{"id":648,"date":"2017-01-21T18:56:26","date_gmt":"2017-01-21T16:56:26","guid":{"rendered":"http:\/\/www.videospotting.org\/eng\/?p=648"},"modified":"2018-01-23T14:55:41","modified_gmt":"2018-01-23T12:55:41","slug":"fresh-perspective","status":"publish","type":"post","link":"https:\/\/www.videospotting.org\/eng\/archives\/648","title":{"rendered":"Fresh Perspective"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.scca-ljubljana.si\/arhiv\/foto450\/svez-pogled\/Sluga_Somewhere_Else.jpg\" width=\"450\" height=\"253\" alt=\"Ana Sluga, Somewhere Else, 2011\"><br \/>\n<span style=\"font-size:80%\">Ana Sluga, <em>Somewhere Else<\/em>, 2011<\/span><\/p>\n<p><strong>January 24, 2017, 7pm <\/strong><br \/>\nCultural Centre Nova Gorica, Mala dvorana <\/p>\n<p>The <a href=\"http:\/\/www.videospotting.org\/eng\/fresh-perspective-2016\">Fresh Perspective<\/a> program focuses on technological and stylistic characteristics as well as shifts in contents and concepts in the production compared to older works from the archive. The program pursuits for different artistic approaches to the times of today and intentionally exposes women artists.<\/p>\n<p>Selected works: Ana \u010cigon, Za luno, 2015; Pila Rusjan, Elisa, 5, 2010; Noemi Veberi\u010d Levovnik, The Yellow Turn, 2011; Valerie Wolf Gang, Distant Memory, 2014; Katarina Re\u0161ek (Kukla), Napravi mi dete: Napoleon, 2016; Andrea Knezovi\u0107, Ode to Helplessness, The Inability to Breathe In 1.0, 2016; Ana Sluga, Somewhere Else, 2011; Yuliya Molina, Some-body, 2015; Ne\u017ea Jurman (Nez Pez), Morph, 2016; Ur\u0161ka Djuki\u0107, Persistence vol.2, 2014; Nika Autor, Postcards, 2010; Vesna Bukovec, Circular, 2016; R\u00c1TNEEK (Maja Prelog, Bla\u017e Murn), 2 0 4 5, 2016<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Ana Sluga, Somewhere Else, 2011 January 24, 2017, 7pm Cultural Centre Nova Gorica, Mala dvorana The Fresh Perspective program focuses on technological and stylistic characteristics as well as shifts in contents and concepts in the production compared to older works from the archive. The program pursuits for different artistic approaches to the times of today [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-648","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/www.videospotting.org\/eng\/wp-json\/wp\/v2\/posts\/648","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.videospotting.org\/eng\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.videospotting.org\/eng\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.videospotting.org\/eng\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.videospotting.org\/eng\/wp-json\/wp\/v2\/comments?post=648"}],"version-history":[{"count":2,"href":"https:\/\/www.videospotting.org\/eng\/wp-json\/wp\/v2\/posts\/648\/revisions"}],"predecessor-version":[{"id":840,"href":"https:\/\/www.videospotting.org\/eng\/wp-json\/wp\/v2\/posts\/648\/revisions\/840"}],"wp:attachment":[{"href":"https:\/\/www.videospotting.org\/eng\/wp-json\/wp\/v2\/media?parent=648"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.videospotting.org\/eng\/wp-json\/wp\/v2\/categories?post=648"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.videospotting.org\/eng\/wp-json\/wp\/v2\/tags?post=648"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}