{"id":907,"date":"2019-03-07T13:10:09","date_gmt":"2019-03-07T11:10:09","guid":{"rendered":"http:\/\/www.videospotting.org\/eng\/?page_id=907"},"modified":"2019-03-07T13:14:59","modified_gmt":"2019-03-07T11:14:59","slug":"recordings-of-reality-subjectivization-of-objectivity-2018","status":"publish","type":"page","link":"https:\/\/www.videospotting.org\/eng\/recordings-of-reality-subjectivization-of-objectivity-2018","title":{"rendered":"Recordings of Reality \u2013 Subjectivization of Objectivity (2018)"},"content":{"rendered":"

Curator: Toni Poljanec
\nProduction:<\/strong> SCCA-Ljubljana, 2018
\nDuration:<\/strong> 50\u2019 29\u2019\u2019
\nPremiere:<\/strong>\u00a0Short Film Night 2018<\/em>, Slovenian Cinematheque, Ljubljana (21. 12. 2018)<\/p>\n

The program is a selection of art videos, which are more or less openly \u201cflirting\u201d with the documentary approach and form, and go beyond the archiving an artistic practice. The documentary approach, in principle, presupposes the presentation of an objective reality, which, as soon as it is recorded on the camera, immediately changes into a subjective view. In selected videos, the recording of reality becomes the subject of artistic reinterpretation, which on the one hand filters memories and nostalgically addresses the past, and on the other questions the present.<\/p>\n

Damijan Kracina & Katarina Toman Kracina, Marmelade<\/strong>, 4\u2019
\nD. K., 2004
\n\"Damijan<\/p>\n

Noemi Veberi\u010d Levovnik, Sunday<\/strong>, 5\u2019 58\u201d
\nN.V.L., 2009
\n\u00bb video<\/a>
\n\"Noemi<\/p>\n

Polonca Lov\u0161in, Ulica: Always Better, 1\u2019 25\u201d<\/strong>
\nP. L., 2002
\n\u00bb video<\/a>
\n\"Polonca<\/p>\n

Pila Rusjan, Elisa, 5<\/strong>, 4\u2019 5\u201d
\nP.R., 2010
\n\u00bb video<\/a>
\n\"Pila<\/p>\n

Keiko Miyazaki, What is Your Fetish?<\/strong>, 6\u2019 41\u201d
\nK.M., 2018
\n\u00bb video<\/a>
\n\"Keiko<\/p>\n

Danilo Milovanovi\u0107, Plastic Makes It Static<\/strong>, 3\u2019 17\u201d
\nD.M. in Fotopub, 2017
\n\u00bb video<\/a>
\n\"Danilo<\/p>\n

Maja Hodo\u0161\u010dek, Promised Land<\/strong>, 10\u2019 4\u201d
\nM.H., 2010
\n\"Maja<\/p>\n

3kolektiv (Ma\u0161a Gala, Eva Kastelic, Katja Felle), Reservoir \u2013 Swine is Art and Art is Swine<\/strong>, 4\u2019 18\u201d
\n3kolektiv, 2012
\n\u00bb video<\/a>
\n\"3kolektiv<\/p>\n

Miha Mohori\u010d, Ode to Camel<\/strong>, 11\u2019 57\u201d
\nM.M., 2018
\n\"Miha<\/p>\n","protected":false},"excerpt":{"rendered":"

Curator: Toni Poljanec Production: SCCA-Ljubljana, 2018 Duration: 50\u2019 29\u2019\u2019 Premiere:\u00a0Short Film Night 2018, Slovenian Cinematheque, Ljubljana (21. 12. 2018) The program is a selection of art videos, which are more or less openly \u201cflirting\u201d with the documentary approach and form, and go beyond the archiving an artistic practice. The documentary approach, in principle, presupposes the […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-907","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.videospotting.org\/eng\/wp-json\/wp\/v2\/pages\/907","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.videospotting.org\/eng\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.videospotting.org\/eng\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.videospotting.org\/eng\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.videospotting.org\/eng\/wp-json\/wp\/v2\/comments?post=907"}],"version-history":[{"count":5,"href":"https:\/\/www.videospotting.org\/eng\/wp-json\/wp\/v2\/pages\/907\/revisions"}],"predecessor-version":[{"id":912,"href":"https:\/\/www.videospotting.org\/eng\/wp-json\/wp\/v2\/pages\/907\/revisions\/912"}],"wp:attachment":[{"href":"https:\/\/www.videospotting.org\/eng\/wp-json\/wp\/v2\/media?parent=907"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}