{"id":1334,"date":"2025-06-26T15:21:17","date_gmt":"2025-06-26T13:21:17","guid":{"rendered":"https:\/\/www.videospotting.org\/eng\/?p=1334"},"modified":"2025-06-26T15:21:17","modified_gmt":"2025-06-26T13:21:17","slug":"videogarden-17-nuclear-bodies","status":"publish","type":"post","link":"https:\/\/www.videospotting.org\/eng\/archives\/1334","title":{"rendered":"VideoGarden.17: Nuclear Bodies"},"content":{"rendered":"<p><img decoding=\"async\" class=\"alignnone size-medium\" src=\"https:\/\/www.videospotting.org\/wp-content\/uploads\/novice\/VideoGarden.17.jpg\" alt=\"VideoGarden.17\" width=\"450\" \/><\/p>\n<p>Screening and talk on <strong>Friday, 4 July 2025, 9 pm<\/strong> at the inner courtyard of \u0160kuc Gallery, Ljubljana.<br \/>\nThe programme begins with microorganisms that can only be seen under a microscope, and through this \u2013 in film terms \u2013 close-up, it slowly approaches human characters. However, they seem to be expressions of some impersonal forces: something is within their bodies, and it works through them. The functioning of human bodies and the possibility of knowing it is necessarily linked to the development of technology and spiritual practices. The body becomes open: a phenomenon that lies between an organism and a multitude of sub-organisms, exhibiting the capacity to self-organise and an abstraction into code or information that can be manipulated.<br \/>\nParticipating: <strong>Ur\u0161ula Berlot, Tina \u0160\u010davni\u010dar, Ester Ivaki\u010d, Teja Miholi\u010d, Hannah Koselj Maru\u0161i\u010d, Luka Dekleva, Luka Prin\u010di\u010d<\/strong><br \/>\nCurator: <strong>Robert Kuret<\/strong><\/p>\n<p><a href=\"https:\/\/www.scca-ljubljana.si\/en\/videogarden-17\/\" target=\"_blank\" rel=\"noopener\"><strong>MORE<\/strong><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Screening and talk on Friday, 4 July 2025, 9 pm at the inner courtyard of \u0160kuc Gallery, Ljubljana. The programme begins with microorganisms that can only be seen under a microscope, and through this \u2013 in film terms \u2013 close-up, it slowly approaches human characters. However, they seem to be expressions of some impersonal forces: [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-1334","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/www.videospotting.org\/eng\/wp-json\/wp\/v2\/posts\/1334","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.videospotting.org\/eng\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.videospotting.org\/eng\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.videospotting.org\/eng\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.videospotting.org\/eng\/wp-json\/wp\/v2\/comments?post=1334"}],"version-history":[{"count":2,"href":"https:\/\/www.videospotting.org\/eng\/wp-json\/wp\/v2\/posts\/1334\/revisions"}],"predecessor-version":[{"id":1339,"href":"https:\/\/www.videospotting.org\/eng\/wp-json\/wp\/v2\/posts\/1334\/revisions\/1339"}],"wp:attachment":[{"href":"https:\/\/www.videospotting.org\/eng\/wp-json\/wp\/v2\/media?parent=1334"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.videospotting.org\/eng\/wp-json\/wp\/v2\/categories?post=1334"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.videospotting.org\/eng\/wp-json\/wp\/v2\/tags?post=1334"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}