{"id":287,"date":"2010-07-28T11:59:38","date_gmt":"2010-07-28T09:59:38","guid":{"rendered":"http:\/\/www.videospotting.org\/eng\/?p=287"},"modified":"2010-07-28T11:59:38","modified_gmt":"2010-07-28T09:59:38","slug":"the-invisible-mafaf","status":"publish","type":"post","link":"https:\/\/www.videospotting.org\/eng\/archives\/287","title":{"rendered":"The InVisible MAFAF"},"content":{"rendered":"<p>(Information program of Cinemaniac 2010)<br \/>\nExhibition <\/p>\n<p><strong>July 18-August 6,2010<\/strong><br \/>\nMMC Luka, Pula, Croatia<\/p>\n<p><img decoding=\"async\" src=\"http:\/\/www.videospotting.org\/wp-content\/uploads\/nevidljivi-mafaf.jpg\" alt=\"Marko Kova\u010di\u010d na razstavi neVidljivi MAFAF\" \/><\/p>\n<p><strong>Cinemaniac <\/strong>established in 2002 as the support programme at the <em>Pula Film Festival<\/em> in order to  present innovative events in art and cinema, thus creating a new social space  to introduce recent achievements in the fields of experimental video and  filmmaking, and multimedia installations. Within such practices, contemporary  art reveals itself as both a kind of parallel history and a signpost to  possible futures for avantgarde and experimental filmmaking &ndash; as well as a  space where the depths of possibility are plumbed, borders argued, and the  language of film image &ndash; and, crucially, new cinema forms &ndash; investigated.<\/p>\n<p>The 9th Cinemaniac festival is dedicated to <strong>MAFAF &ndash; the Inter cine club Alternative  Amateur and Artist Film Festival<\/strong>, which ran from 1965 to 1990 in Pula as an annual prelude  to the Yugoslav Feature Film Festival. Two decades later, aided by available  documents and archive material, we want to try and make the festival&rsquo;s  invisible history visible, in order to best contextualize it, reassess its real  significance and rehabilitate the memory of an important event where the sheer  number of applicants and their works made it the biggest event dedicated to  alternative and non-professional filmmaking in Yugoslavia. <\/p>\n<p>Twelve years on, Cinemaniac brought MAFAF  forcefully into the 21st century by retaining a flair for researching practices  in moving images, and inviting to Pula  a number of the erstwhile MAFAF participants along with a new generation of  visual artists. Amongst them are two artists from Slovenia, who have already  participated at the previous editions of MAFAF. <strong>Marko Kova\u010di\u010d<\/strong> re-participates at the exhibition <strong>The InVisible MAFAF<\/strong> with his film <em>Casus Belli<\/em> (Super 8, &Scaron;KUC, Ljubljana  1983, 15&#8242;) and <strong>Mirko Simi\u0107<\/strong> with his  two films <em>Passer by<\/em> (VHS, BRIS &amp;  V.S. Video\/Forum, Ljubljana 1990, 4&#8242; 18&#8221;) and <em>Positive Connection II<\/em> (VHS, BRIS &amp; V.S. Video\/Forum, Ljubljana  1990, 3&#8242; 16&#8221;). <\/p>\n<p><strong>More:<\/strong><br \/>\n<a href=\"http:\/\/www.scca-ljubljana.si\/news-en_10-27.htm\" target=\"_blank\">The InVisible MAFAF<\/a><br \/>\n<a href=\"http:\/\/www.pulafilmfestival.hr\/en\/index.php?p=list&#038;group=106\" target=\"_blank\">Pula Film Festival<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>(Information program of Cinemaniac 2010) Exhibition July 18-August 6,2010 MMC Luka, Pula, Croatia Cinemaniac established in 2002 as the support programme at the Pula Film Festival in order to present innovative events in art and cinema, thus creating a new social space to introduce recent achievements in the fields of experimental video and filmmaking, and [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-287","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/www.videospotting.org\/eng\/wp-json\/wp\/v2\/posts\/287","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.videospotting.org\/eng\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.videospotting.org\/eng\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.videospotting.org\/eng\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.videospotting.org\/eng\/wp-json\/wp\/v2\/comments?post=287"}],"version-history":[{"count":1,"href":"https:\/\/www.videospotting.org\/eng\/wp-json\/wp\/v2\/posts\/287\/revisions"}],"predecessor-version":[{"id":288,"href":"https:\/\/www.videospotting.org\/eng\/wp-json\/wp\/v2\/posts\/287\/revisions\/288"}],"wp:attachment":[{"href":"https:\/\/www.videospotting.org\/eng\/wp-json\/wp\/v2\/media?parent=287"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.videospotting.org\/eng\/wp-json\/wp\/v2\/categories?post=287"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.videospotting.org\/eng\/wp-json\/wp\/v2\/tags?post=287"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}