{"id":957,"date":"2020-01-29T17:58:20","date_gmt":"2020-01-29T15:58:20","guid":{"rendered":"http:\/\/www.videospotting.org\/eng\/?page_id=957"},"modified":"2020-07-29T14:47:39","modified_gmt":"2020-07-29T12:47:39","slug":"welcome-to-the-8-minute-autumnal-picnic-in-the-past-2019","status":"publish","type":"page","link":"https:\/\/www.videospotting.org\/eng\/welcome-to-the-8-minute-autumnal-picnic-in-the-past-2019","title":{"rendered":"Welcome to the 8 minute Autumnal Picnic in the Past (2019)"},"content":{"rendered":"<p class=\"crta\"><strong>Curators: Barbara Bor\u010di\u0107 and Peter Cerov\u0161ek<br \/>\nProduction:<\/strong> SCCA-Ljubljana, 2019<br \/>\n<strong>Duration:<\/strong> 81\u2019<br \/>\n<strong>Premiere:<\/strong> Alternative Film\/Video Festival, Academic Film Center, Belgrade (13. 12. 2019)<\/p>\n<p>The environment crisis can be perceived and interpreted in an essentially abstract form or, on the contrary, it can be put in its rough and painful concreteness. When these two possibilities meet in this programme, the real space becomes obsolete and media space-time arises. The future and the past become one, which is the cinematic experience in the universal blackness of the screening hall. Like there is no white without black and no silence without noise, there is also no beauty without a dump and no nature without people, no organic without mechanical\/technological.<\/p>\n<p class=\"crta\">The programme consists of eight works by eight artists that address the topic of environment in many different dimensions and artistic approaches, ranging from the 1990s until today.<\/p>\n<p><strong>Davorin Marc, Dobrodo\u0161lica. \/ Welcome.<\/strong>, 2&#8242; 40&#8221;<br \/>\nD.M., 2017<br \/>\n<img decoding=\"async\" class=\"slika\" src=\"http:\/\/www.videospotting.org\/wp-content\/uploads\/video-img\/marc\/davorin-marc-dobrodoslica.jpg\" alt=\"Davorin Marc, Dobrodo\u0161lica.\" \/><\/p>\n<p><strong>Andrej Lupinc, V osmih minutah okoli sveta \/ In Eight Minutes Around the World<\/strong>, 9&#8242; 38&#8221;<br \/>\nA. L. &#038; TV Slovenija, Ljubljana, 1990-2000<br \/>\n<a href=\"http:\/\/www.e-arhiv.org\/diva\/index.php?opt=work&#038;id=55\" target=\"_blank\" rel=\"noopener noreferrer\">\u00bb video<\/a><br \/>\n<img decoding=\"async\" class=\"slika\" src=\"http:\/\/www.videospotting.org\/wp-content\/uploads\/video-img\/lupinc\/lupo-osem.jpg\" alt=\"Andrej Lupinc \u2013 Lupo, V osmih minutah okoli sveta\" \/><\/p>\n<p><strong>Sa\u0161o Sedla\u010dek, Piknik na deponiji \/ Picnic on a Dump<\/strong>, 9&#8242; 06&#8221;<br \/>\nS. S., 2004<br \/>\n<a href=\"http:\/\/www.e-arhiv.org\/diva\/index.php?opt=work&#038;id=686\" target=\"_blank\" rel=\"noopener noreferrer\">\u00bb video<\/a><br \/>\n<img decoding=\"async\" class=\"slika\" src=\"http:\/\/www.videospotting.org\/wp-content\/uploads\/video-img\/sedlacek\/sedlacek-piknik.jpg\" alt=\"Sa\u0161o Sedla\u010dek, Piknik na deponiji\" \/>  <\/p>\n<p><strong>Neven Korda, Jesensko tiho\u017eitje \/ An Autumnal Still Life<\/strong>, 4\u2032 09&#8221;<br \/>\n2001\u20132005<br \/>\n<a href=\"http:\/\/www.e-arhiv.org\/diva\/index.php?opt=work&amp;id=762\" target=\"_blank\" rel=\"noopener noreferrer\">\u00bb video<\/a><br \/>\n<img decoding=\"async\" class=\"slika\" src=\"http:\/\/www.videospotting.org\/wp-content\/uploads\/video-img\/korda\/korda-jesensko.jpg\" alt=\"Neven Korda, Jesensko tiho\u017eitje\" \/><\/p>\n<p><strong>Marko A. Kova\u010di\u010d, Naprej v preteklost \/ Forth into the Past,<\/strong>, 10\u2032<br \/>\nForum Ljubljana &amp; VPK, 1995<br \/>\n<a href=\"http:\/\/www.e-arhiv.org\/diva\/index.php?opt=work&amp;id=33\" target=\"_blank\" rel=\"noopener noreferrer\">\u00bb video<\/a><br \/>\n<img decoding=\"async\" class=\"slika\" src=\"http:\/\/www.videospotting.org\/wp-content\/uploads\/video-img\/kovacic\/kovacic-naprej.jpg\" alt=\"Marko A. Kova\u010di\u010d, Naprej v preteklost\" \/><\/p>\n<p><strong>R\u00c1TNEEK (Maja Prelog, Bla\u017e Murn), 2 0 4 5<\/strong>, 9\u2032<br \/>\nR., 2016<br \/>\n<a href=\"http:\/\/www.e-arhiv.org\/diva\/index.php?opt=work&#038;id=1212\" target=\"_blank\" rel=\"noopener noreferrer\">\u00bb video (trailer)<\/a><br \/>\n<img decoding=\"async\" class=\"slika\" src=\"http:\/\/www.videospotting.org\/wp-content\/uploads\/video-img\/ratneek\/ratneek_2045.jpg\" alt=\"R\u00c1TNEEK (Maja Prelog, Bla\u017e Murn), 2 0 4 5\" \/><\/p>\n<p><strong>Kristina Kokalj, Ma\u0161ina spomina \/ Memory Machine<\/strong>, 4&#8242; 25&#8221;<br \/>\nK.K., 2018<br \/>\n<img decoding=\"async\" class=\"slika\" src=\"http:\/\/www.videospotting.org\/wp-content\/uploads\/video-img\/kokalj\/kristina-kokalj-masina-spomina.jpg\" alt=\"Kristina Kokalj, Ma\u0161ina spomina\" \/><\/p>\n<p><strong>Zmago Len\u00e1rdi\u010d, Waiting for Changes<\/strong>, 32&#8242;<br \/>\nZ.L., 2007<br \/>\n<img decoding=\"async\" class=\"slika\" src=\"http:\/\/www.videospotting.org\/wp-content\/uploads\/video-img\/lenardic\/zmago-lenardic-waiting-for-changes.jpg\" alt=\"Zmago Len\u00e1rdi\u010d, Waiting for Changes\" \/><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Curators: Barbara Bor\u010di\u0107 and Peter Cerov\u0161ek Production: SCCA-Ljubljana, 2019 Duration: 81\u2019 Premiere: Alternative Film\/Video Festival, Academic Film Center, Belgrade (13. 12. 2019) The environment crisis can be perceived and interpreted in an essentially abstract form or, on the contrary, it can be put in its rough and painful concreteness. When these two possibilities meet in [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-957","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.videospotting.org\/eng\/wp-json\/wp\/v2\/pages\/957","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.videospotting.org\/eng\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.videospotting.org\/eng\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.videospotting.org\/eng\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.videospotting.org\/eng\/wp-json\/wp\/v2\/comments?post=957"}],"version-history":[{"count":3,"href":"https:\/\/www.videospotting.org\/eng\/wp-json\/wp\/v2\/pages\/957\/revisions"}],"predecessor-version":[{"id":988,"href":"https:\/\/www.videospotting.org\/eng\/wp-json\/wp\/v2\/pages\/957\/revisions\/988"}],"wp:attachment":[{"href":"https:\/\/www.videospotting.org\/eng\/wp-json\/wp\/v2\/media?parent=957"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}