http:\/\/www.e-arhiv.org\/diva\/index.php?opt=work&amp;id=215\" target=\"_blank\" rel=\"noopener\">\u00bb video<\/a><\/p>\n<p><strong>Noemi Veberi\u010d Levovnik \u2013 FacesVoices<\/strong> (2008) <a href=\"http:\/\/www.e-arhiv.org\/diva\/index.php?opt=work&amp;id=1058\" target=\"_blank\" rel=\"noopener\">\u00bb video<\/a><\/p>\n<p><strong>Damijan Kracina \u2013 Nails<\/strong> (1995) <a href=\"http:\/\/www.e-arhiv.org\/diva\/index.php?opt=work&amp;id=1\" target=\"_blank\" rel=\"noopener\">\u00bb video<\/a><\/p>\n<p><strong>Zmago Lenardi\u010d, Jasna Hribernik \u2013 Three Wishes<\/strong> (2000) <a href=\"http:\/\/www.e-arhiv.org\/diva\/index.php?opt=work&amp;id=228\" target=\"_blank\" rel=\"noopener\">\u00bb video<\/a><\/p>\n<p><strong>Andrej Lupinc \u2013 Screams and Shouts<\/strong> (1985) <a href=\"http:\/\/www.e-arhiv.org\/diva\/index.php?opt=work&amp;id=376\" target=\"_blank\" rel=\"noopener\">\u00bb video<\/a><\/p>\n<p><strong>Gorazd Krnc \u2013 Five AM, Light<\/strong> (2000) <a href=\"http:\/\/www.e-arhiv.org\/diva\/index.php?opt=work&amp;id=574\" target=\"_blank\" rel=\"noopener\">\u00bb video<\/a><\/p>\n<p><strong>Neven Korda \u2013 1 Sec of My Life<\/strong> (2001) <a href=\"http:\/\/www.e-arhiv.org\/diva\/index.php?opt=work&amp;id=763\" target=\"_blank\" rel=\"noopener\">\u00bb video<\/a><\/p>\n<p><strong>Marko Peljhan \u2013 The Park of Culture (TV situation)<\/strong> (1996) <a href=\"http:\/\/www.e-arhiv.org\/diva\/index.php?opt=work&amp;id=84\" target=\"_blank\" rel=\"noopener\">\u00bb video<\/a><\/p>\n<p><strong>Elena Fajt; Luka Dekleva \u2013 The Memory<\/strong> (2009) <a href=\"http:\/\/www.e-arhiv.org\/diva\/index.php?opt=work&amp;id=862\" target=\"_blank\" rel=\"noopener\">\u00bb video<\/a><\/p>\n<p><strong>Alenka Pirman \u2013 Franci Zagori\u010dnik &#8211; \u010crno-beli diapazon, 1966-2006<\/strong> (2006) <a href=\"http:\/\/www.e-arhiv.org\/diva\/index.php?opt=work&amp;id=944\" target=\"_blank\" rel=\"noopener\">\u00bb video<\/a><\/p>\n<p><strong>Alenka Pirman \u2013 Ale\u0161 Kermavner &#8211; KAJ JE (V-SEBI-NA = V), ok. 1966-2006<\/strong> (2006) <a href=\"http:\/\/www.e-arhiv.org\/diva\/index.php?opt=work&amp;id=947\" target=\"_blank\" rel=\"noopener\">\u00bb video<\/a><\/p>\n<p><strong>Bo\u0161tjan Kav\u010di\u010d \u2013 Made in Venice<\/strong> (2005) <a href=\"http:\/\/www.e-arhiv.org\/diva\/index.php?opt=work&amp;id=678\" target=\"_blank\" rel=\"noopener\">\u00bb video<\/a><\/p>\n<p class=\"crta\"><strong>Miha Vipotnik \u2013 Laughter<\/strong> (2015) <a href=\"http:\/\/www.e-arhiv.org\/diva\/index.php?opt=work&amp;id=1198\" target=\"_blank\" rel=\"noopener\">\u00bb video<\/a><\/p>\n<p><strong>Christopher Krause<\/strong> is working as a performer, dramaturgue and theorist and is mostly interested in Games, Fiction and the constitution of meaning through the interplay of language and objects. He is currently finishing his MA studies at the Institute for Applied Theatre Studies in Gie\u00dfen, Germany. At SCCA-Ljubljana, he conducted a one-month study practice in April &#8211; he focused on researching SCCA video archive DIVA Station.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Curator: Christopher Krause Production: SCCA-Ljubljana, 2018 Text: Christopher Krause Presentation: Performative lecture Christopher Krause: Faces + Structures, Project Room, SCCA-Ljubljana, April 25, 2018 Video art by itself historically implicates a kind of crossover between the logic of the artistic image and the image of mass media. Faces + Structures tries to actualize this artistic approach [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-881","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.videospotting.org\/eng\/wp-json\/wp\/v2\/pages\/881","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.videospotting.org\/eng\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.videospotting.org\/eng\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.videospotting.org\/eng\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.videospotting.org\/eng\/wp-json\/wp\/v2\/comments?post=881"}],"version-history":[{"count":6,"href":"https:\/\/www.videospotting.org\/eng\/wp-json\/wp\/v2\/pages\/881\/revisions"}],"predecessor-version":[{"id":1220,"href":"https:\/\/www.videospotting.org\/eng\/wp-json\/wp\/v2\/pages\/881\/revisions\/1220"}],"wp:attachment":[{"href":"https:\/\/www.videospotting.org\/eng\/wp-json\/wp\/v2\/media?parent=881"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}